How would you make a movie about Winston Churchill?
My gut reaction to this was "I wouldn't, fuck him", but then I realised that I do actually have thoughts about this.
Open with a white-text-on-black-screen intro that explains that dialogue in this film has been taken wherever possible from historic recordings. Where it couldn't be, it has been constructed from records of the relevant parliament/private discussions that are on record, even if not word for word. Add that all events depicted are real. And, to reinforce this, a huge load-bearing pillar of the marketing for the film would emphasise that this is extremely limited in artistic interpretation, it's all things the man actually said and did. This, the marketing would stress, is the REAL Churchill, in all his complexity. This is the nuanced and complex and very human guy we don't see in the history books, strengths and flaws and all of it.
The first... half, maybe even two thirds of the film would be pre-WW2. A full account of all his actions in power, painting the picture of the man he was. His belligerence disguised as wit, sending in the army against striking Welsh miners, his initial admiration for fascism and eugenics, all of it. All reproduced from things he actually said and did.
Then, the realisation that Hitler included Britain in his fascist plans. The U-turn into hating the guy, all while believing in the same underlying points.
Then, most of the WW2 section would be in montage form. And at this point, the audience sees why he was actually fairly well suited to the task of opposing Hitler, because all those flaws meant he was ego-driven to resist the Nazis or die trying, and that was what was needed at the time. We've set up that ego, that belligerence, that eloquence. Here it is, in context, actually being useful.
But, this would be juxtaposed with all the things we're carefully not told, that are nonetheless historic record. The starving of India to get food to Britain. The lack of bomb shelters in London, and then claiming credit for sending people into the Underground when they thought to do it. The use and abuse of non-British Commonwealth troops in roles kept from the white soldiers. All of that goes in.
And then, once the war was done, the fallout. The rest of the film would cover his fall from power, first of all - the fuck up at the Potsdam Conference, then his continued use of lurid and hyperbolic war rhetoric in the general election campaign that basically made Clement Atlee and let Labour win.
Labour's creation of the NHS, and national parks, and other such things. Churchill's opposition. The fallout to places like India, the Suez, etc.
And then his return for a final term as Prime Minister in which he was unpopular, unsuccessful, and also very unwell; he was 77 and had multiple strokes, which were hidden from the public. He was against the dissolution of the empire, but Labour had already pulled the trigger on it, so his final years were basically a lot of war crimes and whining as countries declared independence; which won't be a surprise to the audience, because we've literally heard his views on eugenics and imperialism already. Of course those didn't go away with WW2. All that congealed ego and imperialist drive, so useful against Hitler while keeping the worst costs away from the UK, made him a fossil unsuited to the role of peacetime leadership in a post-war recovering nation beginning to decolonise.
And finish on how, at the end, he supported the UK's application to join the EEC - the precursor to the EU.
The whole thing would make the Churchill cultists so fucking angry. They'd 100% claim liberal bias and piss themselves. But that's why you'd have to go so hard on stressing in the marketing that all of it is true; he literally said this. He literally did this. It's all real. Even the EU bit. Yeah, you voted against Churchill.
janainaart
theartofmadeline
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