Houston Maludi (Congolese, b. 1978), Kinshasa Street Scene, 2009. Indian ink on canvas, 40.2 x 40.2 cm.

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Houston Maludi (Congolese, b. 1978), Kinshasa Street Scene, 2009. Indian ink on canvas, 40.2 x 40.2 cm.
Awar Odhiang by Ethan James Green for Vogue UK November 2025
Dorothy Napangardi
Sandhills of Mina Mina - 2002
Cong He by Leslie Zhang for W Korea Magazine October 2025
Lenny Kravitz’s Miami home (1999) designed by: Architropolis
The Ten Largest, No. 7., Adultez, Grupo IV, 1907. · Hilma af Klint
Hilma af Klint: The Dove No. 7 Group IX (1915)
Paintings for the Temple - The Large Figure Paintings (De stora figurmålningarna), Hilma af Klint, c.1907
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1920 Oil on canvas Private collection 37 x 28 cm
Ryugyong Hotel, Pyongyang, North Korea
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“Self-conception is the source some of our sweetest pleasures — knowing ourselves to be loved or to have done well; and our greatest (and often self-inflicted) torments — believing ourselves to be worthless, unlovely, or unlovable. A sure sense of self-worth, based on the wholehearted endorsement of our practical identities, is enough in most circumstances to make life worth living. A sense of personal worthlessness, on the other hand, can be the motive for suicide or — as Nietzsche argued — the germ from which nihilism and the rejection of all value spreads. And I believe that self-conception is, and relatedly, the source of our capacity for everyday decency as well as of heroic virtue; and of our capacity for trivial pettinesses as well as for great crimes. I think that self-conception is, in short, the root of both moral good and evil.”
— Christine M. Korsgaard, The Sources of Normativity
Johannes Stokhem (c1445-1487) - Je suis d'Alemagne ·
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And the Butterflies Began to Sing, from La Femme 100 têtes, published in 1929