Welcomed home from New Mexico with a fucking fiery sky 🔥
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Monterey Bay Aquarium
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❣ Chile in a Photography ❣
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Mike Driver
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2025 on Tumblr: Trends That Defined the Year
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@dianamailove
Welcomed home from New Mexico with a fucking fiery sky 🔥
Subterrane
-Searing Limb
☽✧☾ - http://weheartit.com/entry/187417175
sunmi slap me
did you know that birds could smile?
MY HEART
No relationship can truly grow if you go on holding back. If you remain clever and go on safeguarding and protecting yourself, only personalities meet, and the essential centers remain alone. Then only your mask is related, not you. Whenever such a thing happens, there are four persons in the relationship, not two. Two false persons go on meeting, and the two real persons remain worlds apart.
Osho, Intimacy: Trusting Oneself and the Other (via dissolve-in-a-sea-of-stillness)
Vienna, Austria-based artist Bogi Fabian uses glow-in-the-dark and black light-reactive paints to transform rooms into otherworldly getaways in distant galaxies, jungles, caves or underwater. While some of Fabian’s murals are partially visible when the lights are on, the walls and floors of some of her painted rooms appear completely blank until the lights go out. In the dark the walls and floors come alive with dreamy glowing colors.
"I am trying to create dreamful atmospheres, paint walls and floors and manage to enlighten my art with and without a source of energy.
Thus, the spectator can experience the result in the daylight as well as in the dark, and in that way enjoy it in all its facets. My goal is to create unique spaces and rooms giving them an identity and a soul, where relaxing and living become an experience.”
In addition to her dazzling glow-in-the-dark murals, Fabian also works with bodypainting and glowing ceramics. To check out more of her dreamy artwork visit Bogi Fabian’s website and Facebook page.
[via Bored Panda]
OMG windrunner5, I have a mighty need!!
AAAAAAAAAAAAAAA!
Lavender field, Provence, France
Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death—ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return. James Arthur Baldwin (1924-1987)
Visited today a brilliant “Van Gogh Alive” exhibition.