hello vonnie
Cosimo Galluzzi
taylor price
No title available
Interview Vampire Daily
noise dept.
Sade Olutola
The Stonewall Inn
occasionally subtle

shark vs the universe
No title available
🩵 avery cochrane 🩵

roma★
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
almost home
Cosmic Funnies
Lint Roller? I Barely Know Her

seen from United States

seen from Costa Rica

seen from United States
seen from United States
seen from Brazil

seen from Argentina

seen from Germany
seen from Brazil
seen from Philippines
seen from Tunisia

seen from Ireland
seen from United Kingdom
seen from United States
seen from Uruguay
seen from Australia
seen from United States
seen from United States
seen from United States

seen from Spain
seen from Canada
@dinosaurjunglegirl
J'adore! HARDCORE
Rind, 1955, M.C. Escher
Hermann Hesse - Siddhartha
Hiroshima Mon Amour (1959), dir. Alain Resnais
Airplane mode for overthinking please
The book of Isaiah in the Old Testament has it that “all flesh is grass.” It is a logic that we might today describe as ecological: In animal bodies, grass becomes flesh. But why stop there? Grass only becomes grass when sustained by the fungi that live in its roots. Does this mean that all grass is fungus? If all grass is fungus, and all flesh is grass, does it follow that all flesh is fungus?
Merlin Sheldrake, Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures (via probablyasocialecologist)
Tell The People You Love That You Love Them By Rachel C. Lewis, December 18th, 2013
Chilly Scenes of Winter (Joan Micklin Silver, 1979)
The key is to keep asking yourself the same question, again and again and again: this is your life - what do you want to pay attention to?
Catherine Price, from How to Break Up with Your Phone (via the-final-sentence)
Jackson Pollock
The USA, 1912-1956
Number 18, 1950
Oil on fiberboard 56.0 x 56.7 cm