White Zombie (Victor Halperin, 1932)

Discoholic 🪩
Three Goblin Art
he wasn't even looking at me and he found me
Sweet Seals For You, Always

#extradirty
One Nice Bug Per Day
will byers stan first human second
Show & Tell

oozey mess
DEAR READER
"I'm Dorothy Gale from Kansas"

⁂
Claire Keane
Lint Roller? I Barely Know Her
ojovivo

roma★
Not today Justin

Janaina Medeiros
taylor price

izzy's playlists!

seen from United Kingdom

seen from United States

seen from Canada
seen from United States
seen from United States

seen from France

seen from Germany
seen from Türkiye

seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from United States
seen from Austria
seen from Türkiye
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from Netherlands
@diosentrelaniebla
White Zombie (Victor Halperin, 1932)
Through a Glass Darkly Såsom i en spegel (1961) Dir Ingmar Bergman
Through a Glass Darkly (1961) - by Ingmar Bergman
Orta San Giulio, Italy
La visita, 1964
@Antonio Pietrangeli
“Vivere come ci pare e piace costa poco; perché lo si paga con una cosa che non esiste: la felicità”
— C’eravamo Tanto amati
Una Giornata Particolare, Ettore Scola
Order is the virtue of the mediocrity.
Una giornata particolare (Ettore Scola, 1977)
Ettore Scola, “Una giornata particolare”, 1977
Marcello Mastroianni and Fulvia Mammi in Il bell'Antonio, direcred by Mauro Bolognini, 1960.
Marcello Mastroianni in Divorce, Italian Style
Marcello Mastroanni and Stefania Sandrelli in Divorzio all'italiana (Divorce Italian Style (1961) d. Pietro Germi)
Stefania Sandrelli - C’eravamo tanto amati (We All Loved Each Other So Much), 1974
Directed by Ettore Scola
Marcello Mastroianni rehearsing with Federico Fellini the final scene in La Dolce Vita.
La Dolce Vita (1960), directed by Federico Fellini.
Marcello Mastroianni e Sophia Loren, “Matrimonio all'italiana” (Vittorio De Sica, 1964).