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William Daniell (British, 1769-1837), Eddystone Lighthouse, During a Storm. Oil on canvas, 88 x 134 cm.

via catonhottinroof

Song Yuanyuan (Chinese, b. 1981), Negative Room, 2010. Oil on canvas, 180 x 250 cm.

Chester Arnold (American, b. 1952), A Natural History of Disaster II: The Excavation of the White House, 2152 A.C., 2019. Oil on canvas, 42 x 48 in.

Henrik Simonsen (Danish, b. 1974), Amber Dusk, 2013, 15 colour screenprint on 300gsm Bockingford paper, 113 x 94 cm. Edition 53/70

Martijn Hesseling (Dutch, b. 1971), NYT-IV, 2000-19. Newspaper with resin on acrylic plate, 50 x 70 cm.

Hugo Weber (Swiss, 1918-1971), Untitled, 1950. Pencil, ink and chalk on paper, 50 x 64.5 cm.

Glenn Brown (British, b. 1966), This Island Earth, 2017. Oil on panel, 274 x 183 cm.

Sandra Cinto (Brazilian, b. 1968), Untitled, 2017. Acrylic and permanent pen on canvas, 70 x 57 cm.

Wayne Gonzales (American, b. 1957), Untitled, 2004. Acrylic on canvas, 24 x 24 in.

Natalia Stachon (Polish, b. 1976), Visions and Revisions (My working space), 2020. Pencil on paper, mounted on aluminium dibond, 56 x 42 cm.

Nick Walker (British, b. 1969), Basking In The Glory (TMA - Hong Kong Street Scene #1), 2013. Serigraph on paper, 68 x 66 cm. Edition of 150

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Fedor Fischer (Croatian, b. 1975), Collapse II, 2016. Mixed media on canvas, 200 x 250 cm.

An emoji of when I see my beautiful partner

@distransient