[sarahyod]

Elbows Back, oil, acrylic, charcoal, spray paint on canvas, 48"x60", 2016. Gonna leave it here for now–see how I feel in a couple weeks 🤘🏼💪🏽

[puretypography]

[packetbiweekly]

Christine Zhu and Chris Nosenzo in Issue #046

[thehammermuseum]

“Upritchard’s proclivity for painting her characters’ skin in tones such as jaundiced yellow, mossy green, or calming lavender— sometimes in two tones or even a rainbow of hues—or having the patterns of their clothing continue onto their faces and hands, as if they have evolved to be able to camouflage themselves within their immediate surroundings, suggests that these creatures may signify a future race. But the combination of recognizable referents that appear to leave her figures nearly paralyzed—their partially opened eyes in a continuous state of rueful pondering— is what the viewer will recognize as disconcertingly familiar, a state of mind that syncs up perfectly with the contemporary moment.”

Hammer Projects: Francis Upritchard closes on Sunday: http://bit.ly/1GpKIbQ

[danielodowd-deactivated20170124]

http://caitybirmingham.vsco.co/

[yard-sales]

‘ Colour Me In ‘

Edward Cumming S/S 2015 por Javier Castán ph.

[transparentoctopus]

Alfred Leslie 1962

[my-tumblrisbetterthanyours]

blue-voids:

Wim Wauman - In Bloom, 2009 http://ift.tt/1LZ6AB2

[thechemicalroom]

Thomas Mailaender

[dailycontents]

Possibility of landscape

By Luciana Novo

[vjeranski]

Sebastien Bonin Untitled. 2013

via

[likeafieldmouse-deactivated2015]

[gi-ra-sole]

Yeong Ja Jung - ‘Exposure on the Mirror’ (1980)

[suckadick2014-deactivated201403]

Undercover Fall-Winter 2009, “Earmuff Maniac” Men’s Non-no Magazine, August 2009

[bandtshirt]

pleats please travel through the planet: kenya, photographed by yuriko takagi

pleats please - issey miyake

[maccalarco]

Black Glass

2014

[thechemicalroom]

Christopher Charles Curtis

[untrustyou]

Elisa Nhantumbo