Swash Capital Alternates
(Above) Adobe Bickham Script Pro. There are 3 versions of capital âBâ within the same typeface.
(Above) There are 16 alternates for this lowercase âbâ. Pro-tip: Do big things.
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Swash Capital Alternates
(Above) Adobe Bickham Script Pro. There are 3 versions of capital âBâ within the same typeface.
(Above) There are 16 alternates for this lowercase âbâ. Pro-tip: Do big things.
There are only fifteen colors. Not really, but really.
This may be myopic on my part, but there are exactly 15 colors in the modern world that are used to describe color without getting too fussy. Sure, you can always fuss over sky blue vs. robins egg blue vs. baby blue. But âsometimesâ no one really cares. Iâve been known to be wrong so...
Question
What is the least amount of colors that could describe all the colors? Luckily I have broken it down to a neat 15 color palette.Â
Rainbow
First off you need the basic color wheel rainbow of course. Red, orange, yellow, green, blue, purple. Primary and secondary are the most basic of basic colors.
(above) Primary and Secondary colors
Darks & Pastels
So what if you where to take the colors and make them darker and lighter to make new colors. Well, letâs go thru that.Â
(above) Red dark = Maroon. Red light = Pink. Orange dark = Brown. Orange Light = Salmon. Yellow dark = Mustard. Yellow light = Banana. Green dark = Hunter. Green light = Sage. Blue dark = Midnight. Blue light = Sky. Purple dark = Aubergine. Purple light = Lavender.
The only colors here that need to be in the palette are Pink and Brown. The reason being that Mustard can still be considered Yellow. But Brown can not be considered Orange. And Pink can not be considered Red. You can deduce the other colors as well. For example Hunter Green and Sage Green are really essentially just Green. Sad but true.
Porsches and Minivans
What is interesting is, why is Pink itâs own color and not Sky? Perhaps itâs society? Pink has been viewed as a female color, perhaps this societal meaning has pushed its value to be as high as a primary color. For example driving a Red Porsche is a lot different then driving Pink Porsche. But if you saw a Blue Minivan or a Sky Blue Minivan, they are essentially the same thing, just a Blue minivan.
(above) Red, Pink, Blue
Blurple? Teal with it
So the primary colors and the secondary colors must all be in the palette. But what about the tertiary colors? Letâs go thru that.
(above) Red + Orange = Vermillion. Orange + Yellow = Sunset. Yellow + Green = Chartreuse. Green + Blue = Teal. Blue + Purple = Blurple. Purple + Red = Merlot.
The only color here that is real is Teal. In a broad stroke, you could call it Aqua, Turquoise, Tiffany, Blue-green whatever, they are all in the same family. You canât call something that is colored Teal as Blue. Just as you canât call something Pink as Red. Itâs the same as the Porsche analogy. Blurple? yeah thatâs just Purple. Merlot? yeah thatâs just Red. But Teal? naw, there is just something about Teal that deserves a higher value than tertiary.
Gold
There is no denying that gold is a color and should be its own color in the palette. Which begs to ask, what about all the metallic colors? Metallic Red? umm, thatâs just Red. Just as Metallic Green is just Green. This really just boils down to Warm Metallic and Cool Metallic really. Or basically Silver and Gold. Platinum? Titanium? Nickel? Aluminum? all just Silver. Bronze? Copper? Rose Gold? Champagne? all just Gold.
(above) Cool metallic, Warm metallic
Plainbow
What about no color? Thatâs what the Carebears call a Plainbow. Obviously Black and White need to be in there. But so does Grey and Cream. Charcoal? Heather? Ash? those are just Grey. Off-White? Porcelain? Manila? you guessed it, just Cream
(above) White, Black, Grey, Cream (One can argue Cream is not part of the âplainbowâ pallette and is a real color)
15 colors
And there you have it. 15 colors. Dassit!
Illest Common Denominator
Lowest Common Denominator aka LCD
All of these pencils, but you can't erase the past
I donât remember the exact time in my life that I wanted to be involved in art/design. But I do remember the small incremental steps of the tools of creation efficiency. What?
(Above) Pentel A125 one of my first pencils as a child
As a child you usually start with whatever you can use to draw. Starting with crayons you realize, how imprecise it is. With markers, you realize how the bleeding works against you when you draw. With a ballpoint pen, you realize you can not erase your mistakes.
Warm, Forgiving and Efficient
The pencil was the grail... erasable, yet it needed sharpening but that trumped the issues a pen had. Not perfect, but warm, forgiving, and efficient.
(Above) Pentel QE405, Pentel PD345, Pentel A125 Sharplet-2
It wasn't until the day I discovered mechanical pencils, that shit blew my mind. No sharpening, push button, spring action, lead advancing and so on. Iâve been obsessed. I think every designer / artist has had an infatuation with a writing instrument at one point in their lives.
The pencil is the the original word document, the original calculator, the original xerox machine, the original scanner, the original camera, the original message app, the original status updater.
There is something so basic yet so satisfyingly about graphite hitting paper and creating a mark. The pencil is the the original word document, the original calculator, the original xerox machine, the original scanner, the original camera, the original message app, the original status updater.
Pencore
Iâve been collecting mechanical pencils and push click ball point pens thru the years. Expect to see future posts relating to this obsession. But for this post here are some of my favorite pencils from my collection.
(Above left to right) Pentel Teal QE405, Delfonics Natural, Pentel Orange PD345, Platinum 500, Pilot H-115, Livework Grey Brown Convex Pencil, Pilot Teal Pink Fure Fure Sprinter, Gold Fisher Space Pencil, Platinum Pro-Use, Pentel S445, Black Uni Shift, Rotring, Papermate Cassette, Faber-Castell TK-Fine Vario, Gold Paper Mate Pencil, Uni Wood Malt Pencil, Parker Classic Pencil, White Pentel Techniclick, Pentel Pink Black Smash, Sierra Incense Cedar, Caran dâAche grey pencil, Pilot Coleto Dual barrel with pencil insert and eraser insert, Pilot Shaker 1010, Kura Toga, Zebra Stainless Steel, Pentel Q525, Sheaffer Japan Setinel Pencil, Pilot Cocoon pencil, Pentel Kerry.
Columbia Titling Typeface
Who doesn't love display faces. Sometimes I tire of my usual classics. And this typeface brings a fresh perspective to things. As much as I love Requiem, Didot Italic (obviously) and use Garamond as a workhorse, I see myself using Columbia. Maybe. That capital âRâ tho.
(Above) Rich Boy - Throw Some Dâs
(Above) Columbia Titling. Design by Gregory Shutters. The typeface â released in four weights â takes its name from the historic S.S. Columbia, a steamboat launched in 1903. Lettering found on the shipâs wheelhouse provided initial inspiration for Columbia Titling.
Blood is thicker than science
The blood of the covenant is thicker than the water of the womb.
When overkill becomes closer to reality
Itâs funny I come across a lot of people that still donât realize the sizing relationship between the digital camera and the screen (and then to print sizes, I will not talk about print in this post). Perhaps there isn't any real need to understand it anyway. Like for example you dont need to know how every internal part of a car works if you need to get from a to b. But when it comes to photography. I think the knowledge enables you to squeeze out the best from your images.
(Above) is your standard laptop resolution as per date of this post (non-retina)
(Above) is a typical digital camera.
Is overkill bad?
When dealing with digital cameras and computers, I believe most people just think, âoh just put the jpegs on the computer upload to site and doneâ. (instagram is a different story) But if your using a digital camera just for internet photos, as of this moment, itâs pretty overkill. But you want that overkill. When you take the 2 diagrams above and scale them to the same size, this is what you get below:
(Above) your typical digital camera image at 100 percent view size compared to a regular laptop screen.Â
Bad meaning good
This is an advantage because you can re-crop, re-size, re-edit the photo with out losing resolution because ultimately you will be resizing down that large image to fit into the resolution of a screen. And this âdownsizingâ will only make the photo sharper and cleaner. What this has ultimately come down to is, you can take a bad photo and with some work, you can make it look good on the web.
Reality is catching up with overkill
(Above) New âretinaâ display gold laptops (buy me one) are now displaying a much higher resolution where now the so-called âoverkillâ is becoming less advantageous.
(Above) Here are the two images from above scaled down to equal size of the laptop screens. Notice that the same 4000 x 3000 image is now much smaller in size when viewed on a retina display. This means youâll have less to work with in terms of cropping, and editing.
Advantage Overkill
(Above) is a crop from an image which resolution is equal or much larger then the screen its being view on. Notice the crop is very usable.
Reality Game, Set, Match
(Above) is a crop from an image which resolution is much lower to the screen itâs being viewed on. The upscaling has ruined the crop.
Cant faze me
I believe we are just in a transition phase right now. Looking at the grand picture, cameras will just be entering yet another megapixel race (50 megapixel cameras becoming a norm) and that so called overkill advantage will yet come back again.
Oh my God, I'm dropping caps like beginnin. I hope your listenin, smackin babies at their Christenin
Oh my God, I'm dropping shit like a pigeon. I hope your listenin, smackin babies at their Christenin. (Biggie Smalls)
Shameless Typeface
Iâve always been fascinated by script fonts. Especially those that look hand written. Itâs like the perfect opposite, digital-analog. I think the first time I encountered this (a very long time ago) it kinda blew my mind that your handwriting could be a font.
(Above) Wu-Tang - Can It Be So Simple, lyrics
When I got into re-learning penmanship, in searching for penmanship images to get inspired by online, I came across this font called Shameless created by Neil Summerour of Positype. Who would have thought a font would make me want to write again.
(Above) Shameless by Neil Summerour
Neil describes Shameless as âbased on my handwriting using Kuretake Zig CocoIro pensâ You best believe I ordered a couple of those pens. They are fantastic and I will write a post about them soon.Â
Grayscale
I used to design in flash. Sometimes I miss it, but it was the first time I started really thinking about using a grayscale for hierarchy. When your trying to make a systematic color scheme, itâs handy to keep a scale. For example if you style headers dark grey and body light grey and active states mid gray and hovers black, youâll need a reference point if there are changes to make everything a bit darker or a bit lighter or add a bit more contrast or a bit less contrast.
(Above left) Flash default color picker. (Above middle) Fireworks color picker with neutral grayscale as well as warm and cool. (Above right) Sketch color picker with grayscale added manually.
6
(Above, left to right) Standard 6 Color Greyscale. #FFFFFF, #CCCCCC, #999999, #666666, #333333, #000000. I will assume this is a standard because it falls within the old 256 web color standard.
16 Â (0, 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B, C, D, E, F)
(Above left to right) 16 Color Greyscale. If you can count and recite the alphabet itâs pretty easy. #FFFFFF, #EEEEEE, #DDDDDD, #CCCCCC, #BBBBBB, #AAAAAA, #999999, #888888, #777777, #666666, #555555, #444444, #333333, #222222, #111111, #000000
Midpoint Gray #808080
(Above left, middle, right) Center color is #808080 in each image.
It wasnât after a few years that I realized that the grayscale scheme I was using did not contain an absolute middle gray. And so these where made.
11
(Above left to right)Â #FFFFFF, #E6E6E6, #CCCCCC, #B3B3B3, #999999, #808080, #666666, #4D4D4D, #333333, #1A1A1A, #000000
21
(Above left to right) #FFFFFF, #F2F2F2, #E6E6E6, #D8D8D8, #CCCCCC, #C0C0C0, #B3B3B3, #A6A6A6, #999999, #8D8D8D, #808080, #737373, #666666, #595959, #4D4D4D, #404040, #333333, #262626, #1A1A1A, #0D0D0D, #000000
Temperature
(Above left) Cool gray. (Above middle) Neutral gray. (Right) Warm gray.
(Above) Cool grayscale
(Above) Neutral grayscale
(Above) Warm grayscale
Numerical design classification schemes
The Devil is in the deets. Itâs always good to know all your options you didnt know you had. Having variable control of the small things is sometimes all we have to work with creatively.
Graphite
(Above left to right) lead hardness. Pro-tip: If you press too hard with soft lead it can become reflective and give of a metallic sheen.
55
(Above) Helvetica Neue in all its glory. Pro-tip: âHelvetica is like a good screwdriver; a reliable, efficient, easy-to-use tool. But put it in the wrong hands, and itâs potentially lethal.â -Tom Geismar
Serif Weights
(Above) Didot Optical Size Masters. (Top row) 6pt master, 96pt Master. (Second Row) 6pt Master, 11pt Master, 16pt Master, 24pt Master, 42pt Master, 64pt Master, 96pt Master. Pro-tip: Using the largest size at a small size will make the serifs disappear. True story
Badassity is not the goal. It is the by-product of a good idea and modest expectations.
Simplicity is not the goal. It is the by-product of a good idea and modest expectations (Paul Rand)
Serif Typeface Typecasting
So there's a so called set of "classic" typefaces. And they are so classic, that they claim you could, as a designer, only use a classic set for your whole career. I guess... In this post, I'll just be talking about serif faces. The more you think of it. You wonder why there are so many typefaces to choose from. I always wonder why someone chose a certain serif type face over another one. Is it just looks? Is it just to be different? Is it availability (as in unavailable webfont)? Is it its history? All of the above? I've always wanted to do a comparison of classic serif faces. So here goes.
The Go To
(Above left) Garamond, c. 1480. (Above right) Times, c. 1930. You love Garamond, yes you do. Not too classy, not too boring. That open cap "P", a crisscross cap "W" and a cap "R" leg that isn't too pronounced, it's all good in the hood. Times is a bit horsey compared to it. They were both designed for different purposes. It's higher x-height makes it more readable.
Classy
(Above Left) Bembo, c. 1495 , (Above right) Centaur c. 1914. Long awkward legged cap R's. Check out that extended cap U in Bembo.
Fancy
(Above left) Requiem, c. 1992, (Above right) Cochin, c. 1912. I'm actually quite fond of Requiem. I love that cap R leg. Cochin has its moments. Look at that cap P looking like a side boob. Yeah, I just wrote that. Side boob.
Is it the same?
(Above left) Caslon c. 1722, (Above right) Perpetua c. 1925. These are the faces I never use but somehow I end up using because I am forced to by uncontrolled forces that be.
Yeah, it's the same...
(Above left) New Century, c. 1917, (Above right) Miller c. 1997. Now, I'm not gonna lie, I'm a huge fan of Miller. And now seeing these two side by side, they are almost identical. I'm almost kinda upset with myself. But if you look closer. Miller has tweaks in it, that makes it a much better face.
Thicks and thins
(Above left) Baskerville, c 1757, (Above right) Scotch Roman, c 1813. Honestly, I'm not sure why I paired these two together. But they do have a common "thick to thin" ratio feature that makes them unique. Something that Garamond and Times lack.
Classic Modern
(Above left) Didot, c. 1784, (Above right) Bodoni, c. 1798. Didot is one of my favorite all time serif faces. Something just timeless about it. I always hear the same about Bodoni, but quite honestly Bodoni doesn't do it for me at all.
Guilty R/G/B Pleasures
Not gonna lie, I plead guilty, I like the cliché RGB treatment. In fact, any cliché treatment I find when done right can work well. Maybe i'm just a sucker. With that being said, I've never come across a project where this was a needed style element. Maybe it's a childhood memory of CRT scan lines, or maybe it's the way it sort of breaks down how an image is composed electronically.
(Above) Red, green and blue horizontal lines over image using "overlay" blend mode.
(Left) RGB horizontal, (Middle) RGB pattern, (Right) Black that has shifted RGB channels.
Pattern Shift Camo
Back when internet video used to display at such a low resolutions like 480px. You could sort of camouflage the low video quality with an RGB overlay which would give it 'video' effect. Intrigued, I noticed you could have different patterns of RGB configurations to create different scan-line-esque effects. Another way to use RGB is to do a color placement shift for each RGB channel.
(Above) RGB pattern overlay
(Above) RGB channel shift
(above) Black and White RGB channel liquify shift
Pick your poison
The more you read up on RGB the more scientific it gets and it comes to a point where you wonder if knowing how it works even matters. There is one picker square here that I find absolutely visually pleasing, so much so, I use it in a lot of my personal stuff. It's the 50% Blue 128.
Red
(Above) Red 255, Red 128 (50%), Red 0.
Green
(Above) Green 255, Green 128 (50%), Green 0.
Blue
(Above) Blue 255, Blue 128 (50%), Blue 0. There it is! Above middle, that square is such a nice balance of color. I came across this by trying to find the absolute middle grey which would be 50% Red, 50% Green, and 50% Blue or hex #808080. And the center of the above middle square is this absolute grey color.
If you canât make it good, at least kern it good.
If you canât make it good, at least make look it good. (Bill Gates)
Show me your big 'D'
So, home girl snapchatted you a selfie with a message, but best check yourself, cause it's not really as raunchy as an actual letter. Iâm talking about a âhand writtenâ letter. An open door to a persons soul, an extension of themselves to you. Something no message set in font could do. MaybeâŠ
Kim Kardashian (left), Notorius B.I.G. One More Chance intro interlude (right)
The other day I realized how bad my handwriting had become after relying on digital means for so long. So I challenged myself to see if I could re-learn penmanship. After all, good penmanship is a sign of a well-rounded individual.
Looks like ass
So what Iâve learned is that penmanship taught in school has been compromised and it sets you up for future penmanship failure. Iâll try not to bore you with history talk, but hereâs the jist of it. Since the early 20th century, schools taught the Palmer method of penmanship. Itâs purpose was to strip down the previous more elaborate Spencerian method to make it faster to compete with type writers. It was based on an upstroke rather than a traditional downstroke. And just like that, your handwriting looks like ass.
(Above) Show me your big D. Fat Back (left). Oval loop (middle). Fancy shit (right)
Different strokes
Something happens when you start to write cursive. You start using your memory to remember strokes and spellings and then words and eventually meanings. Itâs somewhat magical. The more you concentrate on the forms, the more connections are made and thats when style comes into play.
(Above) Pointed/round top lowercase "a". Certain letters have different heights for their ascenders.
(Above) Bad lower case "r" taught in school. Mid starter for lower case "b" (as opposed to a baseline starter). Double "tt" stylistic alternative. Drop lowercase "r" with a baseline drop ender. Alternate capital "A" and "H".
(Above) Numbers with ascenders and descenders. Yeah they didn't teach you that shit in school.
(Above) Molskine Cahier, Coleto Black / Red, Coleto Pencil / Eraser, Pilot Hi-tec C .3mm
Auto-type and a love affair with a pen
There's no doubt writing digitally eliminates the need for good hand writing. It can be fully editable, be shared and even be dynamic. As much as I now love penmanship I can't fully admit it's necessary in todays world. Of course, you still need to know your basic forms. But the convenience of communicating by typing digitally sometimes outweighs the love affair of the personal touch written in pen.
Cache rules everything around me
Cash Rules Everything Around Me. C.R.E.A.M. (Wu-Tang)