Since the New Year, the Czech national DOCOMOMO section has a new official website: fa.cvut.cz/docomomo

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祝日 / Permanent Vacation
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@docomomocz
Since the New Year, the Czech national DOCOMOMO section has a new official website: fa.cvut.cz/docomomo
The new check-in hall of the Main Railway Station, Prague Josef Danda, Julie Trnková, Jan Bočan, Jan Šrámek, Zdeněk Rothbauer and Alena Šrámková, 1970–1977 in danger - demolition for more info see here
(photo Jaroslav Franta, Metrostav)
University canteen, Ústí nad Labem Báňské projekty Teplice, 1974 redesigned by Mjörk architects, 2021 Mjörk (photo Martin Polák)
Exhibition Centre Pavilon Z, České Budějovice Libor Erben, Jan Benda, 1972-1976 redesigned by Martin Krupauer, Daniel Jeništa, Pavel Kvintus, Petr Hornát, 2021 A8000 (photo Ondřej Bouška)
The exhibition pavilion A, Louny Oldřich Polák, Karel Skorkovský, 1931 redesigned by Viktor Tuček, Jana Kusbachová, 2016-18 Architekt Ondřej Tuček (photo Viktor Tuček)
Regional headquarter of the Communist Party of Czechoslovakia, Pardubice Jan Třeštík, interiors Jan Bočan, Milan Kout, 1978-83 redesigned interiors by Viktor Tuček, Lenka Belanská, Jan Binter, Filip Bernard, 2018-20 Architekt Ondřej Tuček (photo Adam Dvořák, Viktor Tuček)
Architecture of the eighties in Czech Republic
industrial architecture map
Improvisation / The Architecture of the Eighties an exhibition at Mimochodem Gallery, Prague, 11. 11. 2021 – 1. 12. 2021 and on the piazza of the Faculty of Architecture CTU, Prague, 1. 12. 2021 – 31. 1. 2022 The Czechoslovak building industry in normalisation-era did not offer architects any great opportunities for exploring their ideas. If within the ailing economy and in the atmosphere of a temporal vacuum architects wanted to pursue a unique vision, they had to take on the daily task of trying to break the rules and creatively rework everything they could get their hands on. They looked for loopholes in the rigid systems of prefabricated structures and façades (see Frames), modified standard components or used them in unusual places (see Transfers, Ceramics), embellished largely dull buildings with added features such as loggia, portals, and awnings (see Jäkl Profiles), got the public and artists involved in plans and projects (see Playgrounds), persuaded manufacturers, colleagues, and research institutes to engage in one-off experiments (see Computers) or in the legendary domestic practice of ‘homespun high-tech’ (see Transfers), and strove for an even partial revival of handmade and traditionally crafted architectural details and for work on a more human scale (see Bricks and Wood). Exhibition has been organised with financial support from the Czech Ministry of Culture and the Faculty of Architecture of the Czech Technical University in Prague; with support of the Docomomo Czech Republic. It is one of the outcomes of the project ‘Architecture in the 1980s in the Czech Republic’ (DG18P02OVV013), which was conducted under the NAKI II programme of the Ministry of Culture of the Czech Republic (principal investigator: Petr Vorlík). The exhibition and the catalogue freely tie in with the project’s first publication (a)typ (‘(A)typical’ 2019), which looked at selected buildings and phenomena that characterised the last years of the normalisation period, the second publication nepostavená (‘Unbuilt’ 2020), which showcased some oftentimes utopian and provocative architectural visions from the eighties that were never built, and the third book rozhovory (‘Interviews’ 2020). A special map and database that can be accessed at architektura80.cz have also been created to accompany the exhibition. All the outcomes of the project supplement and complete each other and together they offer inquisitive readers a rather surprising picture of a period that remains relatively overlooked and underappreciated. Concept Petr Vorlík, Jan Zikmund Texts Klára Brůhová, Jana Bukačová, Lenka Kužvartová, Klára Ullmannová, Veronika Vicherková, Petr Vorlík, Jan Zikmund Translation Robin Cassling Graphic design, typesetting, and production Jan Forejt, Jiří Klíma, Gabriel Fragner / Formall
PHOTO Preschool in the Letná district in Prague, Vladimír Štulc, Jan Vrana, 1980–1984 As the architects recall it: ‘We managed to make our case for ceramic cladding, thanks to the nearby tiled museums and ministry. But we wanted it to have some colour, and that was a problem, we had nothing to choose from. Luckily a friend who headed up Stavivo [construction supplies] obtained the blue ceramic tiles for us. (…) It was made in Chlumčany, and it was hard to come by – it was only made to mark the lane lines on the floors of pools. We managed to find enough, however, and then we had to hide it away for two years until the load-bearing structure was ready to be faced. We were worried the entire time that someone might steal it.’
Post Office no. 120, Prague-Košíře Jindřich Malátek, Ivo Loos, Jan Fišer, Václav Aulický, 1980-1987 in danger - demolition (photo Wikimedia - Šjů)
Culture Club Eden, Praha-Vršovice Hana Pešková, Dalibor Pešek, 1978-1987 in danger - demolition (photo Petr Vorlík)
Building of the Design Institute for Military Structures, Prague-Nové Město Jan Hančl, Jiří Fiala, Stanislav Dlabal, 1973–1982 in danger - demolition (photo Petr Vorlík)
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SYMBOLS & Iconic Ruins exhibition, National Museum of Contemporary Art (EMST) Athens, 27. 5. - 20. 8. 2021 www.emst.gr
Vážená pani ministerka kultúry Natália Milanová, vážený pán primátor mesta Bratislavy Matúš Vallo, vážený pán starosta mestskej časti Bratislava-Nové mesto Rudolf Kusý, vážený pán poverený riaditeľ Pamiatkového úradu Radoslav Ragač, obraciame sa na Vás s naliehavou žiadosťou o záchranu budovy Istropolisu v Bratislave. Dom odborov, techniky a kultúry je pozoruhodným dielom architektúry neskorého modernizmu a významnou pamätihodnosťou hlavného mesta Slovenska. Istropolis je v súčasnosti v procese