FIVE TIMES KISSED FROM SPENCER.
the first time is nothing special. just a means to an end. heâs got yurik pressed up against the bookcase in the store heâd stumbled in, trying to get away from two shady blokes following him, meaning him harm and thereâs almost no depth to the kiss.
just his mouth resting against the otherâs, moving slowly and carefully. heâs probably lucky his pursuers move on so quickly, before yurik got his wits about him again and kneed him in the balls.
as it is, he only ends up with a book falling on top of his head for his trouble and a favor owed.
the second time is when theyâre getting married. itâs a sham, of course and connor is still sufficiently pissed off for not having been told ( and yurikâs grin had been bloody massive, the man feeling so damn smug about having been able to fool him ) that connor doesnât hold back in biting down harshly on that full bottom lip when itâs time for them to kiss and seal the deal.
thereâs a flare of lust when yurik bites back, dips his tongue in, leaves a frisson of electric static rolling down his spine even after yurik pulls back with slightly narrowed, calculating eyes.
his grin is, if possible, even wider.
( two days later, they both save each otherâs lives and it changes the partnership from business acquaintances to possible friends. )
( two months later and they still havenât annuled the marriage. connor doesnât dwell on what that means. )
the third kiss is fuelled with want an adrenaline, underlined with a challenge. thereâs a dead body, neck lying at an odd angle, not two paces away and connor can taste blood from the cut in yurikâs bottom lip from where heâd punched the man before, yet all of that only serves to spur him on more.
heâs sitting on the manâs lap, grinding down, fingers tugging yurikâs head back by the hair so he can delve in deeper, mind fogged up slightly with the thrill of the kill and the taste and feel of the other man. he doesnât stop when he cuts yurikâs bonds keeping him tied to that chair, doesnât stop when they fall to the floor in their franticness to touch skin and connorâs nestled on top of yurik, knees bracketing his hips.
he only stops once he gets his fingers wrapped around yurikâs cock, yurikâs hand on top of his to show him how the other man likes it, so he can sit back and watch how all those masks get stripped away with each twist of his fingers, watch how those dark eyes focus on him with a combination of lust and anger once he gets his other hand wrapped around the column of his throat and starts squeezing.
and by god, he might not feel sexual attraction, but when itâs all over and yurikâs panting beneath him with his release dotting the lean lines of his stomach and chest, hair in a sweaty dissaray and the first hint of bruising showing around his throat, connor can admit itâs quite possibly the most erotic thing heâs ever witnessed.
the fourth time is the first time thereâs actual tenderness behind it. yurik ( though itâs elijah now ) is looking at him, eyes wide, wet and unfocused. thereâs a soft slur to his tone when he tries to talk, a tightness in his voice that makes connorâs stomach clench for reasons heâs not willing to look into. elijahâs hands are bound, and his flat is a ravaged chaos.
he wonât ever be able to see his little girl again. talk to her again.
elijah tries to say something, probably an apology for the way heâs smashed most everything in connorâs flat. itâs not exactly a conscious decision to lean forward and prevent him from doing so by pressing their lips together.Â
itâs soft and slow and meant as a comfort more than anything else; and when he feels elijahâs arm winding around his waist, fingers touching his cheek and the man returns the kiss, connor realises for the first time this might be much more than simple friendship with added benefits.
it scares him more than anything else ever has.
the fifth kiss is acceptance. a lot has happened since the last one, and connor now sees that his fear had been foolish. that thereâs nothing to fear. his mind isnât what it used to be, he loses his patience much quicker, retreats into himself or gets angry, breaks everything in his proximity or tries to drink himself into a stupor to quieten the voices; he forgets and canât concentrate and he hates himself, yet elijah is still by his side.
every touch, every look, every soft word spoken just reiterate what connor knew all along. more than friendship, more than even affection or infatuation, itâsâââ
connor leanes in and kisses spencer softly. itâs a barely there touch, nothing compared to those other kisses, yet it means more than they ever had. his blue eyes are clear for the first time in a while when he pulls back, features twisted up in an expression he never knew he could show anyone, and from his lips drop words he never thought heâd ever say.
     âi love you.â
and itâs as simple as that.