Max Ernst. La mer aux oiseaux. 1925/1926

oozey mess

@theartofmadeline
YOU ARE THE REASON
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TVSTRANGERTHINGS
todays bird

Janaina Medeiros
cherry valley forever
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
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styofa doing anything
wallacepolsom

titsay

JVL

Kaledo Art
Alisa U Zemlji Chuda

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@dontworryyhun
Max Ernst. La mer aux oiseaux. 1925/1926
la consegna si avvicina e io sono uno zombie. mi sono stancata di essere forte
well you didn't wake up this morning 'cause you didn't go to bed
you were watching the whites of your eyes turn red
the calendar on your wall was ticking the days off
you've been reading some old letters
you smile and think how much you've changed
all the money in the world couldn't buy back those days -
you pull back the curtains
and the sun burns into your eyes
you watch a plane flying
across a clear blue sky
this is the day, your life will surely change
this is the day, when things fall into place -
you could have done anything, if you wanted
and all your friends and family think that you're lucky
but the side of you they'll never see
is when you're left alone with your memories
that hold your life together, like glue
“The concept of Lovers Grave originates from images of archaeological sites, human remains that cling to each other, apparently enclosed in an eternal loving embrace. The concept that fascinates Emin is that of eternal devotion between two people, even in the afterlife, and she considers it one of the fundamental elements of life”
So Much Love - So Much Kissing, That I love Myself
There Was Nothing Wrong With Loving You
There Was No Right Way
We Died Again
The Bathers - William Beckwith McInnes
1916
Lowkey whats the point
honestly ive stopped looking for some big revelation. ive just started saving up to buy pain au chocolat once a week and letting that be it for now
Easy Listening - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas , 36 x 48 in.
Sitting in the Park - Richard Cartwright, 2022.
British, b. 1951 -
Pastel, 35 x 35 in. 89 x 89 cm
to carry the vision. always
weren't we the stars in heaven? weren't we the salt in the sea? dragon in the new warm mountain, didn't you believe in me
Valdemar Schønheyder Møller
so bury me, and cover the soil with honey
and try to understand my lovely
Jenna Gribbon
voglio andare in campeggio
Tom Thomson (Canadian 1877-1917), Campfire, 1916, Oil on wood, National Gallery of Canada
Window at Sunset - David Hockney
British , 1937 - 11/06/2026
Lithography graphic printed offset , 35 x 50 cm. Ed. 45/500
Tree Tunnel - David Hockney , 2005 .
British , b. 1937 -
Oil on canvas , 91.5 x 121.8 cm .