“Directly, I have forgotten your name. No, / I have eaten it.”
— Melissa Lee-Houghton, from “The Bray,” Bite Your Tongue When you Give me My Name

oozey mess
"I'm Dorothy Gale from Kansas"
sheepfilms

shark vs the universe
No title available
Sweet Seals For You, Always

Jar Jar Binks Fan Club
No title available
macklin celebrini has autism
Sade Olutola

gracie abrams

pixel skylines
No title available

Origami Around
RMH
Game of Thrones Daily
The Stonewall Inn

tannertan36
Cosmic Funnies
One Nice Bug Per Day
seen from United States
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seen from United Kingdom
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seen from Mexico
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seen from United States
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seen from Russia

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@dope-dream
“Directly, I have forgotten your name. No, / I have eaten it.”
— Melissa Lee-Houghton, from “The Bray,” Bite Your Tongue When you Give me My Name
Ona Gritz, from Beauty is a Verb: The New Poetry of Disability; "No"
[Text ID: "My hands / couldn't take you to the right place."]
lost at sea
— from My Father Writes from Prison, Ocean Vuong, in 'Night Sky with Exit Wounds'
[text ID: some nights you are the lighthouse / some nights the sea / what this means is that I don't know / desire other than the need / to be battered & rebuilt /]
“In this world love has no color– yet how deeply my body is stained by yours.”
— Izumi Shikibu, from The Ink Dark Moon, trans. Jane Hirshfield with Mariko Aratani (Vintage Classics, 1990)
bury me.
do not bury me in the ground. bury me in your neck, your arms— let me be lost somewhere that feels like being found.
-RK
— jay vespertine (via letsbelonelytogetherr)
4 March, 1927 The Letters of Vita Sackville-West to Virginia Woolf (1924-1941)
Averno, Louise Glück
Joanna Klink, from “On Diminishment”, The Nightfields
Rebecca Ross, Ruthless Vows
Sanna Wani
[ Text ID:
Tomorrow is a Place
We meet at a coffee shop. So much time has passed and who is time? Who is waiting by the windowsill? We make plans to go to a museum but we go to a bookshop instead. We’re leaning in, learning how to talk to each other again. I say, I’m obsessed with my grief and she says, I’m always in mourning. She laughs and it’s an extension of her body. She laughs and it moves the whole room. I say, My home is an extension of my body and she says, Most days are better with a long walk. The world moves without us—so we tend to a garden, a graveyard, a pot on the windowsill. Death is a comfort because it says, Transform but don’t hurry. There is a tenderness to growing older and we are listening for it. Steadier ways to move through the world and we are learning them. A way to touch your own body. A touch that says, Dig deeper. There, in the ground, there is our memory. I am near enough my roots. Time is my friend. Tomorrow is a place we are together. ]
㊣ silent PALE wonderland ㊣
a soul he refused to curse
Daniel Borovi
‘Hollow’
12 x 12″ Conte and mixed media