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Taylor Swift being the most supportive artist at the 63rd Grammy Awards

All I care about is art of Fat Women 🌹💘

credits:

The Blue Room, Suzanne Valadon / GOD is coming & is she FAT! / Prehistoric Reproduction of Maltese Venus Figurine, Nigel Bewley / Sinéad O'Dwyer / Yu Xiaodong / Venus of Willendorf / Henri Matisse / Amnesia, Rolf Ohst / Seated Woman of Çatalhöyük / Mujeres con frutas, Francisco Zúñiga

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What team? Wildcats! HIGH SCHOOL MUSICAL (2006) dir. Kenny Ortega

driedpine

dankmemeuniversity

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“It’s kind of the thing where I have so many musicians in my life that I’ve grown close to, and make things with, and are just part of my life. And I’ve rarely had this kind of chemistry with anyone in my life — to be able to write together, to make so many beautiful songs together in such a short period of time. Inevitably, I think we will continue to be in each other’s artistic and personal lives. I don’t know exactly what the next form that will take, but certainly, it will continue. I do think this story, this era, has concluded, and I think in such a beautiful way with these sister records — it does kind of feel like there’s closure to that. But she’s definitely been very helpful and engaged with Big Red Machine, and just in general. She feels like another incredible musician that I’ve gotten to know and am lucky to have in my life. It’s this whole community that moves forward and takes risks and, hopefully, there will be other records that appear in the future.”

— Aaron Dessner to Rolling Stone on what his relationship with Taylor might look like moving forward (x)

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also i very much appreciate aaron for carving out a space that felt extremely safe to taylor and like a little bubble to do this kind of exploration and songwriting because i can’t remember the last time she dove into like heady emotional stuff with a new collaborator and i think it happened here because he made room for it and gave her somewhere where she could just lay it all on the table without judgment