BREADTOP: 咸香麵包
日式吞拿魚包 // 沙茶肉鬆包 // 餐蛋包
玉米雞茸包// 日式蟹柳包 // 火腿包
PUT YOUR BEARD IN MY MOUTH
styofa doing anything
Mike Driver
Lint Roller? I Barely Know Her
will byers stan first human second
🪼
Monterey Bay Aquarium
$LAYYYTER

if i look back, i am lost
ojovivo

Kaledo Art

★

JBB: An Artblog!
Alisa U Zemlji Chuda
Show & Tell

izzy's playlists!

tannertan36
tumblr dot com

titsay

❣ Chile in a Photography ❣

seen from France

seen from United States

seen from India

seen from United States
seen from Italy

seen from United Kingdom
seen from Malaysia
seen from United States

seen from United Kingdom

seen from Germany
seen from United States

seen from United States

seen from Malaysia
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seen from South Korea

seen from United States
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@dovvnpour
BREADTOP: 咸香麵包
日式吞拿魚包 // 沙茶肉鬆包 // 餐蛋包
玉米雞茸包// 日式蟹柳包 // 火腿包
painter faye wei wei’s london studio
ig : jellybean_xxdd
beautiful bedrooms in ikea's 1996 catalogue
color pages from NANA
alex22444
Self-portraits are a form of diary-keeping, and diary-keeping is a kind of self-portrait. An embodied reading of these two genres enables us to rethink their temporal and phenomenological status as documents of self-writing, and to see them as attempts to come to terms with the ways in which the body both hinders and helps the artist or writer to carry out her imaginative work.
Lauren Elkin, from ‘Disappearing into the Future Perfect: Spaces of Self-Picturing in the Diaries of Susan Sontag and Alix Cléo Roubaud’. Published in MAI Journal.
my full piece for the @tatamigalaxyzine !!! so glad i was able to be apart of this!
a compilation of jaehwan’s parts in eau de vixx 💞
normal things with creepy connotations:
stopped clocks
people accidentally speaking in unison
cold wind at night (when it’s not snowing)
seeing a light go off in a window
static in the air - everyone’s hair is standing up
slow piano music in a place that’s otherwise silent
finding something you lost a long time ago sitting in plain sight
立夏
ドキンズ ハート シェイプ カフェ
“However bad life is, what’s important is to make something interesting out of it. And that has a lot to do with the physical world, with looking at stuff, snow and light and the smell of your screen door and whatever constitutes your phenomenal existence from moment to moment. How consoling—that this stuff goes on and that you can keep thinking about it and making that into something on the page.”
— Anne Carson explains an idea that she and Alice Munro have in common (attachment to the physical world and the details in life), from The Art of Poetry No. 88, Paris Review