fabric studies 04 *programs: photoshop and Sai __________________________________
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2025 on Tumblr: Trends That Defined the Year

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occasionally subtle
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@drawingtut
fabric studies 04 *programs: photoshop and Sai __________________________________
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i had a poll on DA so i will be doing basic how to stuff of the results
since I’ve drawing a lot of glowy magic/fire things lately,,,,here’s a tutorial with brush settings!! :0
I would like to make a new bunch of tutorials… I wish I could carry out my intention. Incidentally, It’s going to be “How to draw poses by using gesture drawing method ”,
I made youtube channel for Drawing tutorial check it!!!!!! :) hope it help some one https://www.youtube.com/channel/UCgik1lAQOo8w7cZmKB0RRzw?view_as=subscriber
could you explain how you give clothes so much volume/life?? i suck rly bad at drawing clothes w/o them looking like body paint or just draped over-- the way you do it gives it a lot of dimension and believability. also any tips on how to draw the same outfit in twisted poses?? (turning at the hip, bending over, etc) THANK U I LOVE UR ART SFM!!!
notice the tension of the cloth on the figure on the top right. it twists to the figures direction.
here are some examples of cloth folds
hopefully this helps!! please let me kno if you have any other questions!!
in response to an ask about how i do rooms! here you go! it’s super simple and fun~!
sorry i didn’t go into a huge amount of detail, i hope it’s not too “draw the rest of the owl” lmfao
Hey, friends!
It’s Meg! Sorry about the late TUTOR TUESDAY, but I’m here! Today we take a look at drawing environments! This uses our last tutorial on perspective, so if you haven’t check that out! If you have any recommendations, send ‘em in here or my personal! Keep practicing, have fun, and I’ll see you next week!
Drawing Challenges Row 1 Row 2: Left, Right Row 3 Row 4: Left, Middle, Right Row 5
Drawing Legs Row 1: Left, Right Row 2 Row 3 Row 4 (Source Unknown) Row 5 Row 6 Row 7
I have two questions! First: have you ever thought of doing a tarot card suit for your characters? I think it'd work really well for them! And two: help me how do I draw legs
@gravitality
Hi!! I’ve absolutely been thinking about that, yeah, in fact I recently talked about that to my boyfriend just recently. It’ll likely happen after october! And to answer your second question! I made a thing on legs that i hope you’ll find useful!!
So. I’ve already explained basics on legs here, but I don’t think it hurts to go through some extra details to help you understand legs some more.
The very basic thing is to imagine legs as teardrops. Again, this has already been covered in said tutorial above, but I figured it’s still good to mention even the most basic thing that I know of. I still highly recommend you check it out to get in more detail and to see some other examples and practices that you do. But basically, think of legs in the shapes of teardrops, when it comes to shape. If you need a simple stick-figure to connect the legs in the first place, make sure that they bend at the knees a bit so that the legs don’t come off as stiff and unnatural.
As you can see, this method works perfectly for realistic legs as it does for stylistic ones. Remember to use these as a guideline, never to be the exact base of the legs you will be drawing. If you draw traditionally, remember not to draw these guides too hard, or they will be hard to erase/do freestyle!
But how do you actually draw out the legs without drawing them perfectly straight, as shown to the left? The trick is to add volume to them, and how you do that can be winged to your own liking. The idea is to think in curves. As no leg is perfectly straight. You may make these curves minimal if you don’t want them to be curvy, but keep in mind, still, that not even your own bones are perfectly straight, so it is highly recommended that you make them bend, at least a little.
It all depends on how you draw them as well. Say you put your legs together, as shown in this picture, what happens to the fat and muscle? Naturally, they press together, much like how thighs squish on the surface when you sit down (I’m sure most people know what I’m talking about). Make sure this shows in your art! This is very important to keep in mind, because it makes it all look more natural and believable. Try to cross your legs or stand up and sit down again for real-life examples!
The same applies for stretching your legs, more or less, except they appear to become more ‘hollow’ and slimmer. They become less soft to the touch, too, and might show. Try stretching your legs and feel where the muscles tense and where it feels ‘hollow’. This is very helpful with your art.
Many leg tutorials talk about legs without mentioning the behind. It requires a tutorial on it’s own, in all honesty, but this is the most simplest way to draw it connecting to the legs. Remember that it comes in many different shapes, and this is just a super basic guide! Two circles overlapping, while following the line and flow of the legs. Remember the muscle/fat as mentioned above!
Okay, so we got the basics of leg shapes figured out? What if you want o draw them in a certain pose, or with a certain silhouette, but perhaps do not have the reference for it? Or you want to blend your style into it? The key is to not shy away from doodling the form. Make mess, draw lightly and don’t care about the anatomy. That way you’ll get everything down without it appearing stiff. You can clean up the sketch later, always, and if you can, use a reference after you have drawn your pose, to correct your drawing.
Remember that the hips do a lot to the pose of the legs! Make sure they are in flow with your legs, so that it can look more natural. Remembers that hips ‘rotate’ with the spine.
I’ve talked about this method before when it comes to posing, and the same applies for the legs. One way to make legs appear ‘steady’ is to picture them standing in a line, and one of those legs need not to stray from the lines too much, making it steady. If you want a dynamic pose despite the steady pose, you can always have the other leg stray from the line, since it only matters that one leg is steady. This method can create good, casual poses without making them appear boring. (also notice how the teardrop shapes are used here, despite the highly stylized legs)
Do you want a highly dynamic pose, or them to appear unsteady, then skip the line entirely and make both legs aim away from it completely. As you can see, the legs appear more moving, in action, as if they’re fighting, falling, or dancing. As you can imagine, this is not a pose that one could stay steady on, suggesting that it’s taken mid-movement. More about posing and this ‘line’ method is talked about in this tutorial.
Hope this helped you, if you have any questions let me know, and if you’d like to check out all my tutorials they can be found here!
I’m not an expert but I like hands a lot so hopefully some of this was helpful!
i actually really love drawing hands and only recently have I enjoyed it haha
I’m still not very good at it nor do I understand a single thing about anatomy but here’s some small tips I hope help!!!
tbh ive been waiting for someone to ask for a hand tutorial
Simplified Anatomy by Mamoon26
taken from January 2017 + February 2017 tutorial rewards.
Full version (up to 18steps) + Step by Step videos (‘Drawing Fabrics’ total duration: 12min 4sec ➡video preview: here | 'Drawing Ice’ total duration: 8min 11sec ➡video preview: here)
**Both tutorials are already available: here
I get a lot of tutorial requests, but today’s topic is hands-down the most-requested. Today, we learn how to draw hands.
My previous hand lesson explained the bones. Even if you’re not interested in drawing skeletons, the bones determine the proportions and range of motion. For the hand in particular, a lot of the forms of the bones are visible on the surface, so you gotta know them!
Muscles of the Hands
The hand muscles can be grouped into three teardrops: The thumb gets two teardrops and the pinky gets one on the palm side. Their teardrop-shapes are wider at the wrist and taper towards the fingers.
The one on the palm side of the thumb is the biggest and the one on the back of the hand is the smallest. They’re like the Papa Bear, Mama Bear, and Baby Bear…
But what about fingers? The fingers are made up of bones, tendons and fat… no muscle fibers in the fingers! All muscle bellies end before the metacarpophalangeal joint, (blue). That goes for the thumb, too.
As you can tell from it’s shape, the thumb is different from the others. There are a lot of muscles surrounding the thumb and it has a much larger range of motion.
Thenar Eminence
Let’s start with the thenar eminence. That’s a fancy word for the thumb mass on the palm side. It’s the biggest and most important muscle mass on the palm. It emerges from the wrist and attaches along the thumb bones. It stretches out when you stick out your thumb, but even then you can see how thick it is. It’s even more obvious when the thumb is brought towards the palm, and all the muscles bunch up into a big mass around the base. Papa Bear has a fat pot belly. You can think of it like a cone or a chicken drumstick on the thumb’s metacarpal. It changes shape as the thumb moves, which makes it a little tricky, but as long as you know its origin and insertion, you know the area it fits into.
To fully understand it’s form, you gotta know the layering of the muscles. I’ll explain all the individual hand muscles in-depth in the Premium version of this lesson.
Hypothenar Eminence
Next up, the pinky muscle mass, technically called the hypothenar eminence. This one is long and narrow, not quite as thick or wide as the thumb mass. It may look like these two masses meet in the middle of your palm, but the muscle fibers actually stop a little short with a tendinous gap between. It’s the fat sitting on top that blends them together.
Don’t go overboard with the hard edge between them or you’ll end up with hand-butts! In general, it’s better to shade it with tone than mark it with a black outline. Unless the palm is squeezed together, bringing Papa Bear and Mama Bear in for a hug. In that case hand butts are totally acceptable.
The pinky mass starts at the base of the hand. It actually travels over the side of the hand and attaches to the outside of the pinky metacarpal. This is why the ulnar side of your hand is kind of squishy when you poke it, while the radial side is hard and bony.
This pinky mass has a weird muscle on top of it that’s kinda unique. It runs perpendicular to the other muscles of the pinky. This muscle is called the palmaris brevis. Sound familiar? There was that palmaris longus muscles we learned in the forearm lesson that had the wide palm aponeurosis at the end of it. Well, the palmaris brevis originates on this palmar aponeurosis. It inserts on the skin along the pinky border of the palm. Ok, interesting… What does this muscle do? It pulls the skin inward and helps to improve grip. Go ahead and try it. Squeeze your hand together like you’re gripping something. Notice that interesting indent it creates along the pinky side of the hand. That’s the skin being pulled. The skin and palmar fat bunch up on top of the muscle belly. I bet you’ve seen that indent a gazillion times, but never really understood it. Now you know.
First Dorsal Interosseous
The final teardrop shape is the first dorsal interosseous. It’s the Baby Bear teardrop on the dorsal side of the thumb. It creates an egg-shaped bulge between the thumb and index finger metacarpals, filling that v-shaped gap between the bones. Since it’s between the two bones, the dorsal surfaces of those bones are still subcutaneous. That means you can feel the back of the bones and the soft squishy muscle between. Go ahead and find it on yourself.
When the thumb is out, this muscle mass is stretched out. When the thumb is squeezed in, it pops out as a big round egg form. It’s not as thick as the palmar thumb mass. It’s shorter, too. The dorsal thumb mass only reaches the metacarpals, while the palmar thumb mass starts way up at the wrist.
Ok, so those are the muscles of the hand! You can find the assignment and photo reference images for the assignment here.
There’s 2 more lessons and a few demonstrations coming soon, so keep your eyes open. And as always, there’s a lot more content in the Premium version of this lesson.
Just some tips.. ( ´ ▽ ` )ノ