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Misplaced Lens Cap

if i look back, i am lost

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@dromik
Stout Memorial Hospital Wuzhou, China
Acne Studios S/S 2014 | © Viviane Sassen
Fire Bowl. 19th century. Credit line: Gift of Mr. and Mrs. Samuel Colman, 1893 https://www.metmuseum.org/art/collection/search/47079
If we take Heidegger seriously, people can adopt attitudes toward modern technology that avoid dehumanization. In the Heideggerian context, "dehumanization" means for people to lose their understanding of human Dasein's world-disclosive capacity and thus to become nothing but clever animals, that is, particularly flexible raw material useful for increasing the power of the self-sustaining technological system . . . Successful coping with the new technological opportunities and requirements would involve learning how to be attuned to oneself as a flexible resource, while not understanding oneself as such a resource at all times and places.
Michael E. Zimmerman, "The End of Authentic Selfhood in the Postmodern Age?” in Heidegger, Authenticity, and Modernity: Essays in Honor of Hubert L. Dreyfus, Vol. 1 (2001)
Weiran.
Natalia Vodianova | © Patrizio Direnzo
publishingforone
1804
For Giustini/Stagetti, Marie-Anne Derville produces the Serena Chair in hand-forged burnished stainless steel — a piece that holds the legacies of Jean-Michel Frank and Donald Judd in productive tension. → https://www.thisispaper.com/mag/serena-chair-marie-anne-derville
萩原 卓哉/Hagihara Takuya
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Boris Magaš architecture.
Jessica Miller Numéro Fr. #124 ph. Sean & Seng
Erris Huigens: Utracone przyszłości / Lost Futures, Ośrodek Sztuki Lescer, Zalesie Górne, May 16 – June 20, 2026 [Art: © Erris Huigens]