DROMIK

A visual repository curated by Ante Matas.

[dromik]

[funeral]

Stout Memorial Hospital Wuzhou, China

[andeveryone]

[danielseemayer-deactivated20260]

[jinxproof]

Acne Studios S/S 2014 | © Viviane Sassen

[metmuseum]

Fire Bowl. 19th century. Credit line: Gift of Mr. and Mrs. Samuel Colman, 1893 https://www.metmuseum.org/art/collection/search/47079

[funeral]

If we take Heidegger seriously, people can adopt attitudes toward modern technology that avoid dehumanization. In the Heideggerian context, "dehumanization" means for people to lose their understanding of human Dasein's world-disclosive capacity and thus to become nothing but clever animals, that is, particularly flexible raw material useful for increasing the power of the self-sustaining technological system . . . Successful coping with the new technological opportunities and requirements would involve learning how to be attuned to oneself as a flexible resource, while not understanding oneself as such a resource at all times and places.

Michael E. Zimmerman, "The End of Authentic Selfhood in the Postmodern Age?” in Heidegger, Authenticity, and Modernity: Essays in Honor of Hubert L. Dreyfus, Vol. 1 (2001)

[dromik]

Weiran.

[jinxproof]

Natalia Vodianova | © Patrizio Direnzo

[wsrnnova]

publishingforone

[paulrosenstein]

1804

[thisispaper]

For Giustini/Stagetti, Marie-Anne Derville produces the Serena Chair in hand-forged burnished stainless steel — a piece that holds the legacies of Jean-Michel Frank and Donald Judd in productive tension. → https://www.thisispaper.com/mag/serena-chair-marie-anne-derville

[hagiharatakuya]

萩原 卓哉／Hagihara Takuya

Archive

[dromik]

[dromik]

Boris Magaš architecture.

[jinxproof]

Jessica Miller Numéro Fr. #124 ph. Sean & Seng

[garadinervi]

Erris Huigens: Utracone przyszłości / Lost Futures, Ośrodek Sztuki Lescer, Zalesie Górne, May 16 – June 20, 2026 [Art: © Erris Huigens]

↗ Erris Huigens