Aqua Utopia|海の底で記憶を紡ぐ

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noise dept.

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occasionally subtle
Show & Tell
sheepfilms
Mike Driver
almost home
ojovivo
Peter Solarz

JVL
Sade Olutola
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NASA
KIROKAZE
RMH
art blog(derogatory)

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@dustandfools
Sleeping swan
Dries Van Noten F/W 2002 © Yelena Yemchuk
Between us and heaven or hell is only life, which is the frailest thing in the world.
Blaise Pascal, Pensees
“Erotica”, photographed by Melanie + Ramon for Vogue Ukraine.
Ad Reinhardt painting at the Museum of Modern Art, 1964. Photos by Burt Glinn.
paolo_abate
For decades, the photographer Vivian Maier supported herself as a nanny in the wealthy enclaves of Chicago. But her real work was roaming the streets with her camera, capturing images of sublime spontaneity, wit, and compositional savvy. When pressed about her occupation by a man she once knew, she said, “I am sort of a spy.” All the best street photographers are.
Read the full story, “What Vivian Maier Saw in Color,” here.
Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.
Simone Weil, Gravity and Grace
Poppies. John Singer Sargent (1856 - 1925)
A way of certifying experience, taking photographs is also a way of refusing it-- by limiting experience to a search for the photogenic, by converting experience into an image, a souvenir. Travel becomes a strategy for accumulating photographs.
Susan Sontag, On Photography
Kate Moss and André 3000