collage notebook (front and back)
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collage notebook (front and back)
collage notebook (front and back)
collage notebook (front and back)
collage notebook (front and back)
collage notebook  (front and back)
collage notebook (front and back)
collage notebook for kait (front and back)
âUntitled (Gesture)â, âUntitled (Plants)â, and âHow You Walkâ by manuel arturo abreu
Check out these fantastic pieces by manuel arturo abreu at The Offing!Â
joshua jennifer espinoza in macro. u can order at boost-house.com
Angela Shier in MACRO, available at boost-house.com
beggin baba
BOTTLECAP PRESS GIVEAWAY!Â
Hi everyone, we are having a giveaway of fourteen amazing books! If you reblog this post & follow the Bottlecap Press tumblr youâll be entered in a chance to win this amazing giveaway of $100+ worth of books! The period of qualifying for the giveaway is today, April 13th 2016 to next Wednesday April 20th 2016!
The books included in this fantastic giveaway are:
This is How I Tell You I Love You by Amanda DissingerÂ
No Sign On The Island by Blake Wallin
Eating Alone At Chipotle by Carmen E. Brady
Autobiography by Luis NeerÂ
Do Conjoined Twins Masturbate? by singing_ghosts
Iâm Antisocial, Coffee Never Lies (both parts) by Mallory Smart
Uptalk by Kimmy Walters
Away Status by Shy Watson
Too Many Humans of New York by Abigail Welhouse
Portal by Rosalie Wilmot
A Loss and Gain of Comfort by Ian Macks
List of Consonants by Manuel Arturo Abreu
OOOO by Erin Taylor
You do not want to miss out on this amazing opportunity to win fantastic books!Â
Again in order to qualify for the giveaway, you must follow the Bottlecap Press tumblr (feel free to follow now if you arenât already) and reblog this post!
Good luck!!
i want to win this prize
me too
me 3Â
I began thinking of how my own hands work upon a body. How they do things both beautiful and awfulâto gently trace a throat in one moment, to hold it tightly in anotherâa type of sweet wreckery that makes me feel godlike and helpless all at once. -
Natalie Diaz, on These Hands, If Not Gods (via violentwavesofemotion)
âItâs okay to lock yourself in the medicine cabinet, to drink all the wine, to do what it takes to stay, without staying. Itâs okay to hate God today, to change his name to yours, to want to ruin all that ruined you. Itâs okay to feel like only a photograph of yourself, to need a stranger to pull your hair and pin you down. Itâs okay to want your mother as you lie alone in bed. Itâs okay to break, to fuck, to flame, to church, to crush, to knife, to rock, and rock, and rock, and rock, and rock, and rock. Itâs okay to wave goodbye to yourself in the mirror. To write, âI donât want anything.â Itâs okay to despise what you have inherited, to feel dead in a city of pulses.â
Rachel McKibbens; from âLetter From My Heart to My Brainâ (via pigmenting)
Someone once told me that animals are people under spells, and if you fall in love with them the spell will be lifted. I recently fell in love with a black trumpeter swan. I watched her ruffle her neck feathers for hours, watched her peck bugs from her breast. I was sure she would make a beautiful bride, but she was always a black trumpeter swan. I once brushed a horseâs hair for 3 straight years until it crumpled into death. The truth is there is no such thing as spells. The world is always as it is, and always as it seems. And love is just our own kind voice that we whisper into our own blood.
Zachary Schomburg, âThe Animal Spellâ (via renegadetongue)
It is illogical to preserve a social order when that social order is a false dilemma of death. Â Does the necro-social order work for you? Â Are you a future mourner or a future murderer or a future corpse?
The people we love are not safe in the world and those people we love who are not safe in the world are the people we all are, mostly, and arenât all those people the people who are the world, mostly, who make almost everything good in the world, too? Â
Who are these others that are these almost no ones who think they own everything? Iâve seen what they put in their museums: boring squares and cold marbles of Perseus holding the head of Medusa and so many women stripped of their clothes and video screens of young white male faces reciting the poetry of Harry Potter subjectivity on unceasing loop like its own patriarchal white supremacist psy-ops. In their books, too, and philosophies, we either never find ourselves in their indexes or worse, have to read what happens when we do.
These almost no oneâs of the world, narrow and conniving, work to convince us that the world that almost all of us make is theirs, that we canât move through it, that we canât eat its fruits, that we must beg for scraps or have sex for them or fight for them (scraps of what we ourselves have made). And when they canât convince us in the quieter ways, the ways of fear and depression and desperation and attendant ideologies, then they also try to convince us with fists and badges and LRADS and newschannels and guns. Â
There are those who make the vast worldâs vast music and there are those who shoot the narrow worldâs teargas, flash grenades, water cannons, rubber bullets, regular guns.*
Is your body, are your hours, are your efforts, your own? Or does the narrow world say that the only thing left for you is your pain? Does it tell you that your pain is the only thing that is yours alone?
It is easy to feel like your time belongs to your employers and your body to men or the family or the state, and it is easy to feel that only your pain is yours entirely, that your struggle is a field you cultivate yourself, a thorny one of your-own-damn-fault. This is their other weapon: to make the opposite of what is true seem true. Â But what is actually true is that in the world as it is now pain is the one thing we can be certain of we are never in alone.
The narrow world would have women and other people make people and care for them just to donate them as brutal, sensate, pained material of the world in this arrangement. It would ask us to gestate food for its nightmare. It would ask us to reproduce, with our love, fodder with a pain scale, then surplus, fodder, too, and only what can feel the pain exacted upon it. Â But when we feed & grow & tend each other it is not to feed & grow & tend the machinery of expansionist death. There are reasonable things we can do to refuse this. Â That is another kind of poem.
Anne Boyerâs writing is so incredibleÂ
THE TERM IS âEDUTAINMENTâ by Bob Schofield