This is an indie, private, 21+ rp blog for ARTHUR SHELBY of PEAKY BLINDERS. Trigger heavy, please read the carrd before interaction. // THIS BLOG USES BETA EDITOR // Rory, they/them, 28.
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official daine visual archive
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"I'm Dorothy Gale from Kansas"
RMH

@theartofmadeline

JVL

❣ Chile in a Photography ❣
YOU ARE THE REASON

#extradirty
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art blog(derogatory)
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I'd rather be in outer space 🛸
occasionally subtle
Cosmic Funnies

roma★
cherry valley forever
$LAYYYTER
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@eldestdragon
This is an indie, private, 21+ rp blog for ARTHUR SHELBY of PEAKY BLINDERS. Trigger heavy, please read the carrd before interaction. // THIS BLOG USES BETA EDITOR // Rory, they/them, 28.
carrd. promo.
Like this for a starter! I've got some free time this week, and I'd like to get more threads going.
Hey! I'm still around, but this week has been rough. My province is currently overrun with wildfires, so I'm constantly on edge for an evacuation notice. I can't say when things will be back under control, but I hope the number of fires die down soon.
↪ 𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺 . ( a collection of dire / urgent situation sentence & action starters . adjust phrasing + ʳᵉᵛᵉʳˢᵉ as necessary . )
𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :
hide . hide now .
shh !! there’s somebody in the house .
i’m not gonna hurt you ! see ? look , i’m putting down the [ weapon ] .
[ name ] , what were you thinking ?!
you’re being followed , pretend you know me .
stop , stop ! just put the [ weapon ] down !
drive , just drive fast !
you seriously think i could’ve done this ?
can you walk ? i need you to walk for me , okay ?
let me handle it , just go !
what was your plan ?? you could’ve gotten yourself killed !
you’re just going to leave me here ?!
[ name ] , can you hear me ? get out of there !
you knew and you didn’t tell me ?!
don’t you know how dangerous this is ?
you’re not going to shoot me .
move and you die .
i’m gonna come back for you , do you hear me ?
we have to stop the bleeding .
can you see how many fingers i’m holding up ?
i just want to go home !
don’t move a fucking muscle .
if it weren’t for you , we wouldn’t be in this mess .
i almost DIED back there , and you’re laughing ?
you’re only making this worse for yourself .
you think this is a joke ?
if i go down , i want you to run .
we’re gonna die , so what’s the point ?
this was the ONE thing i told you not to do .
i can’t promise we’re going to make it out of here .
where’s your first - aid kit ?!
just calm down and find your phone , we need to call the police .
someone’s been stalking me .
just listen to me for once !
i didn’t think you had it in you .
put the gun down , and kick it over here .
we can’t stick around here , let’s go .
kiss me before we die .
do whatever you need to do , hurry .
i can’t breathe , i can’t -
please , please - let me in , there’s someone -
i’m gonna give you one last chance .
you have to believe me , i didn’t do this !
run , and don’t look back .
this is real , i’m real . look at me .
take this . it’ll keep you safe .
follow my instructions very closely .
put your hands where i can see them .
you can’t just let me die !
i think … i think i need a doctor .
we need to get out of here , come on .
no , this isn’t it . we’re getting you out of this .
you panicking is not going to help us right now .
𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :
[ GETAWAY ] sender acts as a getaway driver for receiver .
[ MEDIC ] sender arrives on receiver’s doorstep , badly bleeding .
[ HIDE ] sender and receiver hide from a threat together .
[ HUSH ] sender clasps a hand over receiver’s mouth to silence them .
[ DRAG ] sender physically hauls receiver to safety .
[ RIGHTS ] sender calls receiver from a police precinct .
[ REALITY ] sender helps receiver through an episode of derealization .
[ SHELTER ] sender and receiver must find shelter from a storm .
[ ARMED ] sender brandishes a [ gun / knife ] at receiver .
[ CRASH ] sender and receiver survive a [ car / bike ] crash together .
[ SEARCH ] sender barges into the hospital demanding to see receiver .
[ BACKUP ] sender calls receiver panicking after committing a crime .
[ CORNERED ] sender menacingly backs receiver into a corner .
[ UNEXPECTED ] receiver comes home to find sender already inside .
[ BREATHE ] sender helps receiver get through a panic attack .
[ BADGE ] sender and receiver flee from the cops together .
[ STRANDED ] sender and receiver become stranded in the woods .
[ EMBRACE ] sender kisses receiver thinking it’ll be the last time .
[ STRANGER ] sender can’t remember who receiver is after an injury .
[ TOKEN ] sender gives receiver a lucky charm before they go into battle .
[ CHOICE ] receiver has to choose between sparing their own life or the sender’s .
@huntershowl sent: i get the impression trouble follows you. -- black fall sentence starters -- still accepting
Oh, it did. That was indisputable, even with Arthur’s defending of his continuously wounded PRIDE. (It was becoming a piss poor shield at this point.)
Yet, if that didn’t become APPARENT to anybody who saw beyond his usual outward front of intimidation and swagger, he bore some physical marks of the ‘trouble’ she had mentioned in the fading bruises around his face and the make-shift splint Ada had put together for his broken thumb. Even the fucking copper from Belfast had the impression that he wasn’t the one in control. Given that Arthur was starting to see that he was one of the LAST people to know what was going on these days, he found himself starting to AGREE with that.
A recent addition to the list that Tommy would fill him in on, in HIS own time, was the truce with the employers of the woman who was currently speaking to him. Or an alliance; an allyship. Whatever the fuck it was, Arthur disagreed with it. Still did. Yet, it was another decision that Tommy made and he’d just have to put up with it.
So, he wasn’t all that inclined to hide the BITTERNESS in his expression, as much as he had agreed to not be as openly hostile as he wished he could be.
“Welcome to Small Heath, trouble’s all we ‘ave,” he replied sardonically, cutting her a look out of the corner of his eye, “Still tryin’ to figure out if you’re part of that trouble, much as Tommy’s got his mind made up.”
@misshclly sent: "with all you've seen, do you ever get scared?" -- black fall sentence starters -- still accepting
Arthur’s knee-jerk reaction was to just say ‘no.’
Of course not. What’d he have to be SCARED of? He ran the fucking place. Yet, he knew Holly would see through that easily enough. Arthur had the soldier’s experience of the war, that was clear. Yet, being a field nurse? He could imagine she’d seen many men being the most terrified they had ever been. He figured he should include himself in that. Tommy had a control over himself that Arthur still struggled to find–to put it lightly.
Some might not see FEAR in many of his outbursts and actions, but he knew better. The numbness, the way his mind seemed to retreat when he pushed that anger forward. It was something he picked up in the war, and he had yet to put it down. It was what got him this far.
So, her question sat with him for a few moments. Arthur wasn’t sure if he even had the fucking WORDS to answer that.
“Have t'…keep it out, yeah?” Nevermind the fact that he had never shut it out, but that was also hard to explain. “There’s a situation, ya got no other way of gettin’ through it. I let it in, I don’t make it out. It’s there, yeah, but I can’t give it any mind ‘til I’m out.”
JOHN & ARTHUR SHELBY ▸ Peaky Blinders, 1.6
@vntagetee (ada) sent: bruises can say quite a lot. -- black fall sentence starters -- still accepting
“That so?”
Despite how he looked at the moment, Arthur’s tone was conversational. As much as a part of him tended to feel rather BITTER about talking about his behavior, he still knew it was TOO MUCH. Out of control. Too much drinking, too many drugs, too much fighting, too much anger, not enough sleep. He always looked a little rough, he knew that. Yet, Ada was still his little sister and he managed to keep that inside. At the moment, anyway.
“What are they sayin’, then? Don’t know where I get most of ‘em, these days.” Outside of his knuckles. The math added up easily enough there.
@alreadybrcken sent: "be careful what you wish for. you just might get it." -- black fall sentence starters -- still accepting
“Mm.”
He had to agree with that, he supposed. They were SUCCESSFUL, sure, but Arthur knew better than anybody that there was a COST to some of it. (Even if he became aware of that price AFTER the fact, more often than not.) Still, Tommy’s comment pulled a somewhat curious look from Arthur, hands tucked into the pockets of his coat. From how it seemed at the moment, if it was indeed some sort of warning his brother was trying to give him, Arthur didn’t seem too BOTHERED by it at the moment. He looked approachable, even, which definitely wasn’t the case most of the time.
If it really was a warning, though, he wished he’d just fucking get on with it.
“You tell me, then. What is it you think I’m wishin’ for, Tom?”
— PEAKY BLINDERS S03E05
@deepwcb sent: you've been all alone here? nobody to look after you? -- black fall sentence starters -- still accepting
“Piss off. I don’t need lookin’ after.”
The situation said otherwise, yet Arthur couldn’t exactly lean on his family when things got bad. The pressure in his head threatened to cave his skull in unless he let it out somehow–drugs, sex, violence. Yet, in the light of day, he knew it made him DIFFICULT. So, he retired to a church, bottle of whiskey resting on the edge of the pew in front of him. Arthur had clearly been into it already, given the immediate defensive he went on, along with how he slouched over the back of the pew, eyes glossy but his gaze was HARD.
So, having some stranger come in and comment like he was some poor dog to throw scraps to pissed him off in a way he couldn’t really explain.
“You have any idea who I am? I don’t need your pity.”
Alright, all my drafts are in the queue. I spent upwards of like five minutes on each ask rewriting dialogue because I'm working with an accent I'm generally unfamiliar with, so if there's any oddness I promise I'm working on it. lol ALSO: just a reminder that you always have my permission to continue things if you wish. It's probably the fastest way to get things going with me.
BY ORDER OF THE PEAKY FUCKIN' BLINDERS!
'Making icons.' More like 'giving myself a headache.'
black fall.
dialogue prompts from black fall by andrew mayne.
nobody is safe in this world.
don't talk just to fill the air.
things are worse than you're letting on.
with all you've seen, do you ever get scared?
would i be imposing if i gave you a call sometime?
i get the impression trouble follows you.
bruises can say quite a lot.
you don't need company to cook. it's something you do for you.
you have a lost look in your eyes.
are you this much of an asshole to everyone?
care to give me the buzzfeed version?
i think i'm out of my league.
are you studying me?
you're too smart for me.
usually you're better at compartmentalizing.
the greater the rise, the bigger the fall.
you're very scary when you're frustrated.
i'm half convinced this is a nightmare.
give us mortals a chance to sleep. it's 4 in the morning.
the panic is always the worst part.
you're not going with me?
i think you'll be safe until you do something stupid again.
you're the only one dumb enough to be alone out here.
i'm trying to level with you, but i don't know how.
sometimes i make things more complicated than they need to be.
it's not normal to have so many people want to kill you. you know that?
i read up on you.
it's the fall that gets you.
you did real good.
how do you get used to it?
tell me. now.
nobody is interested in the truth right now.
i know you like to internalize stuff.
i'd externalize if i knew what the hell i was thinking.
don't tell me you're afraid of the dark.
remind me to talk to you about how to address your superiors.
you've been all alone here? nobody to look after you?
it's okay to be scared. i'll protect you.
don't tell, but i cried a lot.
are you in trouble?
be careful what you wish for. you just might get it.
it may be nothing, but it's probably something.
do they know what you are?
BY ORDER OF THE PEAKY FUCKIN' BLINDERS!