👁 👁 Aracne y Atenea 👁 👁

[tonysopranobignaturals-deactiva]

endless battle

[thetyrannosaur]

dont forget them

[tonysopranobignaturals-deactiva]

important additions

[meatswitch-deactivated20231107]

Permission to get deep for a second?

[meatswitch-deactivated20231107]

The reason lifting weights helps treat depression is because you don’t just work out your muscles. You also exercise the ability to dispense motivation. Build up your power to motivate yourself, you’ll find yourself doing little things that need to be done. It’s not perfect, and it can be a really slow start, but it really does help.

It’s a lot easier to lift a dumbbell a few times than it is to clean your room, but if you push yourself to lift it you will find it easier to push yourself to organize your stuff or do the dishes.

Also you can punch harder.

[pornhubstepmom-deactivated20191]

I’m sorry for denying

This is true

[excitementshewrote]

[killbilled]

Amy, I thought you might be in a straightjacket drooling on meds. I guess Mike McLintock was wrong. Yeah, is he ever right?

[toptony]

#mood

[roxilalonde-deactivated20251105]

I feel like I need to write an article like “How to React When Your Friend Comes Out: A Guide For Really, Really Straight People” and it’s just eighty pages of me transcribing all the terrible experiences I’ve had coming out to straight people

[roxilalonde-deactivated20251105]

Chapter 1: Why “I Knew It” Is Nowhere Near As Funny As You Think It Is

[roxilalonde-deactivated20251105]

Chapter 2: Is Now The Time For An Abridged History Of You Being A Good Ally™? Signs Point To No

[princessofbadassery]

Chapter 3: It’s Cool That You Know Other Gay People, But Not Really Relevant Right Now

[hyperverbal]

Chapter 4: Just Because You Have Gay Friends Does Not Make You An Equal Or Greater Authority On My Gayness

[unokins]

Chapter 5: This Is Actually Really Important So Please Stop Saying It Doesn’t Matter

[princessofbadassery]

Chapter 5A: Why “I Don’t Care If You’re Gay, Straight, Purple, Green, Whatever” Is Not A Supportive Statement

[omgsomeonesomewhereonearth]

Chapter 5B: “I Don’t Care As Long As You Don’t Hit On Me/Turn Me” Has Never Been Funny

[thephloxbayou]

[putasuciaa]

[queerist]

CASSANDRA

[colescrow]

Whet

[wolg-fang]

Whæt

[wildlifewednesdays]

[schweinsteigur-deactivated20151]

THEY LITERALLY HANG THEM UP TO DRY IN CRYING OH MY GOD

[quicksilverwracked]

WHY IS THIS NOT MY JOB?!?!

[kidchi]

THE NOISE

[s-tu-deactivated20160514]

who needs swag when you have class

…ical music

[s-tu-deactivated20160514]

I THINK I LOST A FOLLOWER FOR THIS

THE FUCK DO YOU HAVE AGAINST CLASSICAL MUSIC I’LL RAM MY TROMBONE SO FAR UP YOUR HOOHAH WHEN SOMEONE EATS YOU OUT THEY’LL BE ABLE TO PLAY THE SOLO FROM SIBELIUS’S SYMPHONY IN C

[deejay]

Artist: https://royugang.artstation.com/

Shirt : https://bigmood.com/products/scarlett-johansson-is-ash-ketchum

[orangecolored-sky]

if you’re not living so that men would have wanted to burn you at the stake in 1692 then what’s the point

[vraimothra]

[dongbearer]

sonic dont

[danismm]

Galaxy Magazine, 1952

[ruinedchildhood]

[mikrokosmos]

Mahler - Kindertotenlieder

Songs on the Death of Children. Taken from a cycle of poems by Friedrich Rückert, who wrote the poems after two of his children died of scarlet fever. Mahler had written songs after Rückert’s poetry before, but why exactly did he choose such a dark subject? Around this time, Mahler had been thinking about death a lot. In fact, one could say his “late period”, the 9th and 10th symphonies, and Das Lied, are all focused on death. What does it mean? This finality? Is it final? Is it peace? These works may be about death, but there is much more an emphasis on comfort, acceptance, and reflection back on life and love. They are loving farewells, not bitter. And this can be seen in the poems the cycle is based off of. These are more consolation works, accepting fate, and moving forward. And while this cycle is overall in a dark and somber mood, very bare in its orchestration at times, the final song shifts into a major key consolation, that does give more of a sense of optimism. Like Das Lied, it ends with its own transcendence from the sorrow that came before.

Movements:

1. Nun will die Sonn’ so hell aufgeh’n

2. Nun seh’ ich wohl, warum so dunkle Flammen

3. Wenn dein Mütterlein

4. Oft denk’ ich, sie sind nur ausgegangen

5. Im diesem Wetter

[mikrokosmos]

Orchestra: Wiener Philharmoniker  Conductor: Leonard Bernstein Soloist: Thomas Hampson