The Swan Maidens by Walter Crane, 1894

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The Swan Maidens by Walter Crane, 1894
Home again, April 2026
wild pond
Nepeta (Catmint)
Bacchus
Artist:Β Simeon SolomonΒ (British, 1840-1905)
Date: 1867
Medium: Oil painting
Collection: Birmingham Trust Collections, Birmingham, United Kingdom
Description
Bacchus was the Roman god of agriculture, wine and fertility, equivalent to the Greek god Dionysus. He is often seen with vines of grapes with him. Dionysus was said to be the last god to join the twelve Olympians. Supposedly, Hestia gave up her seat for him. His plants were vines and twirling ivy.
Sturgeon Full Moon Β© astronycc
The Bridesmaid
Artist:Β John Everett MillaisΒ (English, 1829β1896)
Date: 1851
Medium: Oil on panel
Collection: The Fitzwilliam Museum, Cambridge, United Kingdom
Rain at Gio-ji temple // ι¨ β‘
The Pale Complexion of True Love
Artist: Eleanor Fortescue Brickdale (British, 1872 - 1945)
Date: 1899
Medium: Oil on canvas
Collection: MusΓ©e d'Orsay, Paris, France
Description
The painting depicts a scene from the play As You Like It, Act III, Scene 4.
Corin, a shepherd, is speaking to the two heroines, Rosalind and Celia, about his fellow shepherd, Silvius, who loves the shepherdess Phebe in vain. He offers to show them a love-passage between the couple:
If you will see a pageant truly play'd, Between the pale complexion of true love And the red glow of scorn and proud disdain, Go hence a little, and I shall conduct you, If you will mark it.
In the Woods Somewhere | Instagram | Prints
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Venus Epithalamia
Artist: Edward Burne-Jones (English, 1833-1898)
Date: 1871
Medium: Watercolor and gouache, metallic gold paint, and varnish on linen prepared with Chinese white
Collection: Harvard Art Museums, Cambridge, MA, United States
Eloisa and Abelard
Artist: Eleanor Fortescue-Brickdale (British, 1872β1945)
Date: 1919
Medium: Watercolor
Collection: Private Collection
Description
Lines printed with the title: "From lips like these what precepts failed to move? / For soon they taught me, 'twas no sin to live" (from Alexander Pope's Eloisa to Abelard). This was a popular subject in the nineteenth century, but it was apt to be more soulfully treated. Brickdale's early twentieth-century version, of the famous lovers stealing a secret kiss, is quite daring β especially in the Gothic context, with the figures in stained glass windows to witness them! Lavish in detail and colour, it has an altogether bolder feel to it.