Elliott Jönsson | 30 | He/Him | FC: Bill Skarsgard | Occupation: CEO and Producer
Bio and Wanted Connections
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@elliottjxo
Elliott Jönsson | 30 | He/Him | FC: Bill Skarsgard | Occupation: CEO and Producer
Bio and Wanted Connections
@joliestclair | Jolie’s Home, April 8th Morning of End of The Trail Festival
His time in Sweden was minimal, but it at least afforded him a comfortable bed with 500 thread-count bed sheets. Jolie’s couch, on the other hand, seemed made out of stone. Then again, it was easier to lay blame on a piece of furniture than his own anxieties. Since arriving in L.A., it’s felt as if he was biding his time. Caught in a state of flux, never quite announcing his return or looking for anywhere permanent to stay. The in-between has been a comfortable sanctuary for a year now, and Elliott finds the prospect of leaving it daunting. Then again, just by showing up at Jolie’s doorstep, he’s taken a step in that direction. Who else would knock him back to reality, than the woman who’s been his pace car since childhood?
As if she could hear the internal complaint, he lifts his head from the edge of the couch. A mildly irritated, but mostly appreciative look on his face.
“How many top singles do you have again?” He asks rhetorically, before gesturing to the couch. “You’d think you can afford a half-decent couch.” He grunts, straightening his back and flinching only slightly at the stark sunlight beaming into the room. Even so, there’s something comforting about seeing Jolie like this. They hadn’t always kept the same pace in life, and as is expected, Jolie is ahead of him even in sobriety. A picture of what Elliott might expect to be, if he manages through his return unscathed. He likes the look of her like this - alert, endearing, alive. Despite himself, he allows for a sentimental smile. “In case I haven’t said it yet. You’re looking a lot better these days.” A truth that comes from someone who’s seen her in all facets, and prefers this the best. “Now what’s for breakfast?”
@elliottjxo we were so obsessed with writing the next best american record
the night is young, as it is early in the morning of the next day. 1 a.m. strikes the clock and gabe stumbles out of the after party, unsure on how he’s still walking when his legs are so weak under him. he wants to sit somewhere, take in the sea air from the pier, and maybe fall asleep on a bench. end the night the exact same way he felt all day: as trash. it seems like a fitting fate for the end of his comeback night. no one seems to be judging the absolute mess he is, or if they do, he’ll see it in the papers in the morning.
there's something freeing, in accepting you're a mess. maybe a pr nightmare for his publicist but they're not here now and no one's nagging voice is there to remind him that he has a responsibility as a public persona, and gods, what would his fans think? he so doesn't care right now, as he removes his shoes to dip his feet in the icy waters of the ocean. the sand is smooth under him, there are still partygoers around, a bonfire somewhere.
it takes him only a few seconds to close his eyes, trying to focus on the meditation techniques he's been trying these last few weeks,
(they're difficult and he's not sure they're working)
holds up his face to the moon up in the sky, as if it was the sun. he can feel the moonlight on his face (he's high, please) when a sudden sound next to him makes him jump. it's only a few teens, chasing each other to the waves, their laughs joining the sounds of the night. he can't stop the soft smile as he watches them, remembering his own antics at that age. another of their friend shouts from up the beach, and gabe turns a little to look at them too.
problem is, his eyes catch none other that elliott jönsson and gabe's heart, again, jumps in his chest. surprise and fear fill him up, and for the most stupidest of reason, gabe decides to dash. because surely elliott's here to kill him, and gabe just suddenly wants to go to sleep so this course of action is the most logical one.
gabriel-miller:
@elliottjxo we were so obsessed with writing the next best american record
the night is young, as it is early in the morning of the next day. 1 a.m. strikes the clock and gabe stumbles out of the after party, unsure on how he’s still walking when his legs are so weak under him. he wants to sit somewhere, take in the sea air from the pier, and maybe fall asleep on a bench. end the night the exact same way he felt all day: as trash. it seems like a fitting fate for the end of his comeback night. no one seems to be judging the absolute mess he is, or if they do, he’ll see it in the papers in the morning.
there’s something freeing, in accepting you’re a mess. maybe a pr nightmare for his publicist but they’re not here now and no one’s nagging voice is there to remind him that he has a responsibility as a public persona, and gods, what would his fans think? he so doesn’t care right now, as he removes his shoes to dip his feet in the icy waters of the ocean. the sand is smooth under him, there are still partygoers around, a bonfire somewhere.
it takes him only a few seconds to close his eyes, trying to focus on the meditation techniques he’s been trying these last few weeks,
(they’re difficult and he’s not sure they’re working)
holds up his face to the moon up in the sky, as if it was the sun. he can feel the moonlight on his face (he’s high, please) when a sudden sound next to him makes him jump. it’s only a few teens, chasing each other to the waves, their laughs joining the sounds of the night. he can’t stop the soft smile as he watches them, remembering his own antics at that age. another of their friend shouts from up the beach, and gabe turns a little to look at them too.
problem is, his eyes catch none other that elliott jönsson and gabe’s heart, again, jumps in his chest. surprise and fear fill him up, and for the most stupidest of reason, gabe decides to dash. because surely elliott’s here to kill him, and gabe just suddenly wants to go to sleep so this course of action is the most logical one.
Gabe and Elliott
The honeysuckle voice of one Renata Cortes echoes in his ear like a bad riff. But it isn’t the tone of her voice, it’s the news delivered through lip-glossed lips. Did he expect Brie to wait around, with curlers in her hair and a pineapple ham in the fridge? No. In fact, an ugly part of Elliott even relished at the concept of his estranged wife’s revenge. A matter of paying him back, for the many wrongs he’s done. It’s not the action, it’s the person. Gabe fucking Miller. A man whose history with Elliott extends well beyond his relationship with his wife.
A person who, up until the reckoning of their relationship, was someone Elliott cared about. A person who Elliott was his best, and absolute worst, with. A person that’s built his success, and pulled him out from underneath him. It’s hard to think of the singer without recalling both, in equal aggravating measure. Even harder for Elliott to imagine his life, without Gabe entangled in it in some shape or form. And Brie knew that.
But he couldn’t very well take it on the wife he’d up and left. Instead, his heel turns for the beach. He vaguely makes out Gabe’s profile, with his familiar shoulders and rock-and-roll hair. It’s tussled, in a way that only feeds into Elliott’s aggravation. What? Did he let her run her hands through it? It’s possession and anger that sets him forwards Gabe’s trajectory.
And the piece of shit runs.
“If you have the balls to fuck around with my wife, then you can at least face me.” Elliott yells, just above the waves, picking up his step and rushing forward. One long leg after the other, till he closes the gap and presses a strong shove against Gabe’s back. “What the fuck is wrong with you? She’s married. But I guess you know a thing or two about disloyalty, huh?”
briebarlow:
The last month had felt like she was living on borrowed time. Brie knew better than to think that Elliott wouldn’t show back up after she’d gotten that call from his assistant – It was only a matter of time before she showed up on her doorstep. Or, her Ferris Wheel carriage. She’d spent an entire year without him, having the seams of her life unraveled overnight without warning. It was a devastating blow, one that still leaves her stuck between wishing he’d come home and wishing he’d never come back.
She’d cried her tears and numbed her heartache, forced herself to stick it into a box and put it on a shelf to gather dust. Brie liked to believe she was moving on, that she’d glued herself back together and had returned to being the woman she once was – She put on a good front, with a stiff upper lip and her held high every time someone was brave enough to bring up her husband leaving, ask where he’d gone. It got easier with time to pretend she was alright, beginning to feel like she was reading rehearsed lines and following script instead of letting herself succumb to the new reality she’d unwillingly entered.
Ferris Wheels had always been a favorite, but the one at the Santa Monica Pier was by far the best. Heights weren’t ideal, but the view was a masterpiece – Especially as the sunset. Admittedly, she couldn’t stop herself from thinking of Elliott as she got in line. Once upon a time they’d do this together, she’d be curled under his arm and they’d watch the sunset from the top of the Ferris Wheel. It had always been romantic, something she looked forward to each time they came to the pier. It felt strange to be going alone, but Brie was determined to not let him take anything else from her.
And yet.
She gets into the carriage alone, turning and looking down so that she can dig her phone out of her purse – The sunset was picturesque, and she wasn’t going to pass up the chance to get a shot of it. The feeling of the carriage shifting is what pulls her attention, brows furrowed as she lifts her head, prepared to snap at whoever was trying to interrupt her moment alone. Whatever quip she’d come up with dies on her tongue, finding herself momentarily frozen in place at the sight of Elliott Jonsson taking the seat across from her. Only seconds have passed but it feels like hours, the feeling of the Ferris Wheel starting it’s rotation pulling her back to reality.
Her first instinct is to try and get out – Brie moves to stand but is knocked back into her seat as the carriage sways and they move. “You’ve got to be kidding me.” She answers him with a scoff, reluctantly sitting back in her seat. Crossing on leg over the other, she crosses her arms as well, knowing she can’t do anything but accept her fate. It was a clever idea to corner her here, Elliott knew her well. Had the circumstances been different, she would have admired the move – There was nowhere for her to run off to, no way for her to slap him and stomp off. Just the two of them, alone. Private enough, though if either began to yell – It’d be easier to hear.
Brie didn’t like the feeling of being trapped, that he had gotten the upper-hand on her. Because that’s what they did, right? It was all a game of who could push the other, who would be the first to bend. There’s a beat that passes between them, tension settling into the air around them. “What is this, Elliott, hmm?” Brie questions plainly, her nails digging into her arms as she speaks. The anger she’d been bottling up is quickly threatening to boil over, now that this conversation isn’t just her imagining what she’d say if given the chance. “Now you want to talk?” A bitter laugh and an eyeroll follow her words. “You’re a fucking coward.”
Brie and Elliott
There’s a chasm that forms in any marriage. A cumulation of white lies, petty grievances, and ugly resentment. Some were better than others, some far worse. But his and Brie’s? The extent of it is masked by the worst parts of themselves; Brie’s perfectionism and Elliott’s ego. Years of momentous arguments and mind games were, in fact, shallow misgivings. Because the fact was, that the worst parts of their marriage were beneath the tip of the iceberg. How easy it was, to ignore the very real signs. Maybe if Brie hadn’t gotten pregnant, they could go on ignoring the signs. Ignorance is bliss, after all, and they loved each other more than enough to keep at this forever.
But unlike the ferris wheel, going round and round on a continuous loop, Elliott threw their life off course. He obliterated his marriage, his family, and his favorite person, all to get off the ride. In the many days, weeks, and months that followed. He had his doubts. Sitting there now, beneath the bright LA lights, he has them again. How could he not, staring back at Brie Barlow Jonsson like that? (He could only assume her name on legal papers haven’t changed... But Brie was a stickler for detail) She looks as she’d always looked - devastatingly breathtaking and simultaneously thoughtful. There’s a visceral reaction, equal parts guilt and longing. One fighting over the other, as he stares back at her.
Brie’s vitriol manages to cut through his thoughts like a knife. A just rage that is even more terrifying than Elliott’s imagination. But he has imagined this. He’s played this moment out; in the shower, in front of the mirror, every night before bed. There was a speech, wasn’t there? A detailed-yet-straightforward breakdown of where, when, and why. It’s only in the sight of his very real emotions, that he can’t remember a word of it.
“I couldn’t talk before.” It’s a pitiful answer, and Elliott nearly braces himself for a right slap on the face. But it’s the truth. He couldn’t talk before, not about the baby or the drugs or the way their marriage made him feel. He swallows the lump in his throat, both hands placed on either side of the bench across from Brie. There was no turning back, not for the next fifteen minutes.
“I know you wouldn’t listen to me unless I cornered you. And I know you don’t owe me shit, but I-” He sighs, clenching his jaw. “I owe you the truth, at the very least.” Elliott sucks in a breath, glancing down at his hands, the slight tan of where his wedding ring once was bright under the cacophony of lights. “It wasn’t a girl, or another family, or because I’d fucked off to the Cayman Islands after a shitty business deal.” All realities of wealthy men with too much of everything. “I went back to Sweden. I -” He shrugs, flipping his eyes back at her. “I was in rehab.”
lcvitatings:
She’d long since ditched the wine cooler she’d gotten when she first arrived and traded it in for a basket of fries, walking aimlessly around the designated area. There was sand in her Keds, the ocean breeze was sneaking in through the holes of her knitted caridgan, and Kirby was sure that there was a headache waiting to break through from the back of her head. The group that she’d come with had long since dissembled, each of them finding their own corner while the brunette stood taking in the little attractions all around. A photo booth immediately caught her attention. The voice of her part-time manager rang in her ear ⏤ ‘get some cute shots for a feed post’ and suddenly, she was sliding in a five dollar bill and pulling back the black curtain.
What she wasn’t expecting was Elliott Jönsson sliding in next to her, taking up the other half of the bench. She hadn’t even pressed the start button yet. Of course she remembered him, her traitorous lips still tingled a bit as he smiled at her. There was guilt there but also a feeling of familiarity, of warmth, the fallout of a conversation with someone who, in the span of a night, knew some of her more depressing secrets. “It’s gonna be awkward regardless, considering this was meant to be a session for one. These definitely aren’t going on my feed now.” She reached over and pressed the green start button with a smirk. “Who are you again?” She asked, jokingly.
Kirby and Elliott
A changed man, that’s what he likes to call himself. A self-congratulating statement that keeps him on the straight and narrow. He was clean, clear-headed, and though his actions were cowardly - everything after refused to be so. And yet... Elliott is still himself, at the end of the day. And so he can’t help but reflect back at Kirby’s smile, with its warmth and trust, and feel a small swell of relief. When was the last time anyone looked at him, without all of the history and weight of his previous actions? His shoulders slump forward, loose despite the cramped nature of the photobooth.
“Not unless you want it to end up in the LA Times... Or Tik Tok.” Although he says it with a humorous flair, there’a a seriousness to the context of it. Kirby knew enough about him from the night prior, to have an idea of his life. A highly publicized and spectacled affair, any eagle-eyed reporter or spectator could take the photo and blow it out of proportion. Then again, by the way he manages a smile, maybe there was a lack of innocence to the whole thing that was true. “Tonight? I’m trying my best to play the part of a high-achieving, and unbothered executive.” And yet he shrugs, glancing at the camera, then back at Kirby. “Though I’m not sure how well that’s going.” He glances around the booth, before landing back at Kirby. “And you? Who are you?” Of course he knew, but the bit manages to be easy, and he likes the ease of conversation with her.
renatacortes:
where: end of the trail festival
who: @elliottjxo
There were rumors that the big name record label owner was back in Los Angeles but rumors were rumors and she had yet to see the industry giant with her own two eyes. While Ren loved to pass along a good rumor, she was not one to fall for them unless it was confirmed in some way. Tabloids were shitty resources at best and the game of telephone among the L.A. elite was even worse. She stopped by the V.I.P. tent for some water or sanitizing wipes to finish cleaning off the mess on her legs from the rude attendee who nearly destroyed her one of a kind designer boots. That attendee being Brie Barlow and another reminder of the ire that woman caused her. It was there she spotted Elliott and confirmed for herself, that he was in fact, back in town. Wheels turning in her head already, she started to wonder what his take on everything going on with his estranged wife was. Or were they divorced now? She couldn’t remember the latest scoop, but they were rocky and that was all she needed for ammunition to potentially stir the pot. Possibly even get him to fire her loser of an ex-boyfriend who started all her problems to begin with.
“Elliott, darling, I thought that was you,” she greeted as she schmoozed on over to him. First things first, she had to take in what he was wearing. It was always the best ice breaker. “I love that top on you, subtle and chic just like you Mr. Mysterious.” Ren scrunched her nose and gave him a little smile. She wasn’t going to go overboard, she knew people on their level could smell a fake from a mile away and this friendly chat had an underlying purpose. “Anyways, how have you been? I was really sad to hear about you and Brie, by the way. It must be hard to see her out with someone new, like I know you two were on a break or whatever it was, but I mean that’s understandable with how much of a handful she can be.” Renata put her hand to her chest and jutted her lip out in a small pout. “It’s always a sad, sad day when true love dies.”
Renata and Elliott
There was nothing comfortable about the festival. Amidst the many people he’s wronged and abandoned, and the ever-abundant supply of temptation. Elliott can feel every light perspiration or too-loud noise. A natural consequence of leaving sleepy old Sweden, for the theatrics of his hometown. Yet despite the very real discomfort, he couldn’t help but feel alive. How long had it been since he’d been to a festival, or even listened to his label’s top musicians? The music hits his ear different, and it’s a saving grace amidst the speculation. But it only lasts so long, and in the reprieve between sets, his beeline towards the sparkling water is interrupted by a familiar purr.
Of course, he knew Renata Cortes. His circle may be rich with influencers and models, but Renata had the unlucky talent of getting under his wife’s skin (if he could still call her that). How many nights did Elliott spend uttering grunts and murmurs of acknowledgement, while Brie aired her grievances about Renata fucking Cortes. Yet for the life of him, he can’t sum their dislike up to anything beyond a love for a fight. “In the flesh.” He agrees simply, with an uncharacteristic shrug. There was a time when Elliott marveled at the attention. A right alpha, preening at his ego being stroked. But there’s a heavy dose of shame and embarrassment, that makes chatter with an acquaintance at best difficult. “From you? A compliment.” Though he’s certain Brie had picked his shirt out years ago, and that the very knowledge would have Renata disavowing it out of spite.
“It’s been an adjustment, but it’s good to be home.” He answers diplomatically, with a steady voice that intends to keep a friendly distance. Yet Renata manages to clobber the chances of that, in that innocent tone that goes unnoticed by Elliott’s own attention. “What the fuck are you talking about?” Elliott furrows his brow, now turning to Renata with full attention. “She’s been seen with someone new?” He had assumed there’d be someone, not because Brie was disloyal, but because how could he expect her to wait? it’s the public nature of it all. Whatever it was his wife was doing, she had no qualms letting the likes of Renata know about it. “How do you even know this?”
closed starter for @elliottjxo where: end of the trail music festival
Asha spotted the tall dark-haired asshole the moment he entered the jumping crowd of people, standing a foot taller than a majority of the festival goers. He stood out like a sore thumb, which was perfect for her because she was making a beeline towards him. She had a few words to share with the bastard that left her best friend without warning. Who did he think he was? Brie was an amazing woman and he had completely fucked her over. Before she knew it, she was standing toe to toe with the giant, gazing up at him with fire in her eyes. "You fucking asshole!" she growled at him, shoving her hands into his chest hard as she could. Would he budge, likely not, but she did it anyway. She was Brie's fire-breathing dragon and right now, she was steaming. "You've got some damn nerve showing your face around these parts after what you did!"
"Was it a bitch? Did you run off with a little hoe to trollop with for a year? Or did you disappear trying to advance your career, traveling over seas with a variety of talents? Let me tell you, it doesn't matter. What matters is you left without a word. Couldn't even be bothered to leave a note, huh? Fucking fantastic. Guess who had to pick up the pieces of ya' girl. Me! I had to put Brie's heart back together with tinsel and glue and make it look all shiny and new again. And I'll be dammed if I let you weasel your slimy ass back into her heart just to break it again. So you need to turn your ass right back around and get the fuck on out of here before she sees you, and then I really have to put my foot up your ass."
Shaking her head, she shoved him again. "She doesn't need your presence anymore or your sorry ass apologies that I know are coming so, go now. Run along."
ashairis:
closed starter for @elliottjxo where: end of the trail music festival
Asha spotted the tall dark-haired asshole the moment he entered the jumping crowd of people, standing a foot taller than a majority of the festival goers. He stood out like a sore thumb, which was perfect for her because she was making a beeline towards him. She had a few words to share with the bastard that left her best friend without warning. Who did he think he was? Brie was an amazing woman and he had completely fucked her over. Before she knew it, she was standing toe to toe with the giant, gazing up at him with fire in her eyes. “You fucking asshole!” she growled at him, shoving her hands into his chest hard as she could. Would he budge, likely not, but she did it anyway. She was Brie’s fire-breathing dragon and right now, she was steaming. “You’ve got some damn nerve showing your face around these parts after what you did!”
“Was it a bitch? Did you run off with a little hoe to trollop with for a year? Or did you disappear trying to advance your career, traveling over seas with a variety of talents? Let me tell you, it doesn’t matter. What matters is you left without a word. Couldn’t even be bothered to leave a note, huh? Fucking fantastic. Guess who had to pick up the pieces of ya’ girl. Me! I had to put Brie’s heart back together with tinsel and glue and make it look all shiny and new again. And I’ll be dammed if I let you weasel your slimy ass back into her heart just to break it again. So you need to turn your ass right back around and get the fuck on out of here before she sees you, and then I really have to put my foot up your ass.”
Shaking her head, she shoved him again. “She doesn’t need your presence anymore or your sorry ass apologies that I know are coming so, go now. Run along.”
Asha and Elliott
For the better part of the 389 days, he’s had time to imagine what coming home would be like. Not unlike a business plan or a strategic venture, he breaks it down in his head. What were the easy wins? What were the major challenges? Where were the risks? And all the same, he knew exactly who and what was coming. This is his home, his circle of people... They were predictable, even in their lack of predictability. Asha herself was a lit match and a ice cold water all in one. She always had been. Sometimes, it was unnerving. But most days, he found it entertaining. Few people in Hollywood can claim authenticity, and Asha has it in spades.
It’s no surprise, then, that Asha comes to him with full weight and force. A sharp tongue that sparks righteous rage. He flinches slightly, pulling back slightly but unmoving. He doesn’t make a beeline to avoid her, nor does he make an attempt to interrupt. In fact, there was something cathartic about such a display of rage. Unlike Brie, who simmered and seethed, he could feel the full extent of his mistakes with each word out of Asha’s lips.
“Classy as always, Asha.” Elliott eventually answers, keeping his voice at bay. He’s no saint when it comes to his own temperament, but time away in therapy has him calling on those same coping mechanisms. He looks down at her, clenching his jaw as the guilt courses through his veins. And yet, he attempts to keep still. “But while I owe a lot of explanations to a lot of people. I don’t owe one to you.” At the second grasp of Asha’s hand, he pulls back, careful not to grab onto her arm. “And I’m not “running along” anywhere.” He says inexplicably. “This is still my label, my business, and I’m not going anywhere ‘till my artists are done.”
@lcvitatings | Late Afternoon at the Santa Monica Pier, April 8th
The energy of the crowds, the heightened heart rate from each song, and the sensory explosion of each performance. There’s a magic to music festivals that’s familiar to Elliott’s bones. A natural euphoria that he’s forgotten, on what’s felt like a three year bender of narcotics and vice. But it isn’t easy, and he feels the twitch of temptation with every offered bump and cold bottle of vodka. Fortunately, Maroon Studio’s line-up was getting prepped and mic’d to perform on stage. The end result has Elliott stepping outside the velvet rope, and through the rows of general admission. In between cotton candy carts and carnival games, he finds a very different type of temptation. Except instead of the usual heart-racing danger his exploits often evoke, it’s an almost uncharacteristic sense of calm.
How could that be, when the most he knows about Kirby is one evening’s worth of divulgence?
She looks just as he’d remembered, in that hazy mellow toned light. Long black hair and warm, inviting eyes that’s unfailingly wholesome. It’s like the sound of whimsical romance Elliott’s always trying to find in his music. If he were more cynical, he’d think it’s a marketing plot he’s developed himself. But she’s real, flesh and bone. And for all that Elliott’s tried to avoid attention, he can’t help but walk towards the photobooth.
He’s quick on his feet, jumping into the booth and quickly sliding over the curtain. His shoulder bumps against hers, and Elliott can’t help but smile at his own foolishness. How strange it was, to have a slight break from the overwhelming guilt of it all. “If you don’t remember me, this photobooth is gonna be sufficiently awkward.”
@briebarlow | Late Evening at the Santa Monica Pier, April 8th (tw: drug use mention)
He jumps right into the deep end of the L.A. social scene, without so much as a breath or moment of pause. It’s unwise, given just how tentative his newfound peace is. But Elliott likes to to believe himself stronger now, than before. The whirlwind of work, play, and social pressure that a music festival carried (especially for the illustrious head producer at Maroon Sound Studios) would’ve been a powder keg of temptation. In fact, in years past, he had distinct memories of leaving the event in a euphoric haze. But he’s kept his wits about him so far, waving off credit-card lined powder from his contingent of artists. He jumps into the work, and manages to minimize the amount of run-ins (most, if not all, on camp “Brie Barlow”).
He can weather the rainfall of criticism and curiosity from friends, family, and acquaintances like. But not before he talks to Brie. Somehow, getting started on putting his life back together has to start with her. As with everything in his life, it always started with her.
There was a time when that was a comfort, rather than a burden.
His wife is equal parts fearless and fierce. A combination that made certain Elliott was always at arm’s length. Whatever attempt was made; at their old house, at her office, or at her sister’s house, was quickly dismantled. All without putting a hair out of place or a scuff on Brie’s designer pumps. Yet he knows her, still. He knows the temptation that lays at the ferris wheel, on a perfect Spring night eclipsed in bright light. He remembers how she’d gravitate to it, even before they had gone steady, and well into their marriage.
It’s a matter of time, and he slips the conductor a thousand bucks (old pocket change for all cash expenses to feed his habit, not used for something good). Waiting in the wings, well out of sight, he waits until Brie is the last to get into a carriage. No companions for her, as per Elliott’s instruction. It’s not until the conductor passes him a nod, that Elliott walks fast-footed. A jump into the carriage, and a quick clip of the safety lock. Before she can utter a word, the carriage rocks, and the wheel turns.
“It was this, or rushing you onto a yacht. And I don’t think we’re at criminal offenses yet.” Though if looks could kill, perhaps they were there already.
in the city of angels.
NAME: Elliott Jönsson FACE CLAIM: Bill Skarsgard AGE & DATE OF BIRTH: 30 & January 11th, 1993 HOMETOWN: Stockholm, Sweden TIME IN LOS ANGELES: 20 years NEIGHBORHOOD: Beverly Hills OCCUPATION: Music producer, CEO of Maroon Sound Studios
biography.
trigger warning: addiction, alcoholism, substance abuse, abortion
“Fledgling artistry, hidden behind a household name and a tower on the strip.” Such were the anecdotes of artists, business partners, and musicians alike. Of course, this was the late 90’s in L.A. A period infamous for the abandonment of rock and R&B, and the rise of Hip-Hop and streaming. The classic pop-rock powerhouse that was Jönsson Records was not cut out for the change. Did it have to do with the rise of illegal streaming, and the outmoded music production? Perhaps. But if asked, Elliott could date the moment of demise, and it wasn’t the day the Internet went mainstream. The trouble starts well before his time, with his father - Oskar Jönsson. A figment of wealth and sensitivity, the heir to Jönsson Records cared little for the minutia and rigour of business. Late nights turned into later mornings, and working hours spanned from 10-2. Indeed, it seemed Oskar was determined to live down his illustrious reputation. Whether it was old fashioned privilege, or a knee-jerk reaction to the mantle of power. The end result? A stagnant business, a family in disarray, and an ever-empty bottle of liquor.
If Elliott’s father was gasoline, his mother was a lit match. You’ve read about their love affair. It’s written into the heart and soul of Katerina Jönsson’s gold records. The famous singer of the 80’s was a whirlwind. A musical savant, heavy with her own struggles and hardships.But love in the time of hardship was a tricky thing, indeed. The young couple was barely three months sober when Oskar got down on one knee, and presented a four-carat Emerald ring set in a gold band.
A year later, they welcomed their first son - Elliott Fredrik Jönsson. Aptly born on Katerina’s tour bus heading for Seattle. He was eight pounds of pale skin, crystalline eyes, and Jönsson blood. Those who’d come to bend the metaphorical knee to the latest in Jönsson men shared a side-eye of contempt. Was he to be a mirror of his father, in achievement and struggle?
The answer comes barely eight years later. At the groundbreaking of the Jönsson family’s latest record deal, with a well-dressed Elliott quick on his feet. After an hour hunched over in his father’s private bathroom, placing a small hand on his back, and coaxing out the liquor. The verdict was in - he’d need to play the role of pappa. The young boy washed his hands, coaxed back his messy hair, and delivered an “utterly adorable and endearing” (to quote the LA times) speech on behalf of his “stomach-flu” ridden father. It was the first time, but it certainly wasn’t the last. His gilded childhood was that of responsibility and apprehension. Behind the mecca of wealth and privilege, Elliott spent his after-school days coaxing his mother out of bed and his evenings begging his father to leave the bar.
To this day, he can’t recall a single Thanksgiving that wasn’t spent in a constant state of repair.
Determined to be nothing like his father, he tucks away the antics and hardships by the time he gains admission into Stanford University. As far as his peers were concerned, his mother was just “passionate” and his father “fun-loving.” And if his parents appeared a mess, the same could not be said for Elliott. He came to school without a hair out of place, or a mismatched button on his shirt. Yet for all the ways he proclaimed to be nothing like them, his ear for music and talent for producing was unquestionably a birth right. A major in Business with a minor in musical theory, Elliott came to school with a vision and exited with a plan.
It’s somewhere between lecture halls and social events that he finds Brie Barlow. He’s always known her, of course. A figment of his childhood, and of LA’s social scene. She’s as familiar to him as the sound of a melody echoing from his family home. But it’s the first time they see each other, and the result is not unlike the legacy of his father and mother. Their romance is a whirlwind, swept up in adrenaline and uncontrolled euphoria. The type-A pair submit to the danger of love itself, and it amalgamates into a first love for the ages. If Brie Barlow was a song, she’d be his very first hit. At the time, he was certain she’d be his last. Before graduation, he drops down to one knee. Theirs was a song he’d sing forever.
Upon their return to Los Angeles, Elliott put himself to work. An ingenue at only 24, he by-passes his father’s sloppy management and claims the title of CEO for himself. Oskar happily steps aside. Who wanted to run a dwindling ship? But Elliott comes armed with a plan, and a rebrand. The relic that was Jönsson Records was renamed Maroon Sound Studios. A modern recording and talent management company, with great heritage. He invests in new artists, with a new sound. He invests in sound engineers and app developers from Silicon Valley, heavily buying into the digitization of sound. It works. By the time he’s kissing Brie on their wedding day, Elliott is everything he set out to be. A success, a husband, and a titan of the music industry.
There’s perfection, and there’s happiness - and for all he knew at a young age, Elliott never knew how to reconcile the two. Love, he believed, was meant to be a passionate battlefield. Wasn’t that his own parents’ marriage? And didn’t they produce something beautiful, in music and in life? Yet that perfection comes at a cost. The high-stress work that comes with running the studio, mixed with an accident accumulated in two pink lines. Elliott’s “recreational indulgence” in white powder and pills grows. It’s “part of the brand” his colleagues claim, yet Elliott finds his crutch evolving. It’s further emphasised by the reckoning of almost-parenthood, and the heartbreak of telling Brie it isn’t what he wanted.
At the time, neither could say that their marriage isn’t what they wanted.
But a crack in perfection is enough to evolve into a chasm. His exploits get bolder, his nights get later. It’s not until he wakes up one day after another bender, shallow eyed and itching for more, that he sees what he’s become. He’s become his father. He’s become vice personified.
The decision to leave doesn’t come easily. But when it does, it happens quickly. There are no suits to pack or Rolex watches to take with him. Not where he was going. No note, no word. Cowardice consumes Elliott, and he’s on a private plane to Stockholm before Brie could get back from work. A rehabilitation center nestled in the Swedish West coast. It’s unlike the hubs of New York or LA, a glorified celebrity hotspot. He spends his quiet days thinking, fishing by the coast, and looking for the one thing he’s yet to find - lasting peace. For a year, he keeps to this quiet routine. Very much outside the glitz and glamour of his life.
But his life inevitably calls back, in the form of a new record in desperate need of Elliott’s touch. There’s a life that waits for him, however ill-fitted.
And so, the prodigal son returns to the City of Angels clean as a whistle and determined to change.
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