Combining silkscreen with some more painterly techniques adds color loosens the grip of control and allows for a gentle introduction to stencils and mixing color.

Origami Around

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Alisa U Zemlji Chuda
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@elmoink
Combining silkscreen with some more painterly techniques adds color loosens the grip of control and allows for a gentle introduction to stencils and mixing color.
Great first day - got to know one another, picked out some silk screens for our upcoming projects, toured the studio, and reclaimed some old office supplies into sketch books.
“How to make boats. https://t.co/YJVmXIrriS”
“How to make boats. https://t.co/YJVmXIrriS”
That’s me Hello Kitty, next to Sadie Barnette during the signing of her prints at Navigation Press.
Meet Jimi Feb. 2nd
https://www.eventbrite.com/e/its-about-that-time-prints-from-lily-press-opening-reception-tickets-41760070495?utm_source=eb_email&utm_medium=email&utm_campaign=order_confirmation_email&utm_term=eventname&ref=eemailordconf
Basic Steps
1. Mix solution of cyanotype 2. Coat paper, let dry by air or use hair dryer (both in darkroom) 3. Expose negative transparency to paper, LTE 600 on light unit 4. Rinse out in deep sink with water 5. Squeegee cyanotype on flat plastic board, let dry till falls off 6. Press flat in heated press
The Cyanotype, which is also known as ferroprussiate or blueprint was invented by Sir John Herschel in 1842, when he discovered that ferric (iron) salts could be reduced to a ferrous state by light and then combined with other salts to create a blue-and-white image. Not long after, Anna Atkins, one of the few women in photography during that century, published the first book with photographs instead of illustrations, "British Algae: Cyanotype Impressions"
Cyanotype is a contact print process and you will need a negative the same size as the size of the print you want. A cyanotype with a blue image on a white background is obtained using a negative transparency. In order to obtain a pale white image on a blue background, a positive transparency must be used. Cyanotypes are created with a simple solution of ferric ammonium citrate and potassium ferricyanide. Use the kit sold by B&H Photo supplies.
The cyanotype emulsion is sensitive to ultraviolet light. Therefore either sunlight or another UV light source must be used for exposure. For consistent results, a UV light box is recommended. We will use the exposure unit, the same one we use for screen printing. Vacuum set @15sec and LTE @600… make sure you have as many people as you can fit on the glass for each exposure since it is such a long time setting.
Apron, gloves, cheesecloth, hair dryer, clothesline, mask, clothespins, mixing rod, contact print frame, newspaper, cups and bows, pencils, distilled water, plastic spoons, drafting tape, plexiglas, drying screen/blotter book, scale, fan, tongs, glass and wax paper.
Characteristics and negative choice The cyanotype process has a long exposure scale, so the best cyanotype prints are made when you use a negative with a wide density range. That means that if you have detail in your very bright highlights (Zone 10 or 11, for you zone system folks) you can reproduce it in cyanotype and still get great shadow detail. In general, if your negative will give a good print using grade 0 paper, it will give an excellent cyanotype print. Paper Almost any paper can be used. We suggest that you use a sized but unsensitized paper, Our best results have been using Rives BFK. Want to use something other than paper? Fabric containing at least 50% cotton can be sensitized with cyanotype emulsion. Soak the fabric in the emulsion preparation and hang it up to dry in the dark. Stretch the material taut, place your negative and cover it with a piece of optically clear glass. Mixing chemicals Be sure to handle all chemicals carefully. Use disposable rubber gloves, and mix and pour very carefully. You will need at least three plastic or glass dark brown or black storage containers with plastic tops. Do not use metal. Two at 500ml and one at 100ml.
Some steps to set-up to make CYANOTYPES. What is a Cyanotype? Cyanotype is a photographic printing process that produces a cyan-blue print. Engineers used the process well into the 20th century as a simple and low-cost process to produce copies of drawings, referred to as blueprints.
1. Buy Photographers' Formulary Liquid Cyanotype Printing Kit https://www.bhphotovideo.com/bnh/controller/home?A=details&O=&Q=&ap=y&c3api=1876%2C%7Bcreative%7D%2C%7Bkeyword%7D&gclid=EAIaIQobChMIwtqXubbO1wIVBksNCh2xjgbkEAQYASABEgIKBvD_BwE&is=REG&m=Y&sku=313645
2. clear plastic cups to use as measuring guides 3. Gloves 4. paint brush/foam brush 5. clothespins 6. clothes line 7. black plastic trash bag (store treated paper)
Cyanotype is one of the oldest photographic processes and, one of the least expensive. Cyanotypes have a long full scale and distinctive blue color. The process can be used to produce a pale white image on a blue background or a blue image on a white background. This process is a contact print process and can be transferred to a variety of media; paper, cloth, leather, etc.
Rives BFK paper
One of my favorite books and shortest!
#gmudigitalprint
This happened in a dream the other night…
This happened in a dream the other night…
I was taking this couple to a spot I had found on a hill in San Francisco, they were writing a book on paranormal activity and events in culture, folklore and other bodies of non-scientific knowledge. It seems they found out that I had experienced an unusual phenomena where I could talk without a phone to people across great distances and time. I had an occurrence while leaving a restaurant called “Seven Hills”, a wonderful Italian farm-to-table eatery, on Hyde Street. I started walking up the hill and heard a small voice calling out to dad. I looked around and saw no one, but I answered with a questioning “Hello”. I was astonished when I realized that it was my daughter calling out to me and she was eight years old. I sat down on the steps next to the restaurant and talked with my eight year old for thirty minutes about many things, but mostly about clothes. At one point I pulled out my cellphone and pretended to talk on it while people walked by. It felt so real and it made me feel so good that I wanted it to go on forever. After awhile I could tell she was talking in her sleep, maybe dreaming, so I let her go back to sleep. I returned the next night and talked with my father, whom I think was taking a nap at the time and it seemed to be in present time. I became a regular to Seven Hills, always eating the same meal and ending with an espresso just to be sure that I could catch an evening conversation on the steps. I talked with strangers sometimes mostly children that were scared or alone. Sometimes people in foreign languages would call me up and I would talk as best as I could with them. But most were my children and family who would dial into this cosmic telephone. So, on this particular night with the writers, I was explaining how to listen and talk to people in the past, when I heard in a small voice my ten-year-old son, Stephen. Stephen: Dad? Me: Stephen? Stephen: Dad, are you done working? Me: Almost, what are you doing? Stephen: Dad, I’m scared. Me: Why are you scared? Stephen: I don’t know. Me: Is Grandma there? Stephen: Yeah, she is upstairs. Stephen: When are you coming home? Me: Soon, very soon. Stephen: I love you, Dad. Me: I love you too, son. Stephen: Okay, bye. Me: Bye …And, then I awoke from my dream… happy and sad.
The Nuthatch
My son lives in Denver, Colorado and I talked with him in the beginning of December… He says, “Dad, it’s snowing here today and I don’t think it’s going to stop. The snow has been falling for the past few days and it is beautiful. I love the snow! The two best things about being snowed in are that I’m off until Friday and my son Tavian (my grandson) is here for Christmas.” I asked, are you going sledding? “Later, but let me tell you my Christmas story….” Snow had fallen all over the neighborhood, hiding all the dirt and gloom of city life, everywhere it looked bright and brand new. The crystals of frost arranged themselves in the little crooks of the windowpanes building prisms of light capturing castles. It is cold, but not bitter and when the sun shines it can even be warm sitting in the windowsill. Tavian got excited when a bird came and sat on the outside sill looking in through the frosted pane of glass. It was a small bird, a Nuthatch, with a red breast, black cap, blue-gray upper parts and rust-brown underpants. He bobbed his head while listening to the Christmas music we were playing on the stereo. The cute little guy would peck at the glass, as if to knock on the door, rap rap. Rap rap rap. The bird didn’t get scared when Tavian was at the window, but flew away as I approached the glass. Maybe the Nuthatch was hungry, the falling snow had hid all the food sources, but I didn’t have birdseed. I looked around the kitchen until I found some croutons, crunched them up into fine fare and put the bird cuisine out on the windowsill. Sure enough, the little Nuthatch came back and ate up the hard breadcrumbs. The next morning, I heard little rapping on my window and when I looked there sat the Nuthatch bobbing his head, tap, tap, and tapping. I found my croutons, made a new batch of bird fare and placed it on the sill. After eating his fill the Nuthatch flew off leaving not a scrap. On the third morning, the Nuthatch brought his wife and they both went to tapping on the glass. I am becoming quite a chef for the birds, doubled the batch of bird fare and my new fair weather friends ate my entire menu. When the pair returned on the fourth day they brought a small round gold bell that appeared to be from an animal’s collar or part of a Christmas tree ornament and presented it to me on the sill. The pair waited patiently while I cooked up their vittles, enjoyed the fruits of my labor and flew away. I retrieved the small golden bell, repaired the string to it and nailed it to the casing on the side of the window. On the fifth day of Christmas my true love gave to me, five golden rings… well, the Nuthatches rang the golden bell instead of tapping on the glass. We now enjoy our meals together and have become good friends. I think I’ll start calling them Mr. and Mrs. Claus. The future is bright and I’m hoping for great New Year.
Stenciling in class tonight
Stenciling Ideas
Nice use of stenciling... #gmudigitalprint