(EM-NIWA)

EM-NIWA HERE, LOOKING FOR NICE THINGS

[inneroptics]

Valéria Dienes, Alice Maharashtra, Olga Saint Paul and Etel the Great-unknown 1940′s?

[arirna]

[eightiesfan]

Game & Watch 1984

[newjackcole]

The Poet-Hero

[longseasons]

[yan-wo]

“For 35 years, husband and wife team Véronique and Jean-François have been harvesting, drying and selling over fifty varieties of flower on their 7000m² farm in the countryside of Auvergne.”

[clair-audients]

[vintagewoc]

marpessa dawn in the woman eater (1958)

[guugorou]

一旦飲む - beer time

[old-japanese-men]

[aloebara]

Don’t tell me this is real.

[twinkabuse-deactivated20160621]

it actually is. as someone who dedicated his entire life to making family oriented films for many generations of children filled with magic, love, fantasy, and innocence. of course he’s disgusted with how otaku culture has heavily influenced most, if not all anime.

[bukopan]

YES MIYAZAKI GO OFFFFFF

[jueki]

[humanoidhistory]

Moebius art from Le Monde d'Edena.

[70sscifiart]

Albert Müller, 1977

[mauveflwrs]

Henry Moret Le faucheur circa 1907-1908

[russianfolklore]

Nikolai Kochergin’s illustration for the tale “Ivan The Peasant Son and Chudo-Yudo”.

[70sscifiart]

Robert McCall

[russianfolklore]

Vyacheslav Nazaruk’s illustration for the tale “The Stone Flower” by Pavel Bazhov.

“The Stone Flower” (Russian: Каменный цветок, tr. Kamennyj tsvetok) is a folk tale of the Ural region of Russia collected and reworked by Pavel Bazhov. It was later released as a part of Malachite Box collection. “The Stone Flower” is considered to be one of the best stories in the collection. The story was translated from Russian into English by Alan Moray Williams in 1944, and several times after that.

Pavel Bazhov indicated that all his stories can be divided into two groups based on tone: “child-toned” (e.g. “Silver Hoof”) with simple plots, children as the main characters, and a happy ending, and “adult-toned”. He called “The Stone Flower” the “adult-toned” story.