News From Home, 1976. Director Chantal Akerman
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News From Home, 1976. Director Chantal Akerman
We were just going to the movies to kiss and eat ice cream and eventually look at the movie. But I didn’t care. I was much more interested in literature; I wanted to be a writer. Then I saw Godard’s film, Pierrot Le Fou, and I had the feeling it was art, and that you could express yourself. It was in 1965, and you felt that the times were changing. He was really representing that, and freedom and poetry and another type of love and everything. So as a little girl, I went out of that place, the cinema, and I said, “I want to make films. That’s it.”
-Chantal Akerman (b. June 6, 1950)
at Buda Castle
Cannes J+5 : Cemetery of splendour de Apichatpong Weerasethakul (Un Certain Regard)
© Stéphane Gizard
CEMETERY OF SPLENDOUR (Apichatpong Weerasethakul, 2015).
68th Cannes Film Festival Opening Ceremony
The Jury
Withnail and I (1987)
Gregor the beetle never found out that he had wings under the hard covering of his back. This is a very nice observation on my part to be treasured all your lives. Some Gregors, some Joes and Janes, do not know that they have wings.
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Phoenix (Christian Petzold, 2014)
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Apichatpong Weerasethakul’s Cemetery of Splendour
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Apichatpong Weerasethakul on the set of Love in Khon Kaen Cemetery of Splendour
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All that heaven allows (1955)
“You know why I’ve started|to fix the place? I didn’t want to say anything until I knew I could make it livable…for us”