michaela, joshua tree, 2016
$LAYYYTER

❣ Chile in a Photography ❣
Keni
Cosimo Galluzzi
Claire Keane
PUT YOUR BEARD IN MY MOUTH
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Sweet Seals For You, Always
occasionally subtle
tumblr dot com
"I'm Dorothy Gale from Kansas"
we're not kids anymore.
taylor price

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Jules of Nature
ojovivo

JBB: An Artblog!
RMH

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Not today Justin
seen from United States
seen from South Africa
seen from Iraq
seen from United States
seen from Philippines

seen from Türkiye
seen from Poland
seen from United States

seen from Switzerland
seen from France

seen from Poland

seen from Brazil

seen from United States

seen from Spain

seen from United States

seen from Malaysia

seen from United States

seen from Thailand

seen from United States

seen from United States
@emilyesperanza
michaela, joshua tree, 2016
dorian, los angeles, 2016
michael, los angeles, 2016
isa, los angeles, 2016
Tomorrow (December 5th) at Chicago Filmmakers! SEX, DEATH, & VISIONS FROM THE UNDERGROUND: The Collaborative Work of Emily Esperanza, Greg Reigh, and Abby Young. 8pm! Also screening at Columbia College (Hokin Hall - 623 S Wabash Ave.) on December 8th at 6:30pm.
Untitled Drawing, pen & marker, (c. 1997 - 2000)
This is one of my father’s drawings from the late ‘90s. #outsiderart #surrealist
slutwalk, chicago, 2015
these photos were taken right after police detained an underage black girl for writing ‘black lives matter’ on public property in washable chalk.
Promo video for SEX, DEATH, & VISIONS FROM THE UNDERGROUND: The Collaborative Work of Emily Esperanza, Greg Reigh, and Abby Young @ Chicago Filmmakers Called…
Promo video for SEX, DEATH, & VISIONS FROM THE UNDERGROUND: The Collaborative Work of Emily Esperanza, Greg Reigh, and Abby Young @ Chicago Filmmakers
Called “…An original voice in a sea of mundane posers,” (Amy Davis, Terminal USA [1993], PIG DEATH MACHINE [2013]), Emily Esperanza, in collaboration with Abby Young and Greg Stephen Reigh, presents a series of hypnogogic short films and videos that exist somewhere between dreamscape and hallucination, sensuality and vice, birthed from a shared love of travel, improvisation, on-location shooting, risk taking, and rule breaking. The program includes two new pieces collectively made by Esperanza, Reigh, and Young, as well as a first look of a scene from Esperanza’s upcoming feature, EL CULTO DE LA MUERTE (CULT OF THE DEAD), shot in Oaxaca, Mexico in fall 2014. Runtime: Approx. 60 min. + Q&A When: Saturday, December 5th at Chicago Filmmakers (5243 N. Clark St.) at 8 pm ++ Tuesday, December 8th at Hokin Lecture Hall Columbia College Chicago (623 S Wabash Ave) at 6:30pm $8 Tickets for Chicago Filmmakers event on the 5th available HERE Tickets for Columbia College event on the 8th available HERE
@gregstephenreigh
barbie, 2015
a still from my short film, ‘day/night’ (2015) showing at CUT! Short Film Festival this October 23, 24, 29, 30. tickets HERE
CUT ARTIST SPOTLIGHT: Emily Esperanza
Emily is the whole package, she’s a director, writer, editor who’s killing at the music video scene right now. We are thrilled to be showing her visually arresting film ‘day/night’ which she directed in collaboration with Abby Young this year at CUT. She runs her own production company called Nowhere Films. Learn more here: http://www.emilyesperanza.com
How do you know when your story’s finished, when to walk away? As an artist, you are never truly done with a project or finished with a story. It is virtually impossible to reach the level of perfection that many strive for – technically or conceptually. And if an artist does achieve a personal sense of fulfillment in accurately conveying intention or technique, there is no guarantee that the audience will receive the information or like it. Many artists create different iterations of the same piece, over and over again, utilizing similar thematic elements, inspirations, or motifs. One could say that each iteration is just a new effort to say the same thing, perhaps getting closer or further away to succeeding each time. But I find that beautiful. That no matter how many times we, as artists, try to speak through our work, it will never be finished or perfect. Yet with every project there comes a point to make peace with imperfection, with continuity errors, with potential conceptual misinterpretation, and move forward. Learning how to recognize that point in a project is visceral exercise, it is not quantifiable or sensible, it comes from within. It’s something the artist must learn to acknowledge and act on. Art and film are vehicles for passion and insanity, and allowing the perfection-oriented and rational mind to govern passion makes for many unfinished projects.
When you feel inspiration is waning, what do you do? How do you stay fresh? I haven’t had that problem in a while. Some things I enjoy which help with this include spending time in nature, reading, watching films by myself, travel, exercise, meditation. It is important to stay rested and creatively activated to keep an open mind.
What is one mistake everyone makes regardless of experience? Allowing one’s self to become stressed, forgetting to breathe deeply.
As a filmmaker, how important is collaboration in your work? Collaboration is absolutely the pinnacle of strong and inspired creative work. Finding a group of individuals you absolutely respect, trust, and can work with artistically is a very rare privilege and is something I’ve been very lucky to find.
Why make films in Chicago? Chicago is a perfectly strange city. There is a lot of inspiration to be found in the architecture, weather, people, decay, and corruption. There is also a lot of weird beauty hidden a scratch beneath the surface. Also, the underground and DIY scene and community in Chicago is off the charts.
Great feature from @thegood-nightladies!
music video i directed for @theholyalimonies, 2015 - cinematography by @gregstephenreigh
oaxaca, 2014
Hand-painted “EL CULTO” promo posters available HERE - Art by Raciel Esperanza & screen printed by Matt Gonzalez. All funds go towards completion of the film. Each of these posters is hand-painted & unique. Colors/styles vary. Dimensions: 18"x24"
Limited stock - only 50 available.
SEX, DEATH, & VISIONS FROM THE UNDERGROUND promo poster, 2015, by @stabil @maidamonaghan
mothlight (jazmyn), 2009
nyc, 2015