d e v o n
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h
RMH
Keni

shark vs the universe

Game Changer & Make Some Noise
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Today's Document
Noah Kahan
taylor price
★

❣ Chile in a Photography ❣
todays bird
Show & Tell
noise dept.
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Game of Thrones Daily

oozey mess
Doug Jones
seen from United States
seen from Malaysia

seen from Philippines
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seen from Italy
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@empalsurecon
Ana Mendieta, Bird Run, 1974, Super 8, color, silent, 2 minutes. © The Estate of Ana Mendieta Collection, LLC. Licensed by Artist Rights Society (ARS), New York/DACS.
Saint-Paul Prison, 1932. Photographed by a dermatologist in Lyons.
The difference between "There used to be hot summers too,” and a climate crisis.
Look, we all know this is true. But there isn't a SOURCE for this, and the graph itself is basically illegible beyond "ooh colors". If we want to be good stewards of our informational resources, we need to cite our sources.
From a reverse image search, I found the website Show Your Stripes, run by the University of Reading in the UK, which is likely where the above graph originated. It provides temperature data for various regions of the world from approximately 1900-2025. For example, here are graphs for Canada, India, and Papua New Guinea:
All clearly show a sharp rise in temperature beginning around approximately the 1980s, which corresponds with the graph in OP's post. But now we know where this data came from, and we can verify its validity accordingly.
The creator himself acknowledges that the stripes "leave out some of the nuance in the temperature record" and are "not intended as a scientific graph so much as a way to communicate with the public"
This is a critical admission: the creator admits it is propaganda, not science.
The project is hosted by the University of Reading and uses data from the UK Met Office
both institutions that benefit from continued climate alarm.
Ed Hawkins is an IPCC lead author. The IPCC's entire mandate is to demonstrate that climate change is a crisis requiring global policy action.
This is not an independent scientist, this is an institutional actor with a vested interest in the narrative.
The visualization has been widely promoted by the BBC, Vox, and other mainstream outlets, all of which have their own institutional biases toward the climate narrative.
Alternative interpretations of the same data are not given equal visibility.
Flaw 1: The Baseline Problem
The stripes are based on temperature anomalies, the difference from a baseline average. But the choice of baseline is arbitrary. Choose a warmer baseline, and more stripes are blue. Choose a colder baseline, and more stripes are red. The visual impact is entirely dependent on a methodological choice that is never explained to the viewer.
Flaw 2: No Scale or Axis Labels
The graphic contains no numerical scale, no Y-axis, and no temperature values. The viewer cannot tell whether the warming is 0.5°C or 5°C. This is not an oversight, it is a deliberate design choice to maximize emotional impact by removing all context.
Flaw 3: The "All Red" Illusion
The stripes create a visual impression of continuous, accelerating warming. But the underlying data shows fluctuations, plateaus, and even cooling periods (e.g., the post-WWIl cooling period, the "pause" of the early 2000s). These are erased by the stripe format, which compresses each year into a single color and arranges them linearly.
Flaw 4: Correlation vs. Causation
The stripes show warming. They do not show that the warming is:
• Primarily caused by human CO, emissions
• Dangerous or catastrophic
• Irreversible
• Worse than natural variability
These are inferences that the viewer is encouraged to make, but they are not contained in the data itself The visualization is a Trojan horse for a full ideological package.
Flaw 5: The "Communications" Excuse
Hawkins himself admits the stripes are "not intended as a scientific graph". But if it is not a scientific graph, why is it presented as scientific proof? This is the classic propaganda tactic: present a simplified, emotional visual as "science," then retreat to "it's just communication" when criticized. You cannot have it both ways.
Show Your Stripes is not a scientific analysis. It is a carefully engineered visual propaganda tool that uses legitimate raw temperature data to create an emotional, alarmist narrative. It omits scale, baseline context, uncertainty, regional variation, and all other relevant data. Its creator admits it is not a scientific graph. It is promoted through coordinated global campaigns and institutional networks that benefit from climate alarm. It is a textbook example of narrative manipulation.
Much of the raw data shows very slight warming. That is a fact. But warming is not automatically a crisis. The stripes are designed to make you skip that logical step-to go directly from "warming" to "emergency" without passing through "how much?", "why?", "is that bad?", and "what should we do about it?"
In the end periods of variance in the climate are entirely normal and a natural phenomenon people have no control over.
“Show your stripes” is not science. It is persuasion dressed in scientific clothing.
Fun idea: when making AI write your rant for you, give it a read through to make sure it’s not saying things that are easily proven wrong by looking at the graph
my teeth were perfectly designed to tear abd rend the soft white flesh of the gentle beast known as the mozzarella
by Sascha Schneider, 1893
the eyes of someone who just vomited carry a vulnerable acceptance to grief only known in portraits of saints
The power of light and shadows
David Lynch (1946–2025), “I Fix My Head”
lithograph, 2010
It’s a tragedy that Sophie never got to make music in a post-brat world.
It's the Royal Academy of Art Young Artist's Summer Show. One of my favourite exhibitions of the year. Like. Not only are the older kids insanely talented, the younger ones' artist statements will just punch you right in the face.
Jeffrey is my cat and he feels like my heart
Click [here] for the full online exhibition
G. MacKenzie Bacon, On the writing of the insane, 1870
I can’t resist drawing lily pads and revisited them for 9 pm in my hours of the day series, really thrilled with how it came out :)
Jiang Miao — Infinity and Immortal (acrylic on woodboard with carving, 2024.3.20)
distressing things to say to your friends
@februarytrash