baby damian with a bowlcut is one of the best things dc has ever done

Origami Around
trying on a metaphor
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todays bird
we're not kids anymore.

titsay
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me
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The Stonewall Inn
Sade Olutola

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Love Begins
"I'm Dorothy Gale from Kansas"

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One Nice Bug Per Day

#extradirty

ellievsbear
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Not today Justin
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@enbynuest
baby damian with a bowlcut is one of the best things dc has ever done
When roughhousing turns into "oh no why's bro so pretty",,,
this is their peak dynamic trust me
Considering I got it early I suppose it's only fair I share since a few people I follow are big fans ☺️
Here's some new TimBern at the club.
- DC's Hawk-Girl Summer
someone has a cruuuushhhhhh on his best friendddd
Yo Tim Drake
some tim and dick brotherisms to bless your dash
This took too long to draw man #artblock
Tiny Timmy
ive hired this tim to stare at u
TIMMY
little guy on big guy's shoulders
(feminist) thoughts on kara and ruthye's back-and-forth on the 'ruination' of spirits, souls, and hearts. ruthye and kara are resting in a room, and unbeknownst to them, the couple downstairs is ready to trade them to traffickers (two girls for one). kara shares her past, telling ruthye that clark, he's not 'like them'--- he's not ruined, not broken or tainted like she is, like how ruthye is. and ruthye's reaction to that is visible; she comes from a place of safety, only recently torn away from her by traffickers that exploit girls and women. she is new to this notion of taintedness, of brokenness. it's hard not to frame that as a metaphor for virginity, in some way: clark is hopeful, he is safe, he is a man. kara and ruthye have both been torn away from something, and with that, something has been torn from them, as young girls.
i love how this theme recurs throughout the film, with ruthye begging kara to let her kill krem: "i'm ruined anyways". and in that moment, kara realises what she's, unknowingly, dropped onto ruthye; the thought that ruthye, in having something (her family, in this case) torn from her without her consent, is forever adulterated, tarnished. the way that when women are sexually assaulted, they are adulterated by society. so kara is quick to fight that, realizing the weight of her words. i think the power in this sort of feminist narrative is kara's understanding that she is unintentionally treating ruthye as she treated herself, and finally seeing the flaws in those self-destructive modes of thought. similar to how all women must unlearn misogyny in order to love ourselves.
in the end, the two of them are not ruined. their bodies have seen pain and violence, and they themselves have enacted pain and violence, but that doesn't mean that either of them are sullied or irredeemable, or have some kind of permanent darkness within them. neither are women who have been assaulted or trafficked. supergirl 2026 discerns these concepts in a gentle but wonderfully nuanced way, and i absolutely adored it.
keloid scars
ruthye's first trip to earth 🌎
the other day i was thinking about tim and his cloning attempts. and how this vulnerable moment for tim turns into a fetish for a ship, instead of the real heart breaking moment it is. which, to me, is tim trying to bring back his friends and loved ones from the dead. his girlfriend died, his father died, two of his closest friends and teammates died, his adoptive father presumed dead as well, and before that he had already lost his mother. everyone and everything he gave up his normal life for, gone and there was nothing he could do about it.