446. Eduardo Anahory /// Aiola House /// Arrábida, Galapos, Portugal /// 1959-60
OfHouses guest curated by Quinzii Terna Architecture. (Source: “L’Architecture d’Aujourd’Hui” 103 / Sep. 1972, pp. 10-11.)
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446. Eduardo Anahory /// Aiola House /// Arrábida, Galapos, Portugal /// 1959-60
OfHouses guest curated by Quinzii Terna Architecture. (Source: “L’Architecture d’Aujourd’Hui” 103 / Sep. 1972, pp. 10-11.)
Almost a TESLA, kein TÜV, Investment 500€+ nötig, Verkaufen?
“First Snow” am 3.Advent: kleine Eingehtour mit Zelt und Pulka.
605. James Edgar Stageberg /// John Cosby House /// Chesterfield, Missouri, USA /// 1962
OfHouses presents Record Houses, part IV. (Photos: © Mac Mizuki. Source: “Architectural Record Houses of 1964″, Mid-May 1964; “LIFE magazine” 15 October 1965.)
“am Wegesrand” in den Leoganger- und Loferer Steinbergen, Fotocredits Claudia Schmidt-Runge
endless summer, august, Portugal, Love, Love, Love
Heimatsoundfestival, “fahrbare Dächer”, Passionsspielhalle Oberammergau, “on- und offsite”, Juli 2018
Shell-Haus building in West Berlin, 1988.
Sehr cooles “Shell Haus” Bild von Chris John Dewitt von 1988. Das Gebäude wurde Ende der 1990er aufwendig denkmalgerecht saniert (Berliner Denkmalpflegepreis 2000) und ist inzwischen (seit 2012) vermietet an das Verteidigungsministerium. Immer noch #unübertroffen in Berlin. #heimat
Hui! Zugspitzmassiv, Höllentalklamm, Wetterstein Gruppe, Sonntag 15. und “Blue Monday” 16.07.2018
Für “Nichtschläfer”: Überflug der Internationalen Raumstation ISS über Berlin kommende Nacht 12.07.2018 2:48-2:55 . Quelle > heavens-above.com
“eating out” 6./7.Juli 2018
Zufall oder nicht? “Eine leichte Rotfärbung der Haut deutet im Tierreich bei Weibchen auf Fruchtbarkeit hin, kein Wunder, dass die Farbe Rot eine ganz besondere Bedeutung zwischen Mann und Frau hat, wie Dr. Daniela Niesta-Kayser von der Universität Potsdam erforscht hat.” hier > Interview
Uijuihui, Asamkirche, Monaco di Bavaria, 25.06.2018
“White night” in Berlin, Rheingauer Weinbrunnen, Rüdesheimer Platz, Berlin-Wilmersdorf, 20.06.2018, 21:00Uhr
“gmähte Wiesle” 16./17:06.2018 Aschau
Clara Rockmore auf dem Theremin > hier zu hören
554. Alison & Peter Smithson /// Hexenhaus (Witch House) for Axel Bruchhäuser /// Bad Karlshafen, Hessen, Germany /// 1986-02
OfHouses guest curated by Pedro Dionísio (Elara Fritzenwalden): HYPERMINIMAL #04 Involuntary sculpture
«Objects lose their value, whatever physical value they may have, or the values that motivated their manufacture, in favour of new meanings derived from their situation or their position. Individual pieces keep their essential unity. But there is a new sense for the whole, which does not cancel out that of the parts.
Conglomeration. Placing side by side. Piling up. Objects rubbing against each other transfer their meanings. Soft composition strategies. The order of the whole is subordinated to the integrity of the parts. Addition vs. subtraction. The design process as a continuous aggregation of materials gradually merging in a tactile way. Accumulation. Substitution.
(In the Argo, the vessel where the Argonauts travelled in search of the Golden Fleece, the pieces were gradually replaced, one by one, and in the end they had a different, new boat although with the same name and shape).»
(Photos: © Axel Bruchhäuser. Source: Beatriz Colomina, Dirk van den Heuvel, Max Risselada, Peter Smithson, et al, “Alison and Peter Smithson: from the house of the future to a house of today", Rotterdam: 010 Publishers, 2004. Text: Federico Soriano in “100 Hipermínimos 100 Hyperminimals”, Madrid: Lampreave, 2009.)