446. Eduardo Anahory /// Aiola House /// ArrĂĄbida, Galapos, Portugal /// 1959-60
OfHouses guest curated by Quinzii Terna Architecture. (Source: âLâArchitecture dâAujourdâHuiâ 103 / Sep. 1972, pp. 10-11.)
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446. Eduardo Anahory /// Aiola House /// ArrĂĄbida, Galapos, Portugal /// 1959-60
OfHouses guest curated by Quinzii Terna Architecture. (Source: âLâArchitecture dâAujourdâHuiâ 103 / Sep. 1972, pp. 10-11.)
Almost a TESLA, kein TĂV, Investment 500âŹ+ nötig, Verkaufen?
âFirst Snowâ am 3.Advent: kleine Eingehtour mit Zelt und Pulka.
605. James Edgar Stageberg /// John Cosby House /// Chesterfield, Missouri, USA /// 1962
OfHouses presents Record Houses, part IV. (Photos: © Mac Mizuki. Source: âArchitectural Record Houses of 1964âł, Mid-May 1964; âLIFE magazineâ 15 October 1965.)
âam Wegesrandâ in den Leoganger- und Loferer Steinbergen, Fotocredits Claudia Schmidt-Runge
endless summer, august, Portugal, Love, Love, Love
Heimatsoundfestival, âfahrbare DĂ€cherâ, Passionsspielhalle Oberammergau, âon- und offsiteâ, Juli 2018
Shell-Haus building in West Berlin, 1988.
Sehr cooles âShell Hausâ Bild von Chris John Dewitt von 1988. Das GebĂ€ude wurde Ende der 1990er aufwendig denkmalgerecht saniert (Berliner Denkmalpflegepreis 2000) und ist inzwischen (seit 2012) vermietet an das Verteidigungsministerium. Immer noch #unĂŒbertroffen in Berlin. #heimat
Hui! Zugspitzmassiv, Höllentalklamm, Wetterstein Gruppe, Sonntag 15. und âBlue Mondayâ 16.07.2018
FĂŒr âNichtschlĂ€ferâ: Ăberflug der Internationalen Raumstation ISS ĂŒber Berlin kommende Nacht 12.07.2018 2:48-2:55 . Quelle > heavens-above.com
âeating outâ 6./7.Juli 2018
Zufall oder nicht? âEine leichte RotfĂ€rbung der Haut deutet im Tierreich bei Weibchen auf Fruchtbarkeit hin, kein Wunder, dass die Farbe Rot eine ganz besondere Bedeutung zwischen Mann und Frau hat, wie Dr. Daniela Niesta-Kayser von der UniversitĂ€t Potsdam erforscht hat.â hier > Interview
Uijuihui, Asamkirche, Monaco di Bavaria, 25.06.2018
âWhite nightâ in Berlin, Rheingauer Weinbrunnen, RĂŒdesheimer Platz, Berlin-Wilmersdorf, 20.06.2018, 21:00Uhr
âgmĂ€hte Wiesleâ 16./17:06.2018 Aschau
Clara Rockmore auf dem Theremin > hier zu hören
554. Alison & Peter Smithson /// Hexenhaus (Witch House) for Axel BruchhÀuser /// Bad Karlshafen, Hessen, Germany /// 1986-02
OfHouses guest curated by Pedro DionĂsio (Elara Fritzenwalden): HYPERMINIMAL #04 Involuntary sculpture
«Objects lose their value, whatever physical value they may have, or the values that motivated their manufacture, in favour of new meanings derived from their situation or their position. Individual pieces keep their essential unity. But there is a new sense for the whole, which does not cancel out that of the parts.
Conglomeration. Placing side by side. Piling up. Objects rubbing against each other transfer their meanings. Soft composition strategies. The order of the whole is subordinated to the integrity of the parts. Addition vs. subtraction. The design process as a continuous aggregation of materials gradually merging in a tactile way. Accumulation. Substitution.
(In the Argo, the vessel where the Argonauts travelled in search of the Golden Fleece, the pieces were gradually replaced, one by one, and in the end they had a different, new boat although with the same name and shape).»
(Photos: © Axel BruchhĂ€user. Source: Beatriz Colomina, Dirk van den Heuvel, Max Risselada, Peter Smithson, et al, âAlison and Peter Smithson: from the house of the future to a house of today", Rotterdam: 010 Publishers, 2004. Text: Federico Soriano in â100 HipermĂnimos 100 Hyperminimalsâ, Madrid: Lampreave, 2009.)