𝖜𝖎𝖓𝖌𝖘, 𝖚𝖓𝖈𝖑𝖎𝖕𝖕𝖊𝖉.

͏𖠄 ⠀⠀⠀ a⠀husk⠀of⠀the ⠀𝙴𝚁𝙳𝚃𝚁𝙴𝙴'𝚂 ⠀being; ⠀ that⠀𝒔𝒑𝒖𝒓𝒏𝒔⠀⠀ ...⠀⠀ / ⠀⠀ ALL⠀THAT⠀EXISTS̵⠀𝐖̵𝐈̵𝐓̵𝐇̵𝐎̵𝐔̵𝐓̵.

[erdtreed]

⠀⠀ ⠀ ⎎ ERDTREED ⎎⠀⠀ ⠀𓂃⠀⠀ ⠀private, indie, low activity multi - muse account, with a variety of muses from all mediums. alternates &. aus welcome. scribed with care by 𝐄𝐌𝐇𝐈𝐑𝐀, she / her, cst, twenty - one plus.

⠀⠀ ⠀𖤐 ⠀⠀˖ ⠀ ≀         guidelines.    muse list.     prompts. ⠀⠀ ⠀

[erdtreed]

muses to be added : sokka ( au info to be added shortly ), sevro au barca, virginia au augustus, outlast trials oc ( fc still being decided ), ryland grace, occtis tachonis.

[erdtreed]

also !!! if anyone is interested in outlast / outlast trials and wants to maybe do a little au or anything, my darling dearest @ethicaldeficit is new to tumblr but she is one of my favourite writing partners.

[erdtreed]

about to edit my muse list and maybe get my queue back in rotation lmao. this place is so dead rn

[ethicaldeficit]

┈┈─  ❛❛   literate   ﹠   semi  selective portrayal  of  A. BRADLEY AVELLANOS  ﹐  an outlast trials  muse ﹒ mutuals  only ﹒  portrayal  based  on  canon  lore  ﹠  personal  headcanons ﹒  written  by  ♯tomie  ﹒  mun  ﹠  muse  are  21+   ﹒   eng   ﹠   fr   ﹒ new  to  tumblr  roleplay ﹒

[erdtreed]

dusting this blog off. perhaps.

[erdtreed]

imagine me setting up my drafts to be my queue and never adding them to my queue lmao. anyways. hey, i'm alive.

[erdtreed]

oooohkaaaaay the next few days are for getting things queued up and responses ready to go.

[erdtreed]

.

[erdtreed]

thinking thoughts about fragile forever but i know she loves higgs because he's, in some way, her mother's legacy but she also hates him for it. he was supposed to be all she had left, her friend and family and confidant but he betrayed her. he hurt her in ways he'll never understand. and sometimes, she wonders if he knows he's spitting in coffin's face. not that it matters anymore. he's hardly human, hardly the boy he was.

[erdtreed]

this post kinda goes with this as just deeper thoughts on her relationships, and how so many of her bonds are rooted in her perception that her only value is her DOOMS. and while it is so sought after, it has done nothing to 1) save the people she loved or 2) bring anything but suffering. and i think it's unfortunate because fragile does have so much genuine love in her heart but it is muddled and overshadowed by all the pain and hate and desperation to find something worth living for, despite everything. but she's also well aware of the fact, most of her own pain was brought on by herself, her mistakes, misunderstandings. she wishes things were different but some things will never change. she, at some point, considered sam to be a new start; she could help him live a life she never could, help him be happy and keep his family ( even platonically ). but we know where that went. neil, even briefly, felt like the one good thing she had managed to decide upon but even then, intentions were muddied. she was a liar, she thought it'd save everyone, keep their hearts from breaking and it did for a while, and then it didn't.

[erdtreed]

thinking thoughts about fragile forever but i know she loves higgs because he's, in some way, her mother's legacy but she also hates him for it. he was supposed to be all she had left, her friend and family and confidant but he betrayed her. he hurt her in ways he'll never understand. and sometimes, she wonders if he knows he's spitting in coffin's face. not that it matters anymore. he's hardly human, hardly the boy he was.

[erdtreed]

𖥻                  ᥲᥴᥴᥱρtɩᥒɠ    ..                ☄︎     ،         @sunwalks       said     :     ❛     what  if  they  kissed?   ❜      keyleth  to  vex.

vex'ahlia  is,  at  best,  a  beast  on  the  prowl.  red  hair  ducking  about  corners  and  into  shadows  draws  her  attention,  leads  her  down  this  path,  beckons  her  into  the  night  where  the  stars  wink  like  diamonds  strewn  about  a  black  satin  blanket.  keyleth  is  a  beacon  of  light,  a  dancing  flame,  a  laughing  sprite;  she  loves  her.  vex  has  loved  her  since  the  moment  they  met.  then,  they  were  just  two  girls;  one  with  too  much  fake  confidence,  and  one  facing the  truth  of  the  world  for  the  first  time  ⸺  vex  had  wanted  to  sink  her  teeth  into  her  the  moment  keyleth  started  tripping  over  herself  when  given  a  smile. she  catches  her,  in  the  midst  of  what  would  be  a  drunken  twirl  for  a  full  human  but  they  aren't  .      .      .  and  even  half  -  elves  have  a  better  tolerance  for  alcohol.  a  grin,  allowing  momentum  to  take  her,  as  they  spin.  ❝   you're  too  beautiful,  kiki.  do  you  know  that?   ❞   it  is  as  dizzying  to  look  at  her  as  it  is  to  see  the  world,  still  spinning  around  them.  whitestone  is  a  blur  and  distant  voices  are  as  relevant  as  the  buzz  of  cicadas  as  she  leans  in.  their  mouths  fit  together  with  ease,  and  she  breathes  a  sigh  as  she  kisses  her.  finally, finally, finally !! once,  twice,  thrice  .      .      .  she  loses  count;  it  becomes  a  challenge  ⸺  a  kiss  for  each  star,  a  kiss  for  each  scar. when  they  separate,  it  is  followed  by  laughter  and  the  radiance  of  the  woman  in  front  of  her  is  almost  too  much  for  her  eyes.  vex  is  unworthy  of  all  the  love  she  receives,  but  especially  this.  yet,  she  is  drawn  to  her  like  a  moth  to  a  flame. ❝   what  if  we  never  went  back  inside,  kiki?  what  if  we  ran  away  now,  and  never  looked  back?   ❞

[erdtreed]

i am being wild ( responding to asks out of order ) but i have to make dinner and then my madness will commence fully.

[turnpage]

send me a ✐ for a random sentence starter from my muse (1-1500) — tw: profanity, mild nsfw, long list

generator here quotes compiled from here inspired by

feel free to change to fit your preferences as need.

Keep reading

[classsymemes]

a comprehensive list of scenarios

feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.

1.  GUEST :  for one muse to offer the other a place to stay. 2.  STORM :  for both muses to find shelter from a severe storm. 3.  MEDIC :  for one muse to show up at the other’s doorstep injured. 4.  SURPRISE :  for one muse to come home and find the other already inside. 5.  TRIP :  for both muses to road trip or travel together. 6.  BABYSIT :  for one muse to help the other home while they’re drunk. 7.  INSOMNIA :  for one muse to find the other still awake at 3am. 8.  AMBUSH :  for both characters to come under attack by the same enemy. 9.  DANCE :  for one muse to ask the other to dance at a party. 10.  STRANDED :  for one muse to help the other who’s stranded on the road. 11.  SERVICE :  for one muse to cover the cost of something for the other. 12.  SAFEGUARD :  for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13.  DAZE :  for one muse to wake somewhere and find the other hovering over them. 14.  STOWAWAY :  for one muse to find the other hiding on the same ship. 15.  TAXI :  for both muses to share the same taxi ride. 16.  MAKEOVER :  for one muse to help the other with a new outfit or hairstyle. 17.  LIFEGUARD :  for one muse to rescue the other from drowning. 18.  DISASTER :  for both muses to work together to escape a fire, flood, or other disaster. 19.  TRANSIT :  for one muse to sit next to the other on a public transport. 20.  SPRAIN :  for one muse to carry the other after spraining their ankle. 21.  EMPLOY :  for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22.  QUEST :  for one muse to help the other with a task in exchange for compensation. 23.  SOOTHE :  for one muse to calm the other during a panic attack. 24.  RECOVER :  for one muse to return the other’s lost belonging. 25.  UMBRELLA :  for one muse to share their umbrella with the other on a rainy day. 26.  HEAL :  for one muse to nurse the other back to health from a sickness or injury. 27.  NIGHTMARE :  for one muse to comfort the other after a nightmare. 28.  REUNION :  for one muse to run into the other again after a long time. 29.  PRIZE :  for one muse to win the other a prize at a carnival. 30.  NUDE :  for one muse to walk in on the other while they’re changing. 31.  BED :  for both muses to wake in the same bed, naked or fully clothed. 32.  TRAIL :  for one muse to notice the other has been following them. 33.  EVADE :  for one muse to pull the other into an alleyway to escape their pursuer. 34.  THIEF :  for one muse to confront the other after having something stolen by them. 35.  CAUGHT :  for one muse to walk in on the other singing / dancing. 36.  FESTIVE :  for both muses to decorate for a special occasion. 37.  PRESENT :  for one muse to give the other a  (birthday)  gift. 38.  WEARY :  for one muse to wake up after falling asleep on the other. 39.  CAPTIVE :  for one muse to hold the other against their will. 40.  SNAP :  for one muse to yell at or push the other out of frustration. 41.  SLEEPOVER :  for one muse to stay the night at the other’s place. 42.  TRESPASS :  for one muse to trespass on the other’s property. 43.  BREAK-IN :  for one muse to discover the other robbing their place. 44.  MERCY :  for both muses to come across an injured animal. 45.  UNKNOWN :  for both muses to wake and find themselves in a strange place. 46.  ACCOMPLICE :  for one muse to assist the other at the scene of a crime. 47.  ASTRAY :  for both muses to take a detour and lose their way. 48.  RELAX :  for both muses to share a hot tub or hot spring. 49.  MUSE :  for one muse to model for the other’s art project. 50.  ACCOMPANY :  for one muse to give the other an extra ticket to an event. 51.  SALVAGE :  for one muse to retrieve the other’s belongings from a thief. 52.  MEAL :  for both muses to prepare and share a meal together. 53.  CEMETERY :  for one muse to find the other at a gravestone. 54.  REFUGE :  for one muse to shelter the other from enemies. 55.  ARRANGED :  for both muses to date or marry out of convenience. 56.  FAVOR :  for one muse to owe the other a favor. 57.  VACATION :  for both muses to book the same hotel on vacation. 58.  DEFEND :  for one muse to save the other from one or multiple assailants. 59.  CATCH :  for one muse to return the other’s pet that escaped. 60.  RESTRICTED :  for both muses to sneak into someplace they’re not supposed to be.

[ohisms]

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

[erdtreed]

fragile has a strange relationship with everything. the living, the dead, nature, higgs, sam, the girls, the tar, the beach. she abhors as she loves. it is a war and a privilege. she reveres being in the lives of so many and hates that the space she takes up often has little meaning. she loves and hates and loves again. the hate makes her feel alive and the love makes her feel fear. she would sacrifice everything for love, including herself, and time and time again, it has left her hollowed out and abandoned. she is a kintsugi bowl that overflows until its emptied or breaks again. fragmented. fragile.