Rodolfo Valentino en ‘The young rajah’ (1922)

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Rodolfo Valentino en ‘The young rajah’ (1922)
Orphée ramenant Eurydice des enfers (Orpheus Leading Eurydice from the Underworld) (1861) by Jean-Baptiste-Camille Corot (French, 1796 – 1875), oil on canvas, 112.3 cm (44.2 in) x 137.1 cm (53.9 in), Museum of Fine Arts, Houston
Achilles (ܐܟܠܘܣ) with a lyre on the right and Patroclus (ܦܛܪܩܠܣ) on the left, scene from book 9 of the Iliad
Mosaic with Syriac Aramaic inscriptions from Edessa, kingdom of Osroene, 3rd century CE
Persepolis, Iran
Galería Uffizi
Giant Habi Statue Discovered Underwater in Egypt
A giant pink granite statue of the idol Hapi was found underwater in the sunken city in Abu Qir Bay, Alexandria.. The statue weighs approximately 6 tons and is about 6 meters long. It was discovered by French archaeologist Franck Godeau in 2001.
Hapi is one of the most famous deities in ancient Egypt and a symbol of the unity of the state among the ancient Egyptians. He was revered as the god of the annual flood of the Nile River, and as a result, brown and rich soil was deposited on the banks of the river, which made Egypt’s crops grow with prosperity and abundance, so he was known to bring happiness and goodness. A major reason why people greatly celebrate "Hapy" all over the land of Egypt.
And after years outside the country with foreign exhibitions, Habi's statue finally settled on the land of Egypt in the Grand Egyptian Museum
a Persian Achaemenid rhyton (drinking vessel) carved from lapis lazuli with gold horns, shaped like a mountain goat (ibex). 6th–5th Century BC.
A ROMAN MARBLE BUST OF ODYSSEUS CIRCA LATE 1ST-EARLY 2ND CENTURY A.D.
Sandal-Tying Hermes. (Roman copy of the 2nd century AD, after a Greek bronze original by Lysippos, c.330 BC.). Ny Carlsberg Glyptotek, Copenhagen. marble
Caravaggio, Saint Francis in Meditation (post 1604, 1606?; oil on canvas, 128 x 90 cm; Cremona; Museo Civico “Ala Ponzone”)
Old Babylonian (c. c. 1894–1595 BCE) hematite cylinder seal. The king makes an animal offering to Shamash. The style of this seal suggests that it originated from a workshop in Sippar, the site of Shamash's main sanctuary, the Ebabbar.
Sippar (Sumerian: Zimbir) was an ancient Sumerian and later Babylonian city located on the east bank of the Euphrates in present-day Iraq, north of Babylon. It was one of the oldest and most significant cities in Mesopotamia, inhabited from the Uruk period through the Parthian period, with its greatest prominence during the Akkadian, Old Babylonian, Kassite, and Neo-Babylonian eras. Sippar was best known as the religious center of the sun god Shamash (Utu), whose famous temple, the Ebabbar ("White House"), made the city an important place of worship and justice. It also served as a major economic center, particularly for wool production and the manufacture of finely crafted cylinder seals.
Throughout its history, Sippar changed hands multiple times. It joined a failed rebellion against the Akkadian ruler Naram-Sin, later became part of the expanding Babylonian kingdom under Sumu-la-El, and flourished during the reign of Hammurabi, who reinforced its city walls and likely erected the Code of Hammurabi there. After Babylon's fall to the Hittites, Sippar came under Kassite, Elamite, Neo-Assyrian, Neo-Babylonian, and finally Achaemenid Persian rule, surrendering peacefully after the Persian conquest in 539 BCE. Archaeologists have uncovered thousands of cuneiform tablets at the site, making Sippar one of the most valuable sources of information about ancient Mesopotamian religion, administration, and daily life. The city is also associated with later traditions, including the Babylonian flood hero Xisuthros and the possible biblical city of Sepharvaim.
Isabella Rossellini and Viggo Mortensen for Vogue, 1987. 📷 by Bruce Weber
Temple of Poseidon - a landmark of ancient Doric architecture, constructed around 444 BC
Located at Cape Sounion, Greece
Limestone statue of Artemis Bendis, Cypriot. Hellenistic, ca. 3rd century BCE
Etruscan kylix with two naked youths facing each other in front of a tree. The one on the left holds a wreath in his right hand and grasps the trunk of the tree in his left. The one on the right holds a wreath up in his right hand and a club in his left
400 - 300 BCE
Harvard Art Museum 2007.104.2
Roberto Ferri (b. 1978) is an Italian figurative artist and painter from Taranto, Italy.
Versailles, Paris - France