Which is odd because, as my grandfather tells me
(and he tells me a lot), she used to
love fish when she was a girl.
You see,Â
my mother came from a long line of fisherman,
my grandfather would take her out to the pier every sunday
and she would catch some cod or trout
that they would cut up and eat for dinner.
But she just
stopped. At around 16,
after she had gone out by herself one day.
And has never eaten a salmon since.
Not even the ones my father takes home to us,
she just has the chips.
And so, curious, I took my tackle
and my bucket
and my fishing rod
and set out to the pier.
After about an hour of nothing,
I saw her.
Laying against the rock,
looking to be as cold as the air.
She swam over, just as topless as before,
and rested her head on the back of her hands.
Her voice was beautiful.
Peeling off each layer until we were
equally underdressed,Â
she lured me
in
under the water.
I had never been so happy to have swam
and to have been so cold.
Because she was oh so very warm.
I donât eat fish anymore.
Which is odd because I used toÂ
love fish when I was a girl.
A shrouded, sheathed glow.
Distant lightsâ cold, disheartened.
Spectres of rain littered in the air,
pooling into a sea of vast ink,
deep and warm,
its hand reaches upwards to meet hers.
Their fingers slipping together for-
who knows how long.
They donât notice it.
That brief interim,
standing on both legs to teeter,
x marking the spot, as you can imagine.
Thousands of voices confusing
pallor mortis for clown makeup.
Distant lightsâ growing closer,
running up to meet her;Â
wishing to catch up over a nice coffee,
they havenât seen each other for
who knows how long.
She stares up at the cloudy sky.
Proud of her skill,
to reach a certain point,
she points a finger and fixes a swaying line
into endless black,
the horizonâs peak, black and huge.
Mirrors are unilaterally terrifying.
They stare back like voiceless pits
into the depths of ourselves,
yet only show exterior factors.
And always, always the worst ones.
And yet I find myself,
as I often do time and time again,
staring into that glossy blank screen.
Eyes greyish and dulled, a bored knife
to be sharpened with play.
There are cracks in this one, though.
Marking it, twisting it, making it âuniqueâ
(though it already was)
making it trustworthy,
as my face is split into thousands of tiny shards
each sliver of fading light baring
a different expression.
One maw rests lazily open to catch flies,
another scowls at a thirdâs uneven smile,
and the last I cannot bare to look at.
I shift it from the wall, forcing it to swim between
each of my fingers tilâ it escapes, biting me in return.
A drop of red paint on a porcelain canvas.
Easily ignorable, in favour of the sharp, black spot
in place of the unwitting blade.
Within it, I see the vastness, the blank slate.
A central guiding pillar, heart-shaped and endless.
I reach out, almost by second nature, and
it towers before you. Deep and dark as night,
darker than that, blacker than that.
It pulses in rainbow hue, hexcodes shifting
from one to another in soft, water-like gradients.
The state of affairs is this titanic wreck of
barnacles and discarded dreams.
You do not flinch when addressed.
And her smile, which seemed to defeat everything,
shined on in front of you,Â
and for a moment,
it was as if all the darkness had been blown away.
As if in imitation, your soul began to glow.
It wasnât muchâ littered with
unpaid bills and mold galore,Â
cramped, flat, and humidâ
more of a shoebox, than a house, really.
But it was mine. And much more
than what my cousins could say they inherited.
(Some old papers here and there,Â
scraps of faded dialogues to be forgotten in a week.)
When the key was first handed to me
by faceless, shadow-suited lawmen,
I felt bemused. I had no need for a house,
and definitely no use for the debts that accompanied it.
Yet, I gave in: wandered from each cardboard edge,
descended past the shell-ish floorboards,
pushed aside the hanging halloween ghosts andÂ
abandoned spiderâs webs (with bankrupt estate agentsâ flags onÂ
their lawns), pressed my hand up to the cream-coloured wallpaper,
broke through it into the evening,
and found her;
Singing quietly, softly, as imperceptibly as a needle falling.
The cage, branded in gold insignia, was old and dusty
and locked tight. Hidden behind a veil of thin gaps and bars,
I must stress, reader, I was not the one to entrap her.
I found her, pristine and thin, perched in its dead centre.
I donât know how she survived for so long without
my grandfather to feed her, but she had. And without
a single scratch to her sharp, emerald and ruby feathers.
I retreated fairly quickly, back through the door,
depriving her of her deserved light once again,
searching for a key of any kind.
Instead, I returned with laurel leaves,
carefully feeding them through the bars of her cage.
She ate eagerly and tried, desperately, to nudge up against my fingers,
yet, they couldnât fit through the gilded veneer in which she belonged.
I couldnât crack it open without risking clipping her wings.
Time,Â
as it always does,Â
continued in its steady pace towards
entropy, dragging its feet haphazardly
forward; link by unsteady link, yard by lovefilled yard.
One day, she got close to finding my hand.
I wedged a slice of skin through the cageâs bars.
Her beak tapped lightly against it.
Her eyes, small pinpricks of black, peered up at me.
She was begging for help.
She thought I could let her out.
She wanted out. She wanted out.
She wanted out. She wanted me.
And my mind wandered, cruelly,
if I should give her the reprieve.
A cat. In a box. Poison to its side. Losing air.
A bird. In a cage. Lover to its side. Losing air.
Whoâs to say she wouldnât
fly away the minute she could?
Whoâs to say that every nudge and kiss
and song was for me?
She was a sun god,
her wings were made to reach the heat,
she wouldnât fall. She would thrive.
Whoâs to say that I wasnât a star to her?
Whoâs to say I wasnât the one who caged her?
The bird died. They always do.
She left me her heart on a silver platter.
I write love poems.
That's what I do.
I wake up in the morning, pick
a number of lines per stanza,
draft up a new myth of womanhood,
and suddenly I've got 16 bars of erotica.
I pick the same woman every time,
though she keeps from me.
She has stolen my head and my heart.
And she keeps dying.
Last week, she drank too much,
this week it was a tumor,
next week will be an arrow to the forehead
(so she tells me).
She rests, and wakes, and tells me of the
other side. Of the vast and the
unknowable and the tight
grip it seems to
have over the mind in the early hours
of the morn.
Of celebrities, and dogs, and pets, and husbands,
and children, and children, and yet more children
who I managed to outmaneuver.
Her seed has planted in the back of my mind.
Her trap, her all-encompassing prison.
A panopticon of which I am found in every cell.
So, I write my letters,
begging, clawing for escape,
slipping in bribes to the guards.
Yet all they do is pointÂ
at the fishtails in my âf's
and compliment me on the prose.
Because this is what I'm good at.
It's all I can do.
I write love poems.
Met God the other day.
She was tired, just a few years older than me,
and was waiting for the seven-twenty-four to Waterloo at the train station.
She was a Ravenclaw,
I remember that. She had it on her shirt: blue
shield, hiding poorly behind a bird (which looked more like an eagle) with
the word âRAVENCLAWâ
written underneath in bold letters. She was
kind; saw me shivering from the downpour and passed over her cup of
Starbucks-branded hot
chocolate, sleeveless and with some name
scrawled on the cardboard rimâ something beginning with J. I canât recall what.
Anyway, I hate the stuff,
itâs always too bitter and watery for me,
but I still drank anyway (she insisted I do, refusing to take the cup back.)
She asked what I was doing.
I said I was waiting for the train. She laughed,
it was loud and warm like a fireplace at Christmas, with grandma and grandad
sat behind me on the sofa,
eagerly watching me tear apart my present
wrapping like a starved tomcat scratching up the living room furniture.
She said she was going into
London to visit her friend in the hospital;
she (her friend) had just given birth, yâsee, and she wanted to visit the
âlittle babeâ, northern drawl
wringing out each vowel like the dregs of water
from a bathroom towel. I took another sip of hot chocolate. Eugh.
I asked if it was a girl.
She said it was a boy, her smile fading slightly;
then was quick to assure me there was ânothing wrong with that.â
The train came soon after,Â
and, when I asked if she wanted her hot
chocolate back, she grimaced. She was staring at the left breast of my shirt.
She came silently,
borne back wistful while I searched from the pier
for this lady, with dull, sunken eyes; who claimed
to be so ignorant, that she was blind to
the ground she walked upon. I laughed,
yet she only smiled. She always smiled.
The lady who knew nothing was the happiest
of all the misfortune-laden fellows to walk the
tightrope between the waking and the tired.
She didnât think of the world outside, of aÂ
way to balance herself. No, she put one foot
in front of the other and walked, floated
soared gently on a breeze
like an ill-forgotten quill that
slipped from my fingers.
I remember one night, she spoke to me.
Grabbed some paper and that pen of hers,
and wrote me a letter from across the
classroom, office, ballroom, bar, apartment, bedroom.
The paper was scrawled in beautiful cursive,
that she had scratched and scraped and gripped and wrenched and heaved and wroughtÂ
to perfection. It was a dire letter. It was a hopeful letter.
She spoke so sweetly, wrote so softly
that our minds wandered; conjured fantasies ofÂ
hot-springs and cinemas and new years eve parties.
She called me an angel. A star,
a distant, unattainable light
that burnt so hot it could melt the very ground she walked upon.
I hope she never gets to see me,
to see that the face of her angel has acne.
thereâs a man in my home
thereâs a Man in my home.
heâs under the floorboards,
picking at the nails and the dustbunnies
he watches my sleep
listens to my dreams,
gently peels back my eyelids as my throat begins
to gently bleed
out on to the duvet
and pool into the stained carpet.
thereâs a man
in my home
in my home
thereâs aman
iâm scared to pull back the cover.
because i know he;s there.
the man in my home
is always watching
always spying
creeping
just out of sight
and i feel his grip pull and nag like a fishook
under my skin
thereâs a man in my skin and i want him out.
thereâs a hole in my chest from where ive dug
and dug and dug and dug and pulled back and gored and gutted and slung and withered and rotted as slowly my foundations burst and i crumble my wallpaper peeling and my boiler bursting until i cant keep the hot water inside and it begins to flood the toilet and the shower and the bathand the kitchen and the knives circle the drain as i whimper and whine andÂ
keep
fucking
clawing
at the man in my house who refuses to leave.