Mike Driver
Xuebing Du
Not today Justin

No title available
PUT YOUR BEARD IN MY MOUTH
sheepfilms

Origami Around
occasionally subtle

祝日 / Permanent Vacation
ojovivo
DEAR READER
Claire Keane
taylor price
TVSTRANGERTHINGS

Love Begins

izzy's playlists!
2025 on Tumblr: Trends That Defined the Year
Stranger Things
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
seen from United States
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@es-mmii
Andalusian Centre for Contemporary Art, Spain 37.3984347,-6.0073092
/im.ha0/
therethere.kr
dark pale
pastel 29633 - #f6e9d1
Residence and Playground is a minimal home located in Hyogo, Japan, designed by Sota Matsuura Architects. Situated in a vibrant residential neighborhood, the house is owned by a woman who grew up in the area from childhood. The residence is composed of three volumes, with each volume being supported by a pile like support structure called a piloti. The first floor of the house opens to the outside with three differing heights rising above. The height of each pilotis gradually increases, increasing in height from the front of the house towards the rear. This variance in height diversifies the aesthetic of both the playground and the residence.
WHITE / BRIGHT / MINIMALIST BLOG
120 Allen Street is a minimal residence located in New York, New York, designed by Grzywinski+Pons. Located on an infill lot in a classically gritty LES tenement block, the property — while very narrow — is block-through and as such has frontage on both Allen and Orchard Streets. In order to accommodate the allowable floor area on such a narrow footprint, we bifurcated the mass on the north-south axis creating a slender ten-story tower on the Allen Street side (a far wider thoroughfare with arresting skyline views) and a five-story volume on narrow Orchard Street which are contiguous in plan. While the west facing tower isn’t strictly non-contextual (there are a few other far bulkier “finger buildings” on the block) we did see the upper portion of our tower as heterogeneous and decided to design the building accordingly. By treating the top five floors conceptually as a vertical augmentation to the neighborhood’s historical typology we elected to create a different skin for it.