Estate Diamond Jewelry

An untamed blend of antique jewelry and modern photography. You can like, reblog, leave your comments and critiques, or do whatever else is on your mind. Visit our website at https://www.estatediamondjewelry.com

[estatediamondjewelry]

7 Vintage Diamond Rings That Prove Openwork Filigree Deserves a Comeback

Openwork filigree transforms solid platinum or gold into something resembling lace. The tiny openings allow light to pass through the mounting, making even elaborate vintage rings appear airy, delicate, and almost architectural.

These seven vintage diamond rings show just how much personality jewelers could create with empty space, fine metalwork, and a remarkable amount of patience.

1. The Wanette Ring

The circa-1925 Wanette Ring centers a GIA-certified 3.08-carat old European cut diamond in platinum. Intricate openwork filigree surrounds the large center stone before flowing into an engraved shank, proving that elaborate metalwork can make a substantial diamond ring appear beautifully light and refined.

2. The Newcastle Ring

The circa-1925 Newcastle Ring centers a 1.06-carat old European cut diamond in platinum. Openwork filigree, single-cut diamonds, fine milgrain, and hand engraving decorate the shoulders, proving that even a classic solitaire can become extraordinary when every inch of its setting is thoughtfully crafted.

3. The Seville Ring

The Seville Ring features a GIA-certified 1.31-carat old European cut diamond. Its most beautiful secrets appear along the shoulders and under-gallery, where diamond-set filigree, milgrain, and engraving transform the platinum into miniature architecture.

4. The Chrysler Ring

The circa-1925 Chrysler Ring combines a 2.16-carat old European cut diamond with French-cut sapphires. Diamond-set openwork filigree fills the platinum mounting while preserving the bold symmetry that makes genuine Art Deco jewelry so recognizable.

5. The Clearfield Ring

At the center of the circa-1920 Clearfield Ring is a GIA-certified 3.08-carat antique cushion cut diamond. The substantial center stone is surrounded by openwork diamond filigree, proving that an impressive ring can still feel light and refined.

6. The Foster Ring

The Foster Ring arranges three old European cut diamonds horizontally within a scalloped platinum design. Its intricate filigree continues across the shoulders and under-gallery, turning a small three-stone ring into something remarkably distinctive.

7. The Venetian Ring

The circa-1950 Venetian Ring demonstrates that openwork filigree did not disappear when the Art Deco period ended. Floral and ribbon motifs surround its diamond and French-cut sapphires, giving this mid-century ring an unexpectedly romantic character.

Which Ring Used Filigree Best?

Openwork filigree was never merely decoration. It allowed jewelers to build dimension, introduce light, and create intricate patterns without making a ring feel heavy.

Which would you choose: the geometry of the Chrysler, the delicacy of the Seville, or the dramatic scale of the Clearfield?

💍 Explore Estate Diamond Jewelry’s complete collection of vintage engagement rings

[estatediamondjewelry]

7 Times Art Deco Jewelers Put Round Diamonds in Square Settings and Got It Exactly Right

Round diamonds and square settings should not work together as beautifully as they do.

One is soft, luminous, and completely curved. The other is angular, structured, and architectural. But Art Deco jewelers understood that the strongest designs often come from placing two opposites together.

By framing round old European cut diamonds with square bezels, box prongs, stepped halos, and sharp geometric corners, they made the diamonds appear brighter and the rings feel bolder.

Here are seven times they got the combination exactly right.

1. The Cedar Ring

The circa-1925 Cedar Ring places a 0.40-carat old European cut diamond inside a square platinum bezel. The geometric frame gives the smaller center stone far more presence, while openwork shoulders keep the ring from appearing heavy.

2. The Holbrook Ring

The Holbrook Ring takes a 1.59-carat old European cut diamond and sets it within a crisp square bezel. Its round center remains the visual focus, but the corners and geometric openwork give the entire ring the architectural character that defines early Art Deco jewelry.

3. The Foundry Ring

The Foundry Ring surrounds its 0.90-carat old European cut diamond with a square bezel, additional diamonds, and an elongated geometric halo. This is a perfect example of how Art Deco jewelers could make a diamond ring appear substantially larger without pretending that the center stone itself was larger.

4. The Lambert Ring

The circa-1925 Lambert Ring holds a 1.25-carat old European cut diamond with square prongs before surrounding it with a dramatic stepped design. The circular diamond provides softness at the center, while the platinum geometry radiating outward looks almost like the façade of an Art Deco skyscraper.

5. The Berliner Ring

The Berliner Ring places a 1.45-carat old European cut diamond inside a square bezel, then builds upward and downward with additional diamonds and openwork. Fine milgrain and hand engraving soften the strong outline, creating a ring that feels intricate, geometric, and surprisingly balanced.

6. The Glenview Ring

With its 3.07-carat old European cut diamond, the Glenview Ring did not need any help making an impression. Nevertheless, its designers placed the round diamond inside a square bezel and surrounded it with a geometric halo, proving that even a major center stone can become more dramatic when its setting introduces a completely different shape.

7. The Medford Ring

The Medford Ring centers a 1.75-carat old European cut diamond in diamond-set box prongs and surrounds it with antique carré-cut diamonds. The square silhouette makes the round center appear almost suspended within the mounting, while the combination of circles, squares, and triangular shoulders gives the ring extraordinary visual tension.

Why This Combination Works So Well

The square setting was never intended to disguise the round diamond. Its purpose was to make the diamond’s curves more noticeable.

Sharp corners emphasize the softness of the center stone. Straight lines make its circular outline more distinct. The surrounding geometry can also increase the ring’s overall surface area, giving it greater presence without requiring an oversized center diamond.

Art Deco jewelers understood contrast, and these seven rings prove that they were absolutely right.

Which one used the round-diamond-in-a-square-setting idea best?

Reblog with your pick: Cedar, Holbrook, Foundry, Lambert, Berliner, Glenview, or Medford.

💍 Explore Estate Diamond Jewelry’s collection of vintage engagement rings

[estatediamondjewelry]

7 Vintage Diamond Halos That Look Nothing Like Modern Halos

Many modern halos are designed to be almost invisible: a neat circle of tiny diamonds fitted tightly around the center stone.

Vintage jewelers had other ideas.

They turned halos into octagons, navettes, double borders, colored gemstone mosaics, and architectural frames. The halo was not merely added to make the center diamond look larger. It determined the entire personality of the ring.

These seven vintage halos show just how creative that idea could become.

1. The Borma Ring

Created circa 1880, the Borma Ring arranges three cushion-cut sapphires vertically inside an elongated halo of old mine and antique single-cut diamonds. The dramatic navette outline looks more like a jeweled Victorian shield than anything typically described as a halo today.

2. The Sharptown Ring

The Sharptown Ring surrounds a 1.03-carat antique cushion-cut diamond with a low-profile halo of old European cut diamonds. Rather than forming a perfectly uniform outline, the individually visible antique diamonds give the halo a softer, more organic rhythm.

3. The Arca Ring

The Arca Ring places a round 1.00-carat old European cut diamond inside an octagonal halo of additional old European cuts. Its eight-sided outline transforms the circular center into a crisp geometric medallion.

4. The Medford Ring

The circa-1935 Medford Ring surrounds a 1.75-carat old European cut diamond with antique carré-cut diamonds. Diamond-set box prongs, triangular shoulder diamonds, and the nearly square outline make the halo feel more like Art Deco architecture than a border of accent stones.

5. The Neston Ring

The Neston Ring builds a double square around its 0.52-carat Asscher-cut diamond. Calibre-cut emeralds create the vivid inner border, while old European cut diamonds form a second halo around them.

6. The Ironton Ring

The Ironton Ring begins with a 0.58-carat antique cushion-cut diamond, then adds French-cut rubies and an outer diamond halo. Instead of copying the center stone’s cushion shape, the double halo stretches into an elegant oval.

7. The Tordera Ring

The Tordera Ring surrounds its 2.19-carat old European cut diamond with two additional rows of old European cuts. Fine milgrain separates the layers, giving the ring a scalloped, dimensional appearance instead of the seamless sparkle expected from a modern halo.

When the Halo Was the Design

In many modern rings, the halo quietly supports the center diamond. In these vintage examples, the halo creates the ring’s identity.

Old-cut diamonds produce visible petals and irregular edges. Calibre-cut rubies and emeralds draw precise borders around the center. Octagonal, oval, square, and navette outlines can even make the finished ring appear to have a completely different shape from its central stone.

Vintage jewelers did not treat a halo as a standard feature. They treated it as an opportunity.

Which one looks least like a modern halo?

Reblog with your pick: Borma, Sharptown, Arca, Medford, Neston, Ironton, or Tordera.

💍 Explore Estate Diamond Jewelry’s collection of vintage engagement rings

[estatediamondjewelry]

7 Floral Diamond Rings That Look Like Tiny Bouquets on the Finger

Some diamond rings sparkle. Others appear to bloom.

Vintage jewelers often arranged diamonds and colored gemstones around a center stone like petals surrounding the heart of a flower. Viewed from above, the finished ring resembles a miniature bouquet tied permanently around the finger.

These seven floral rings show how completely different that idea can look.

1. The Ruby Floral Ring

This ring begins with a 1.47-carat old European cut diamond, then surrounds it with half-moon rubies and an outer halo of antique diamonds. The red stones resemble a circle of vivid petals opening beneath a bright diamond center.

2. The Tomari Ring

The Tomari Ring places a 1.78-carat old European cut diamond inside a frame of natural green emeralds and old European cut diamonds. The emeralds introduce just enough green to make the diamond halo resemble a white flower surrounded by tiny leaves.

3. The Bedec Ring

The Bedec Ring transforms French-cut sapphires into bold blue floral details around its 1.26-carat old European cut diamond. Diamonds outline the sapphire sections, making each blue element appear like a carefully shaped petal.

4. The Highland Ring

The Highland Ring is the diamond equivalent of a perfectly opened daisy. A 1.16-carat old European cut diamond forms the center, while additional old European cut diamonds radiate outward in a remarkably balanced flowerhead design.

5. The Kempton Ring

The Kempton Ring surrounds its 1.18-carat old European cut center with individually bezel-set old mine cut diamonds. Because every surrounding diamond has its own milgrain border, the halo looks less like a continuous circle and more like a row of distinct petals.

6. The Tulun Ring

The Tulun Ring creates its floral shape entirely from old European cut diamonds set in warm 18k yellow gold. Its half-bezel settings outline the individual diamonds, while fine milgrain gives the finished “flower” a wonderfully handcrafted texture.

7. The Monaco Ring

A 1.50-carat old European cut diamond sits at the center of the Monaco Ring, surrounded by a generous cluster of additional antique diamonds. The broad arrangement of irregular old cuts gives it the lush, slightly untamed appearance of a freshly gathered bouquet.

Why Floral Cluster Rings Feel So Romantic

A floral cluster does more than make a diamond ring appear larger. It turns several individual stones into one complete design, with the center diamond acting as the heart of the bloom and every surrounding diamond becoming part of its petals.

The slight variations found in old European and old mine cut diamonds make these rings especially captivating. Their flowers are not mechanically perfect. They feel organic, handcrafted, and alive.

Which miniature bouquet would you wear?

Reblog with your pick: Ruby Floral, Tomari, Bedec, Highland, Kempton, Tulun, or Monaco.

Explore Estate Diamond Jewelry’s collection of vintage engagement rings.

[estatediamondjewelry]

7 Times Art Deco Jewelers Put Round Diamonds in Square Settings and Got It Exactly Right

Round diamonds and square settings should not work together as beautifully as they do.

One is soft, luminous, and completely curved. The other is angular, structured, and architectural. But Art Deco jewelers understood that the strongest designs often come from placing two opposites together.

By framing round old European cut diamonds with square bezels, box prongs, stepped halos, and sharp geometric corners, they made the diamonds appear brighter and the rings feel bolder.

Here are seven times they got the combination exactly right.

1. The Cedar Ring

The circa-1925 Cedar Ring places a 0.40-carat old European cut diamond inside a square platinum bezel. The geometric frame gives the smaller center stone far more presence, while openwork shoulders keep the ring from appearing heavy.

2. The Holbrook Ring

The Holbrook Ring takes a 1.59-carat old European cut diamond and sets it within a crisp square bezel. Its round center remains the visual focus, but the corners and geometric openwork give the entire ring the architectural character that defines early Art Deco jewelry.

3. The Foundry Ring

The Foundry Ring surrounds its 0.90-carat old European cut diamond with a square bezel, additional diamonds, and an elongated geometric halo. This is a perfect example of how Art Deco jewelers could make a diamond ring appear substantially larger without pretending that the center stone itself was larger.

4. The Lambert Ring

The circa-1925 Lambert Ring holds a 1.25-carat old European cut diamond with square prongs before surrounding it with a dramatic stepped design. The circular diamond provides softness at the center, while the platinum geometry radiating outward looks almost like the façade of an Art Deco skyscraper.

5. The Berliner Ring

The Berliner Ring places a 1.45-carat old European cut diamond inside a square bezel, then builds upward and downward with additional diamonds and openwork. Fine milgrain and hand engraving soften the strong outline, creating a ring that feels intricate, geometric, and surprisingly balanced.

6. The Glenview Ring

With its 3.07-carat old European cut diamond, the Glenview Ring did not need any help making an impression. Nevertheless, its designers placed the round diamond inside a square bezel and surrounded it with a geometric halo, proving that even a major center stone can become more dramatic when its setting introduces a completely different shape.

7. The Medford Ring

The Medford Ring centers a 1.75-carat old European cut diamond in diamond-set box prongs and surrounds it with antique carré-cut diamonds. The square silhouette makes the round center appear almost suspended within the mounting, while the combination of circles, squares, and triangular shoulders gives the ring extraordinary visual tension.

Why This Combination Works So Well

The square setting was never intended to disguise the round diamond. Its purpose was to make the diamond’s curves more noticeable.

Sharp corners emphasize the softness of the center stone. Straight lines make its circular outline more distinct. The surrounding geometry can also increase the ring’s overall surface area, giving it greater presence without requiring an oversized center diamond.

Art Deco jewelers understood contrast, and these seven rings prove that they were absolutely right.

Which one used the round-diamond-in-a-square-setting idea best?

Reblog with your pick: Cedar, Holbrook, Foundry, Lambert, Berliner, Glenview, or Medford.

💍 Explore Estate Diamond Jewelry’s collection of vintage engagement rings

[estatediamondjewelry]

7 Vintage Diamond Rings That Prove Openwork Filigree Deserves a Comeback

Openwork filigree transforms solid platinum or gold into something resembling lace. The tiny openings allow light to pass through the mounting, making even elaborate vintage rings appear airy, delicate, and almost architectural.

These seven vintage diamond rings show just how much personality jewelers could create with empty space, fine metalwork, and a remarkable amount of patience.

1. The Wanette Ring

The circa-1925 Wanette Ring centers a GIA-certified 3.08-carat old European cut diamond in platinum. Intricate openwork filigree surrounds the large center stone before flowing into an engraved shank, proving that elaborate metalwork can make a substantial diamond ring appear beautifully light and refined.

2. The Newcastle Ring

The circa-1925 Newcastle Ring centers a 1.06-carat old European cut diamond in platinum. Openwork filigree, single-cut diamonds, fine milgrain, and hand engraving decorate the shoulders, proving that even a classic solitaire can become extraordinary when every inch of its setting is thoughtfully crafted.

3. The Seville Ring

The Seville Ring features a GIA-certified 1.31-carat old European cut diamond. Its most beautiful secrets appear along the shoulders and under-gallery, where diamond-set filigree, milgrain, and engraving transform the platinum into miniature architecture.

4. The Chrysler Ring

The circa-1925 Chrysler Ring combines a 2.16-carat old European cut diamond with French-cut sapphires. Diamond-set openwork filigree fills the platinum mounting while preserving the bold symmetry that makes genuine Art Deco jewelry so recognizable.

5. The Clearfield Ring

At the center of the circa-1920 Clearfield Ring is a GIA-certified 3.08-carat antique cushion cut diamond. The substantial center stone is surrounded by openwork diamond filigree, proving that an impressive ring can still feel light and refined.

6. The Foster Ring

The Foster Ring arranges three old European cut diamonds horizontally within a scalloped platinum design. Its intricate filigree continues across the shoulders and under-gallery, turning a small three-stone ring into something remarkably distinctive.

7. The Venetian Ring

The circa-1950 Venetian Ring demonstrates that openwork filigree did not disappear when the Art Deco period ended. Floral and ribbon motifs surround its diamond and French-cut sapphires, giving this mid-century ring an unexpectedly romantic character.

Which Ring Used Filigree Best?

Openwork filigree was never merely decoration. It allowed jewelers to build dimension, introduce light, and create intricate patterns without making a ring feel heavy.

Which would you choose: the geometry of the Chrysler, the delicacy of the Seville, or the dramatic scale of the Clearfield?

💍 Explore Estate Diamond Jewelry’s complete collection of vintage engagement rings

[estatediamondjewelry]

Which Art Deco Engagement Ring is your favorite?

Most of these rings are over 100 years!

[estatediamondjewelry]

6 Antique Jewelry Details That Deserve a Comeback

Antique jewelers did not believe that beauty should stop at the parts everyone could see. From hand-engraved shoulders to elaborate details hidden beneath the diamond, these seven features reveal just how differently fine jewelry was once made.

Which of these forgotten details deserves to make a comeback? Tell us in the replies or reblog with your favorite.

1. Hand-Applied Milgrain

Milgrain is the delicate row of tiny metal beads often seen bordering the diamonds and engraved sections of antique rings. On fine period jewelry, an artisan applied this texture by carefully rolling a specialized tool along the metal’s edge, giving the ring a softer and more intricate finish.

2. Hand Engraving

The patterns decorating many antique rings were not printed by a machine or reproduced from a mold. An engraver used a sharp tool called a graver to cut every scroll, flower, and geometric line directly into the metal by hand, which is why close inspection often reveals slight variations.

3. Elaborate Undergalleries

Antique jewelers frequently decorated the underside of a ring with almost as much care as the top, even though very few people would ever see it. These elaborate undergalleries transformed the structure supporting the gemstones into miniature arches, crowns, flowers, and other architectural forms.

4. Calibré-Cut Gemstone Borders

Calibré-cut gemstones were individually shaped to occupy an exact position within a ring, allowing rubies, sapphires, or emeralds to form an uninterrupted border of color. The technique became especially important during the Art Deco era, when precise geometry and strong color contrasts defined the style.

5. Old Mine-Cut Diamonds

Old mine-cut diamonds were shaped by hand, which gave each one its own cushion-like outline, high crown, small table, and visible culet. They do not produce the rapid, uniform sparkle of modern brilliant cuts; instead, their broad facets create slower flashes of light that can be especially beautiful in dim or candlelit settings.

6. Platinum Filigree

During the Edwardian and Art Deco periods, jewelers used platinum to create extraordinarily delicate filigree that resembled lace made from metal. Fine wires and open patterns allowed a substantial ring to appear light, airy, and almost weightless around the diamonds.

Which of these details would you bring back? Reblog this post with your favorite, and tag someone who would choose an antique ring over a modern one.

[estatediamondjewelry]

The history of vintage and antique engagement rings is often divided into seven major jewelry eras: Georgian, Victorian, Art Nouveau, Edwardian, Art Deco, Retro, and Mid-Century. Each era reflects the design tastes, craftsmanship, gemstones, and cultural mood of its time. Antique engagement rings are generally considered to be 100 years old or older, while vintage engagement rings usually refer to rings from later historical periods that still carry the style, character, and craftsmanship of the past.

The Georgian and Victorian eras are known for romantic, handcrafted designs, often featuring rose-cut diamonds, old mine-cut diamonds, colored gemstones, floral motifs, and symbolic details. Art Nouveau rings introduced flowing, nature-inspired lines, while Edwardian engagement rings became famous for their delicate platinum work, lace-like filigree, milgrain details, and elegant old European-cut diamonds. These earlier eras are especially prized by collectors because many of the rings were made by hand and are increasingly rare to find in excellent condition.

Art Deco engagement rings brought bold geometry, symmetry, calibré-cut gemstones, and architectural designs, making it one of the most popular vintage jewelry eras today. The Retro era followed with larger, more sculptural rings, often using yellow or rose gold, while Mid-Century engagement rings embraced cleaner lines, classic diamond solitaires, baguette accents, and practical elegance. Together, these seven eras tell the story of how engagement ring design evolved from ornate antique craftsmanship to the timeless vintage styles that remain highly sought after today.

Shop vintage rings: https://www.estatediamondjewelry.com/product-category/vintage-engagement-rings/

[estatediamondjewelry]

A magnificent original Edwardian-era ring that features an old European cut center diamond weighing approximately 1.00 carat, I color, SI1 clarity. An array of bezel-set old European cut diamonds decorate this ring in a north-south design. The elongated mounting is decorated with lacey openwork. This antique platinum ring was hand-crafted circa 1910.

The total approximate diamond weight of this ring is 2.56 carats. The overall color and clarity of the diamonds are I-J color, VS1-SI1 clarity.

The measurements of this ring including the borders are 1 inch long by half an inch wide.

This ring can be resized to any finger size at no extra cost.

Note from the Jeweler: I love how the intricate, elongated filigree in this Edwardian ring showcases the fine craftsmanship from that era. The attention to detail and the unique design elements really set it apart, making it a standout from the period.

Ready to Make It Yours? Contact us to reserve this ring and to get more info! LINK: https://www.estatediamondjewelry.com/product/newfield-ring-circa-1910/

[estatediamondjewelry]

This impressive ring centers a 3.15 carat old European cut diamond, K color and VS1 clarity, set in prongs. The center diamond is flanked by a row of channel-set baguette cut diamonds on either side. The total weight of the additional diamonds is approximately 1.00 carat. The geometric mounting is handcrafted in platinum and bears French hallmarks. This vintage French ring was made during the Retro Era, circa 1945.

The measurements of the center stone are approximately 9.36mm x 9.32mm x 5.56mm.

This ring can be resized at no extra cost.

If you have any questions about the Emerson ring, please feel free to contact us.

Note from the Jeweler: This Retro design stands out with its bold, geometric structure, making a strong statement. I especially love the unique shoulder indentations, which add character and depth to the overall look.

Ready to Make It Yours? Contact us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/rare-vintage-retro-engagement-ring/

[estatediamondjewelry]

A geometric Art Deco-inspired engagement ring adorned by onyx and emerald accents on the shoulders. Diamonds on the corners further accentuate the center old European cut diamond. This ring was handcrafted in platinum by our jewelers and is decorated with additional diamonds along the gallery and shoulders.

The center diamond is 2.84 carats, K color, and VS1 clarity.

The current size of this ring is 6.5. This ring is resizable at no extra cost.

A Word from the Jeweler: I love how this design pulls from Art Deco inspiration, with its bold geometric shapes and striking symmetry. The addition of emerald and onyx offers a unique pop of color that elevates the overall look, making it stand out in the best way.

Ready to Make It Yours? Contact us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/important-art-deco-engagement-ring/

[estatediamondjewelry]

A halo ring centering a 2.29 carat antique cushion cut diamond, bezel-set and surrounded by natural calibrated French cut sapphires. The center diamond is K color and VS1 clarity. Old European cut diamonds are pave-set along the shoulders. This ring is platinum and has a triple wire shank. The under-gallery is decorated with openwork.

The total diamond weight of this ring is approximately 2.36 carats. The sapphires weigh approximately 0.75 carats combined.

The measurements of the center diamond are approximately 7.90mm x 7.40mm x 5.39mm. The approximate dimensions of this ring are 12.58mm x 11.49mm including the halo.

This ring can be resized to any finger size at no extra cost.

A Word from the Jeweler: The detailed work on the shank adds an extra element of craftsmanship that I always appreciate. It also has a comfortable fit, making it just as practical as it is timeless.

Ready to Make It Yours? Contact us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/diamond-and-sapphire-engagement-ring/

[estatediamondjewelry]

This three-stone ring centers a 2.03 carat old European cut diamond, J color and VS2 clarity. Flanking the center diamond are two pear-shape natural sapphires with a combined weight of 2.04 carats. The diamond and accent sapphires are set in prongs. The mounting of this ring is handcrafted in platinum.

The measurements of the diamond are approximately 7.61mm x 7.78mm x 4.85mm.

This ring can be resized to any finger size at no extra cost.

If you have any questions about the Strand ring, please feel free to contact us.

A Word from the Jeweler: I love how the pear-shaped sapphire accents bring a bold yet elegant pop of color to the design. It’s a great balance, adding richness and vibrancy while maintaining an overall refined look.

Ready to Make It Yours? Contact Us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/strand-ring/

[estatediamondjewelry]

This ring features a 2.06-carat old European cut diamond, J color and VS1 clarity. The diamond is bezel-set and surrounded by calibrated natural emeralds. The emerald halo continues along the shoulders to an open-work under-gallery. The total approximate emerald weight is 0.75 carats.

The approximate measurements of this ring are 11.77mm x 11.93mm including the emerald halo.

This ring can be resized to any finger size at no extra cost.

A Word from the Jeweler: I love the unique shape of the ring and how the emerald halo flows seamlessly onto the shoulders. It’s a stunning design that’s versatile enough for any occasion, making it both special and wearable.

Ready to Make It Yours? Contact us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/calca-ring/

[estatediamondjewelry]

An antique three stone ring that features old European cut diamonds with a total approximate weight of 3.05 carats, J color, and VS clarity overall. The center diamond is approximately 1.25 carats and the side diamonds are approximately 0.90 carats each. The stones are held by prongs inside a geometric bezel. Along the under-gallery and the shoulders is a diamond-accented openwork design. This platinum ring is from the Art Deco era, circa 1930.

The approximate measurements of this ring are 11.05mm x 18.85mm.

This ring can be resized to any finger size at no additional cost.

Ready to Make It Yours? Contact us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/dorchester-ring/

[estatediamondjewelry]

This antique three-stone engagement ring centers a 2.04 carat old European cut diamond, J color and VS1 clarity, set in prongs. The diamond is accented by two round cut sapphires with a combined weight of 2.56 carats, also set in prongs. The handcrafted platinum mounting features a fleur-de-lis motif on the under-gallery. This ring is from the Art Deco era, circa 1930.

The old European diamond measures approximately 7.83mm x 7.78mm x 5.19mm. The sapphires measure approximately 6.31mm x 6.16mm x 4.06mm and 6.31mm x 6.15mm x 3.73mm.

This ring can be resized to any finger size at no additional cost.

If you have any questions about the Westvale ring, please feel free to contact us.

Ready to Make It Yours? Contact Us to reserve this ring and to get more info!

LINK: https://www.estatediamondjewelry.com/product/westvale-ring/