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The Art of Art. A musing about learning.
There is something quite mathematical about learning art. (or learning anything). They say that talent is 10% and hard work is the rest. I think that another way to put it is to say that the 10% of talent, the flair, is actually having a more perceptive mind to understand the right way of looking at things, the right way to look/think about something in order to grasp a medium, clinch an inspiration, evoke an idea etc.. Something that comes easier to some people simply because their mind is in the right place.
Another saying is that practicing doesn’t make perfect. Right practices makes perfect. I see now, that it’s another way of saying the above. One must attribute hard work but also work smart, and practice the right way. It really is all just saying that you need to be able to look at things a certain way to learn faster.
For example, I have friends who works 10 times harder than others. Drawing studies after their day jobs, churning out pieces.. but then they seem to be stagnant in their leveling up of skills. Almost everybody has a friend or two like that. And you want to tell them to stop, rethink their approach, to work smarter, not harder. To tell them that hard work doesn’t guarantee success despite what they tell us. hard work at the wrong thing makes it worse, makes you good at doing something bad- and it’s even more difficult to unlearn something you put in so much effort to learn. Some people however, is able to grasp the concept of painting much faster. Not necessarily needing to do 10 studies a day to whip out a painting more magnificent than others. These people usually use lesser strokes, lesser steps. That’s because they are thinking about it the right way. Looking at it in a way their minds are able to process and translate with paper and tools. I used to think that blind hard work will definitely get us there ( I was in denial and perhaps lazy to admit that there is more to it) simply because the more you do something, the more you will surely stumble upon a way to level up. I don’t have to sharpen my dull mind, and work my mind around it. That’s just a lazy way of leveling up- to work hard blindly. Ironic isn’t it.
All that led me to think that talent when it comes to art, is really the ability to quickly work your brain around something, to un-see bad approaches, be flexible to “retreat and attack” something- be it, a new way of painting, a new medium etc. Talent is the ability to train your mind to see things a certain way your personal self is able to process. Art methods, tutorial and lessons out there are individual Talented artists ways of approaching things. their insights as to how they work, the mechanics of approaching a painting. Not many teaches you how to get the talent itself. Not many teaches you how to think and see. That’s because the way to think and see is so natural for them (and so difficult to explain in verbal or written words) and they share the technical tools instead of a mindset and how to develop this swirling ball of thoughts, right questions (which also needs nurturing), and set it in a direction.
The biggest jump in my work where I saw a huge improvement, was when I had the luck to learn from teachers who taught me how to see, and to think. They didn’t quite know it perhaps, but they were really nurturing me how to cultivate my “talent”. They were training my eye and my brain to work things out for myself. Style and personal voice comes from this realm. This self discovery of how you yourself see things and translate. Studies and methods should be the platform to perform these things, to serve as a place to test out ( other than its other purposes like helping understand technical side of art) and this is why they always say that style comes from painting often and doing more art. Now, where are the tutorials for that? :p
Here’s to hoping that talent is something that can be nurtured. not born with. for it is afterall, a mindset.
Valar Morghulis.
A well-loved savoury local dish from Singapore- Hokkien Prawn Noodles.
Cos I always wanted to attempt at one of those fantasy holding skull thing... :p
Been meaning to paint something with a different lighting from the reference.. This is kind of an attempt before I got carried away into making it look more about my influences... Gonna try it again and again and again..! Also, I kinda like/hate that the fingers incidentally look like it’s making a peace sign...
:)
My lion of Lannister.
Busted this one out for Calgary Expo last month.. Been working on freelance work of late so I can’t post them up, but think I might be finding some time to do some studies soon..!
Prosper on..
Merry Christmas everyone!!!
So the last class with the great Iain Mccaig just ended yesterday.. It was my first time with SmART School and it's so different from Schoolism..!
You get to talk life with the instructor and people meet as if in a real classroom.. everything feels interactive and intimate.. I enjoy the flexibility and the ability to plan my crit session by typing out my queries with Schoolism however and I feel that more Schoolism classes and one powerful SmART school class is gonna help make up for the lack of art schooling one's financial situation can allow.. I can't wait for Robert Kondo and Dice Tsutsumi's class on Schoolism! That and Nathan Fowkes' classes! Schoolism classes feels more personal as well cos you don't get to talk to other students and the feedback is one on one. You get to learn from other students by watching the other student's crit videos and I'm not entirely sure why, but it feels more personal.. Like I am on my own with an excellent teacher by my side that i can refer to anytime (you can access the vids anytime)
This is my final assignment with Iain, a cover for the Goblet of Fire. I've known storytelling in comics, in moving images, but to tell it in a stationary visual piece... Iain has opened my eyes to so many subtle ways a feeling or a thought can be evoked.. it's like Darren Browning people! (who paints btw..)
I had the marvelous opportunity to meet up with Iain when I went to CTNX in Burbank last month.. WHAT AN AWESOME TIME IT WAS!! I can't even begin to fangirl now.. it's too much.. Will post some pictures when i have the chance..!
Coming home to paint, i realise that without a good reference, my paintings looks flat, undecided and patchy.. I had no idea why at first, struggling to figure out if it was my strokes, brush or approach.. most of all, the fear that i had forgotten how to paint that way again after not doing so for a couple of months..
This is my blog of learning, so I here it is, a piece of what i feel is below the bar for me.. just to put it out there and show my bad art.. It's patchy, the dragon and background clearly shows that I had no references.. The face feels flat and 2d like.. and it was so patchy as well that i had to blend so much more than I usually do (which resulted in the 2Dness.) Someone once told me that even Leonardo Da Vinci had tons of bad art, but he was so egoistic about his work that he burned them all..
While trying to figure it out.. I think I should walk backwards, revisit what I already know and explore starting from my comfort zone. So its back to portraits.. Bobby and Iain both mentioned that a good way to train yourslef is to draw smth out of your head, hten find good references for it. Do studies of the reference, then try to duplicate it without looking, and then apply it onto your own initial sketch. i've been searching for hte perfect reference pic or more often than not, actually "frankensteining" a few ref pics here and there. piecing them together and it always feel separated within the pics itself, and with my lack of anatomy knowledge etc, it usually looks off... and it shows.. So the new way ensures the original visual idea you have stays, and is maintained, but with corrections from real life...!
Spent a few days making a finished painting of the earlier sketch as I am a little lost and didn't manage to get crit last week..! Iain's class has been challenging and there is so much focus on storytelling..!
It's been 5 weeks into Iain Mcaig's class at SmART school and I'm working on my own project.. Harry Potter book covers! It's confusing as to which approach to take, a whole overall montage kinda thing like Drew Struzen style, or choosing a moment to illustrate.. There is also of course the decision of doing like a special edition kind of wrap around for the set of books, or simply picking my favourite of the series..
Goblet of Fire it is, Book no.4! It has always been my favourite, full of bits and mystery, riddles and clever twists.. It also reveals an introduction to a deeper side of growing up and maturing into an adolescent, dealing with deaths and all sorts of grown up stuff! Not to forget highly enjoyable relationships with puppy love and all in all..... gahhh u know what i'm talking about!
Here are some character sketches of Harry.. Initially, i wanted to do a caricatured version of the character.. but then i didn't want to stick with Daniel Radcliffe as much as i adore him.. and drawing someone else as harry is already a challenge for me.. I don't want to jump way ahead of myself..
In the books, Harry is thin faced, knobbly and what i got from it, a kinda tear drop shape language. Ron is a longish oval and Hermoine a triangle with her busy hair.. I used Freddie Highmore as reference and seeing that Harry is 14 at that age.. i only have a limited number of child actors to choose from that has a consistant amount of photos on the net..! Freddie is cute.. but i don't reckon Harry should have his lips where the corners of his mouth makes him look like he's always happy and content... Shall have to work around that..!
:D
Self Portrait of sorts..!
Wanton Noodles!