MAR. 26. INFJ. SCORPIO. SHE/HER. OVERFLOWING WITH WORDS AND YEARNING. S7!SPENCER SUN, PRE-PRISON S12!SPENCER MOON, S2 GLASSES!SPENCER RISING.
NEW TO A WRITING BLOG BUT NOT NEW TO TUMBLR, SPENCER REID/MATTHEW GRAY GUBLER/CRIMINAL MINDS, OR WRITING IN GENERAL. INBOX OPEN FOR CHATTING/FEEDBACK/HEADCANONS/OPINIONS/REVIEWS ETC.Ā
ā SEE BELOW FOR MASTERLIST/FURTHER INFORMATION:
All works will be Spencer Reid x fem!reader.
Angst, fluff, smut all to be expected.
This blog was intended as a museum of any and all of my writing, most of it will be self-indulgent. Feel free not to engage if it is not your cup of tea. Canon-compliant Spencer for the most part, but I do have one-sided beef with the CM writers about a handful of things. I am quite a romantic, so, most of my smut pieces will probably be, for lack of a better and more widely accepted online term, vanilla-coded. Tropes are not my forte, feel free to help me tag any disclaimers/include any specific tag in a fanfic.
Currently working through an already heavy draft/WIP list, we are about to see how that goes...
ā MASTERLIST:
the monkey-sphere
la petite mort
among the whisperings, the champagne, and the stars
Adding the final touches to my next piece and I am really hoping that people will actually give a 15k-word angst/fluff/smut fest a chance since it is the best thing that I have ever written š§š»āāļø
I actually do write for another character but not one from a TV series or film. This blog will remain Spencer Reid-centric, though, since I do not care for any other series!
I loved daylight so much! May I ask what book is reader talking about?
Hello, lovely anon!
Thank you for your sweet words, I am glad that you liked it! In reality, the book started out as a specific one that I had in mind but then I realised that the scene that I used for the excerpt that they talked about could have been not from one but five different classics. I decided not to mention titles on purpose because the details were what mattered.
daylight was amazing I can't wait to see what you post next! do you have a preview for us?
Hello, dear anon!
So glad that you enjoyed daylight, it means a lot to me!
A multifest is coming next, with fluff, angst, and the best smut that I have written (in my humble opinion). It is post-prison!Spencer, here is the outline:
ā or the one where your choice to turn to Spencer after a night that has left you distraught allows things once left unresolved to finally flourish.
ā or the one where you and Spencer have to share not just a room, but the same bed, too, when you pair up for the night at the hotel the teamās staying at during one of your first cases, and he cannot help but try his best to understand you better; one book, one song, one memory, one thought, one detail at a time. [Spencer Reid x fem!BAU reader]
Word Count: 8.7K. Proof-read.
Content Warning: ANGST + FLUFF. SECOND-PERSON POV. No use of Y/N. Only One Bed tropeā¢. Canon-compliant to 2x05 case/location-wise. Bookish conversations, emotional repression, inner turmoil, forced proximity brings about some very deep conversations. Reader has lost a parent, mentions of death, mentions of the past, mentions of loss/what-ifs, potential misuse of terminology. A smidge of teasing. This is where their journey starts, basically ā my beloved pining-best-friends-slash-co-workers-slash-pining-idiots-in-love-to-be-lovers.
Authorās Note: Well, hello! This was supposed to be posted a long time ago but I struggled through three different versions wanting to do them justice. It is a very important piece to me. All of my BAU!reader fics as of right now are part of the same timeline, in a soon-to-be outlined series; this is intentionally written as the first part. This is also the part where I apologise for it being so lengthy but I am unable (and unwilling) to change my style, so I understand if this is not everyoneās cup of tea. Nevertheless, I hope that you enjoy it! Two more pieces are being readied and coming soon... (Gif made by me.)
āTake good care of pretty boy tonight, will you, pretty girl?ā
āTake good care of me?ā
Spencer sounds almost offended where he lingers behind you, having almost tripped over his own feet trying to keep up as you all turn right down the dimly lit hallway towards your rooms.Ā
You roll your eyes as you look back at Derek, who has already unlocked the door to his.
āIām certain Iāll do a much better job than you would, Morgan. Unless youāve decided youāre looking to prove me wrong?āĀ
From the corner of your eye, you notice Spencerās eyes widening even more as Derek scoffs mockingly, offering a gesture as if to say you wound me, before he disappears inside his room.
When youād been called back to the BAUĀ yesterday morning at the rather ungodly hour of 5 a.m. and heard your destination, youād assumed that hotel room availability wouldnāt prove to be a problem. After all, Dayton was the sixth most populous city in Ohio, like Spencer had informed you on the plane ride. Turns out, though, youād been wrong about it.
And so the gladness that replaced the sickening feeling of having to track down a rapist who was taunting his victims through voicemails once Hotch had called it a night was rather short-lived, only lasting until he informed you all that, actually, two members of the team would have to share a room due to a shortage of single ones available.
You werenāt exactly surprised that youād ended up drawing the short straw, but you were a lot more than just that because youād ended up having to share a room with Spencer of all people. On one hand, you were pleased about it. You certainly couldnāt handle having to sleep in the same room with either one of your bosses. Similarly, having to share with Morgan wouldāve been equally awkward. And well, sharing with either Greenaway or JJ wouldāve been better, for sure, but neither of them had warmed up to you enough to make it exactly welcome.
At the same time, you were goddamn terrified. Terrified in a way that you hadnāt been in a long time, nervousness overflowing through every part of you at the thought youād have to be around someone who utterly fascinates you in such an intimate setting. You donāt know what it is about him that turns you into a version of yourself you barely recognise anymore, only that his existence seems to pull you in strangely. His demeanour is far from intimidating, heād not once treated you with anything but restrained yet evident sincerity, and he is really the person youāve felt most comfortable around so far during your short time being part of the team. Still, you cannot shake off that funny feeling as you now face the door to your shared room.
āHere we go, 320. Do you have theāā
āIām sorryāā
You barely make out his words as you both speak at the same time. When you realise that he was apologising, you blink at him. Twice.
āWhat?ā You ask, totally confused as to what he means. āWhat are you sorry for, Spencer?ā
Heās not looking at you when he starts to explain, words jumbled as he rambles, āI justāI didnāt think there wouldnāt be enough single rooms available. Iām sorry you have to share with me, I know this must be awkwardāā
You canāt fully bite back the smile that appears on your lips even if you tried. Heās too cute, too sweet for his own good, and he has no idea about it.
āI donāt have a problem sharing a room with you, Spencer.ā It takes a beat for him to meet your gaze, but when he does, you donāt look away. You want him to know you mean it. Honestly. āNot unless you do, that is.ā
āWhat? No! No, I donāt. I donāt have aāI have no problem with it.āĀ
You can tell he means it by the way his voice raises an octave defensively, as well as the fact that he cannot maintain eye contact with you the whole time that he struggles to form a full sentence.
Still, your quirk an eyebrow at him.
āAre you sure? I can still ask Greenaway or JJ if they could swap with meāā
āWhaāNo! No, donātāā He shakes his head in quick denial almost manically. āI mean, thereās no reason to do that. None at all. Really. I mean it. I do.ā
Youāre not sure why he seems so reluctant to the idea, if itās truly because he doesnāt mind sharing a room with you, or because heād rather not share with either of your female teammates. Youāve heard in passing about Greenawayās struggles after The Fisher King case, two months before you joined the BAU. It was clear those struggles were still haunting her, especially during a case like the one youāre currently working on. From how much youāve known Spencer, it wouldnāt strike you as impossible that this is him being considerate of his colleagueās space. Or perhaps it has to do with the crush he apparently once harboured for JJ, something youād also been told about once, fleetingly, one of the times youād grabbed lunch with Penelope. You wouldnāt be surprised if sharing a room with you seemed like a more tolerable option than sharing with someone heād liked as more than a friend once. Or worse, someone he likes still.
You try to ignore the weird feeling the thought causes in the pit of your stomach, both because you hate nothing more than unforeseen inconveniences, and even more so because you have no name for it. Not one that could possibly make any sense or you could find any justification for.
By the time Spencerās eyes meet yours again, the silence in the dimly-lit hotel hallway has almost taken a life of its own, becoming something like a ghostly third presence that only serves to remind you any tension needs to be suffocated before it has the power to suffocate you.Ā
āOkay. Itās settled then. Weāre roommates for the night.ā
He hums affirmatively under his breath, still hovering apprehensively opposite you, eyes wide behind his glasses and fingers clutching the straps of his valises much too tightly.
āSpencer?āĀ
Finally, his focus seems to return to you. The tiny smile that appears against your lips is entirely involuntary.
āThe key?ā
āTheāOh. Oh, right, the key. Iāve got it, let me justā¦ā He fumbles through his satchel blindly at first, muttering unintelligibly that he knew it has to be somewhere here, before he realises heās been holding it in his occupied hand the whole time, āOh. Uhm, yeah, here.ā You move permissively from in front of the hotel roomās door, your smile only widening as he struggles to balance his bangs and unlock it for a few moments. When he does, he turns to you, and you hope he canāt tell youāre holding your breath at the momentary closeness. āAfter youā¦ā
You all but rush inside past him, thanking him quietly as he does the same, turning the lights on behind you. The room will do well enough, you think. The bathroom doorās to your left, followed by a closet that youāre positive can house both your things and his if it has to for as long as you have to stay here. Then, a desk with extra drawer-space, with a mirror hanging above it, as well as a kitchenette to its right. All in all, youāre more hopeful that itāll be a convenient and comfortable experience for you two now than you were before you saw it.
Turning around once youāve dropped your bags on the right side of the bed carelessly enough, you notice Spencer looking right past you, shocked and paler than youāve ever seen him look before.
āWhatās wrong?ā
āThe bedāItās notāā
You barely make out what he tries to say, yet still you follow his gaze. It takes you a moment before it clicks.
Oh.
What youāre met with is two beds pushed together into a large queen-sized one thatād be perfect for a couple and is the epitome of inconvenience for two co-workers that are effectively forcibly paired together because of unavailability of space. Youāve never felt more mocked at by the universe than you do at that moment.Ā
Spencer watches you try to push the beds apart to no avail before he suggests, utterly horrified, āItās alright, I can sleep on the floorāā
āYouāre not sleeping on the floor, Spencer.ā You scoff, already having come to terms with your circumstances.Ā
āButāBut thereās only one bed!ā He squeaks out in reply, dumbfounded at your suggestion.
āTechnically, no, there isnāt.ā You shrug, turning to face him once youāve unzipped your bag and grabbed your pyjamas from it. āThereās plenty of space for the both of us, Spencer. Weāre both exhausted after a terribly long day, and who knows if tomorrow will be an equally exhausting one. Itās more than reasonable for both of us to share it. I wouldnāt feel okay if I let you sleep on the floor.ā
He practically gawks at you, wheels turning inside his brain, youāre sure, searching for reasons to convince you that this is a terrible idea.Ā
But itās late, and he does recognise youāre both clearly exhausted, and youāre decidedly not going to let him sacrifice his comfort that way.Ā
āCome on, Spencer. Thereās no reason to make this into a bigger deal than it has to be. Now, do you have a preference?ā He seems even more lost at your question then, looking at you from behind his glasses with a softness that makes you dizzy. Goodness, heās making this harder than youād like him to, and he has no idea. You gesture to your left, then to your right, as you begin unholstering your weapon. āDo you want the bed closer to the door or the window?ā
He thinks about it, if only for a moment, before he slowly shakes his head in denial. āUhm, no⦠No, I donāt. Whichever one is fine.ā
Finally then, you both begin to move around the room in silent agreement. Taking your jacket off, you walk around to the night table on your side where you leave your phone out to be charged overnight, as Spencer starts looking through his own things.Ā
You have to call out his name twice before he notices youāre talking to him, your pyjamas tucked under your right arm and your own bags left neatly at a chair youāve left by the wall closest to your bed.
āI just asked if itās okay with you if I can use the bathroom first?ā
āOh, yes! Yes, of course. Go ahead.ā
You thank him quietly once more, striding to the en-suite and closing the door shut behind you.
And although you start undressing yourself and preparing the shower (which you have to turn on thrice before the water even begins to warm up to a decent temperature), the fact that Spencerās just on the other side of the door, that youāre going to spend the night not just with him in the same room, but in such close proximity, fully dawns on you and makes it harder to breathe. Under the showerās egregious pressure, your eyes fall shut, and you grasp at the nearest wall, not trusting yourself to stand in confidence even for the short duration of your shower.Ā
You want to tell yourself you have no idea why youāre being like this, why your skin feels cold even as youāre engulfed in sufficient warmth, but the truth is youāve never been a good liar. And maybe thatās the problem, the fact that you, stubbornly as ever, are punished by your knowing. Thereās not much to convince yourself about, youād like to think so, but the very fact that Spencer exists makes it so hard to believe that.Ā
Spencer, the first person you bumped into on your very first day on this job, when you succeeded in landing your spot at the BAU, and whoād offered you his book to pass the time as you waited for Hotch to arrive. You still remember the one, his critical edition of the 19th-century Russian literary canon. In the original language. You remember the immediate awe you felt for him better than your polite decline, as underwhelming as it mustāve been, once you noticed you were not fit to read it. You remember much more than that, actually. The sparkle in his eyes when you asked him whether he preferred Tolstoy or Dostoevsky. His enthusiasm when, as he helped you set your desk up over the next few days, he noticed youād brought a few books and journals for it, and how it only intensified when he realised you would share a desk-space with each other. How he always felt comfortable to share a highlight of his day over your first shared coffee every morning because you always seemed to want to pay attention. Spencer, who you were in no way prepared to meet when you came to this job, and who slowly but surely made it higher up the list of pros of it, the one youād made to remind you what youāve achieved and how far youāve come at your worst when you needed it.Ā
And sure, half a year might be more than long enough for some people to put a word to whatever funny feeling upsets their balance and their sanity, but youāre not most people. Youāve never been most people. And this is the first time in your life youāve been continuously pondering over whether that was a blessing or a curse.
Even now, as you dress up in your oversized academy crewneck and a pair of flimsy, darkened-by-time plaid pyjamas, once youāve finished brushing your teeth and your hair and made sure that the bathroom is not a spitting image of the mess that exists inside your head, even now, you still ponder if that funny feeling is a darkness capable to destroy you like nothing else ever has or a light you never dared dream of because of circumstances and convictions and the terror that is your knowing.
The pondering doesnāt stop once youāre metres away from Spencer again, padding towards the bed heās sitting on the edge of, books and manila folders open to his right and his bundle of nightly attire to his left.Ā
Youāre not sure heās actually reading the book he has open on his lap, and if he is, heās doing so at the slowest speed youāve ever seen him do the entire time youāve known him. Even so, he doesnāt seem to notice your return. Not immediately.
Not until you clear your throat and quietly exclaim, āAll yours now.ā
And because youāre certain you deserve the very fact that the universe is pulling your leg in the cruelest of ways, Spencer looks up, practically gaping at you, as your words register in the air.
Godfuckingdamnit.
āI meantāYou can, uh, you can use the bathroom now if you wish to, Spencer.ā
āOh. Oh, uhm, thanks. Thank you.ā
The sight of him scrambling to get up, book tossed haphazardly open alongside the others as he glances at his stuff, only serves as a reminder of what youāre already thinking. That this isnāt something youāre good at, that this isnāt something youād know how to deal with and that you know that.
What you donāt know is how, in seeing him struggle to undo the knot of his tie with his free hand, you find yourself speaking again, sending that ghostly third presence to hell once more when it threatens to suffocate you.
āDo you need any help with that?āĀ
He stares at you as if he can neither believe your question nor understand what you mean by it. Before you or he can overthink it any further, you approach him. Slowly yet steadily.Ā
āHere, let meā¦āĀ
And his breath catches, too, now, because youāre so close that he can see the droplets of water falling down your temple, so close that he can smell the vanilla in your shampoo and the detergent, something much more flowery he knows he could distinguish if your closeness did not turn his thoughts into mush, your shirt was washed with.
He finally nods, because he wants to and because he feels sorry that youāre still lingering cautiously out of kindness and consideration, and realises at the same time as you do that heās never been this close to you before. His hands hover uselessly by his sides, palms sweating an embarrassing amount, when your nails just barely graze his lapel.Ā
He tilts his head back, calculating the approximate amount of atoms existing in this 347 square-feet hotel room youāre in. Roughly an octillion, he guesses to himself, thirteen seconds later than it usually takes him to, at the same time as you lightly tug at his tie and announce his tie should be loose enough now.
Thereās a beat after he asses your statement, after he mutters the smallest of thank youās and you an even tinier of course, when he looks at you and swallows hard, and you notice the gold on the inside of his eyes. When you think youāre ready to put a word to that funny feeling that only gets funnier the more you realise heās him and you are you.Ā
Itās only a beat, and unsurprisingly, itās not enough.Ā
Soon enough, heās in the bathroom and youāre readying yourself for bed.
Thatās until you notice heās forgotten to pick up his nightwear.
Godfuckingdamnit.
Minutes pass when Spencer doesnāt resurface, when you hear the water turning on and off repeatedly, when you wonder if the universe has completely forsaken the existence of boundaries for tonight and for you two.Ā
For the third time, you refuse to let yourself be suffocated by some ghostly presence in this hotel room in Ohio, and so you walk to the en-suite and knock on the door before you can regret it.
āSpencer? You forgot to grabāā
āYeah. Yeah, I knowā¦ā He replies quickly, āI know but I canātāā
āStay there.ā You can hear his bewildered protests from behind the door as you rush to gather his things and grab a free chair, placing them neatly on it, before you knock to alert him. āIāve left them on a chair in front of the door for you. Iām going to make myself some tea so you can grab them. Is that alright?āĀ
Youāve already made your way to the kitchenette, having your back completely turned towards where the bathroom is, when you hear the door open and close approximately two seconds later.Ā
The door opens once more when minutes have passed, only now youāre sitting cross legged on top of the covers, a book and a notebook perched over your lap, and Spencerās fully clothed and ready for bed himself when his voice sounds, gentle and non-imposing, as he calls out your name. āDo you mind if we keep the door half-closed with the bathroom light turned on for tonight?ā
āOf course.ā You nod, barely looking at him from behind your mug in case youāre not meant to and for fear of screwing things up exponentially, āThatās alright with me.ā
You return to your notes as he makes his way to his bed, putting away his used clothes, scattered books, and case folders, before he walks to the kitchenette himself and pours a glass of water to drink.
āIs that your favourite?ā
You look up at him over your last-written sentence, brows furrowed in confusion. āMhm?ā
āThe song,ā He motions towards your phone on the nightstand next to you, āYou listen to it a lot.ā
āOhāOh, fuck. Yeah, sorry. Iāll turn it offā¦ā You reach for your phone and turn the music off quickly.Ā
āYou donāt have to. Thatās not why I mentioned it.ā He places his water on the nightstand next to his bed and takes his glasses off to wipe their edges clean from the bathroom steam and any traces of his fingertips having stained them before he washed them. āI donāt mind if you want to listen to it.ā
āOh no, thatās not necessary. I tend to listen to music when I write is all,ā You explain, clicking your pen and notebook shut.Ā
A strange tightness constricts between your ribcage at the sight of him in a strangely-patterned buttoned-up pyjama shirt, pants equally dark as yours, as well as his signature pair of mismatched socks youāre sure he has some kind of system for, a version of him so much simpler than the one youāre normally used to. Not even the harsh big light of the room can ruin the softness of him or taint him by its unfamiliarity. He is too honest for that. For the whole world, it seems to you, the more you study him going about his routine until he climbs onto his bed and you return to hiding behind your mug.
āSo⦠Is it?ā
You turn to look at him again, still confused.Ā
āThe song,ā He says, a hint of a shy half-smile playing at his lips.
āOh. Uhm, yeahā¦ā You glance at your phone, fingertips tapping at the porcelain of your mug, āI think it is. Or at least one of them.ā The small, acknowledging hum that he offers in response has your cheeks tingling with heat. āDo I really listen to it a lot?ā
Spencer presses his lips together, his skimming through the pages slowing down uncharacteristically.Ā
Your face warms up further. āHow many times?ā
He peeks at you out of the corner of his eye. You can tell that heās trying to asses whether the way his mind works has creeped you out, too, the way it has done all the other people he knows. Your tone, however, does not seem to carry any hints of sarcasm or hostility. On the contrary, youāre looking at him as if youāre genuinely interested in his answer, whatever it might be.
A silent beat passes before he gives in and offers you it.
āThis week? Seven.ā He scrunches his nose up, finally turning a page in his book. āIf youāre asking since I met you, it has been seventy-three. Well, seventy-four counting tonight.ā
A self-effacing laugh slips past your lips, āOkay, yeah, that is a lot.āĀ
āItās a good one.ā
You can tell heās holding back on more than just that and youāre, frankly, rather interested in hearing his opinion. You always are.
āHowever, the lyrics are quite sad,ā He starts, feeling the weight of your curious gaze where you settle against your pillows. āI mean, they are beautiful, but sad.ā
Itās the way that he says it, the way that it sounds as if heās talking about more than just a song, that causes something to flutter, to stir inside of you. The room feels too bright, suddenly. In a mystifying sense that has nothing to do with what cascades of light paint either of your edges from the tiny reading night-lamps above your heads. You feel as if heās trying to read you the way heās trying to read the pages of the book in his hands, an undecipherable-to-you French tome; one that carries signs of fervent wear, one which cannot hide how many times itās been chosen behind the fancy leather itās bound in. And yes, itās nothing new that Spencer pays attention. To anything and everything. Everyone knows that. Hell, it was one of the things that Hotch had told you differentiated him the most from every other person on the team, that first day heād briefed you in on them.Ā
But right there, right then, heās paying attention to you. To your choices and your habits. Youāre not used to that, youāre not used to the earnestness heās made out of. It threatens to suffocate you worse than any tension-filled silence has done so up until this point tonight.
Itās why you stand, why you strive to occupy yourself with sorting your belongings out and putting them back in your go-bag in an attempt to control your environment, the fragments of yourself youāve left unguarded.
Spencer is already cursing himself for being too much, for analysing what youāve allowed him to know instinctively for reasons that have nothing to do with your line of work. Itās true that at times itās hard for him turn his profiler brain off, like everyone else on the team does, but itās not that fact that has him craving this proximity with you. No, itās something different. Something eager to bloom, something unwarrantedly new. Something he both wants to accept and run away from.
And itās why he keeps talking, why he follows you with his eyes as you zip up your bag and tug your shirtās sleeves down and cling to your book with your finger tucked inside a specific page, too.Ā
āYou know,ā He begins again, evidently self-conscious. āStatistically speaking, the vast majority of people who listen to music to focus choose classical instrumentals instead of songs with lyrics that can be distracting. Alternatively, even ambient naturescape sounds do the trick, too.āĀ
If heās right in reading you now, youāre actually still listening to him, and he hasnāt screwed this (what he doesnāt have a name for, either) up.
āBut I do think that⦠uhm, that it makes sense youāre not part of that majority, though.ā
Or maybe he has just done so.
Your head tilts, glints of repressed fascination painting your gaze. āI think it makes sense that you listen to Mozart whenever you take a break, too.ā
Spencer shouldnāt be so taken aback that youāve managed to fluster him, that youāve turned the tables on him like this, but goodness, he is. He is because your observation drips of something he canāt quite pinpoint but that he can recognise lacks irony or malice. Youāre not judging him, youāre not making him regret the fact heās being seen the way almost everyone else has done since he was a child. It shocks him. It exhilarates him. It makes him feel like, maybe, right then and there, in your presence, heās not too much for what he chooses and what he likes.Ā
āWell, thatās notāā He really, really, really hopes his face doesnāt betray him as offensively as his lack of wit does. If it does, youāre at least kind enough to ignore it although your eyes are on him. Thatās a welcome reprieve for his sanity. āI guess I do find Mozart to be fitting for many occasions. Especially for when I need toā¦ā Forget. Ignore my mindās more of a prison than a haven. Donāt have to pretend Iām someone Iām notā āā¦decompress.ā
āYouāre right to.ā You offer after you finally decide to get under the covers, your book now open and partially obstructing him from your view. āAlthough personally Iāve always preferred Bach, if Iām honest with you.ā
You canāt see it but Spencerās half-smile takes on a prideful quality. One that says, that doesnāt surprise me. Itās borderline sinful how good being right about you makes him feel.Ā
In this stretch of unfamiliar silence littered with countless of questions and answers youāre both holding back from, while you struggle to make yourself as invisible as you can in shapeless clothes and carefully-curated nooks of sheets, Spencer realises that hiding yourself comes to you naturally, however much you may try to fight it. Youāre not a mystery. Youāre not even a paradox. Youāre a conjecture or what proof of it remains once the instinct of self-preservation kicks in. If thereās a solution to you, if there ever needs to be one, Spencerās certain that no oneās ever tried to understand you to get close enough to it.Ā
Itās not a conquest heās willing to set himself out on, he doesnāt see getting to know you better as a prize to be won. Heās not like that. This job has only proven it to him further. Instead, the fascination that heās drawn towards you out of lies in another truth; the fact youāre real. Tangible. Not asking, not seeking. Youāre unapologetically honest, even in the way you guard yourself.Ā
He admires that, admires you the more that he gets to pay attention to you. The more that you frown over sentences you deem subconsciously important enough to revisit. The more that your first instinct is to gravitate towards who the gun is aimed at than the one who is aiming it. The more that you choose the long way to and from somewhere than the surest well-known shortcut. The more that you crave the words than the setting defining a moment. The more that you only call him by his first name and the rest of the team by their last ones. Itās inconvenient and perhaps uncalled for but he doesnāt want to ignore it. His mind has been made up, he thinks, ever since the day he met you, and even more each day that passes.
He wants to understand you, so, is it really any surprise he cannot take being suffocated by that ghostly third presence in the room with you tonight, either?
āI guess that affinity for tragedy translates in your reading choices as well.ā
Unexpectedly, you laugh. Itās bright, sudden. Not soft, not this time. Most importantly, itās once again honest. As if youāve been expecting this, put the puzzle pieces in all the right places.
āAh, of course, Iāve given that away, too.ā You half-joke, peering up at him from behind the pages. āYou canāt have seen this one too many times at work, though.ā
āAre you asking me for a number? Because Iām not sure youād like the answer.āĀ
He teases back and the air shifts ā youāve led and heās followed.Ā
Damn you, Doctor Reid.
āHowever, itās not the number of times that has stuck out to me,ā He explains, unyielding. āItās the fact you usually seem to open it at a specific page. The part where he has her grave dug up, if I am not mistaken.ā He knows he isnāt. āOf course itās not the only tragic moment in the book but itās⦠more haunting than others.ā
āItās not the fact I reach for that page but the meaning behind it,ā You finish his thoughts for him. You close the book, tracing the cover of it almost chastely. āSo much for the moratorium on intrateam profilingā¦ā You surrender before he calls for it. You donāt see how you can outrun it, although passivity has never been your forte. Spencer doesnāt deserve the threatened outburst youād offer anyone else if theyād probed you this way. About this of all things. āYouāre right, itās a special one. It reminds me of my father.ā
Spencerās features drop. For someone whoās constantly being told heās not good at reading social cues, itās clear he understands heās got too close. āYour fatherāHeāā
āHeās passed away. Itās been a few years.ā
Good job, Spencer. Youāve definitely screwed this up. Forever, probably, the ghost in the room chirps from somewhere behind his shoulder, thriving.
āIām sorry. I didnāt mean toāā
āYou couldnāt have known, Spencer. Itās fine.ā Surprisingly enough, it is. You donāt threaten to break the way you have before. It doesnāt change when you look at him, hoping he doesnāt beat himself up over it. Thatād actually make you feel worse than him opening up a door he didnāt know what was behind unintentionally.
āPoint is, youāre right. Itās a special one. Not just the specific scene but the book as a whole. When I was a child, we used to spend every weekend buying books and reading them together. This was the first heavier read when Iād grown old enough and the one I turned to after I lost him. The graveyard scene hadnāt stuck out to me before but ever since I sawā¦ā Thereās that crack threatening your balance, the one that tells you to stop talking before itās too late. And while Spencer might not deserve to be punished the way others have, youāre at the mercy of self-preservation. And you stop. āAnyway, I guess I recognise the need to cling to whatās lost. To try to compensate with the past.ā
Spencer doesnāt think to do anything other than listen. Heās always been a good listener. Or so he wants to think. The team might agree. His mum would definitely agree. He listens because listening is the way to understanding. And if he understands, then maybe he can do something with the knowledge. Care for it, fight against it, offer it the space to exist in peace, love it.
He knows grief, can recognise it in practically every aspect of it. Heās grieved the healthy version of his mum that he never got to meet. Heās grieved his fatherās absence and the fact he never was enough for him to stay, to love. Heās grieved the life he saw other people his age living, knowing heāll never get to have it. In this job, heās grieved what people could have been had they got the help they needed, and heās grieved the loss of life to happenstance.Ā
Now, in this two-made-into-one bed in a dusty hotel room in Ohio, heās grieving for the loss youāve suffered and what itās made of you. It doesnāt matter that he never knew that young girl who spent her weekends reading books with her father. He knows you now and thatās enough.
āHe sounds like a wonderful man. Iām sure heād be proud of you.āĀ
Your reaction comes in a sharp inhale that, under these circumstances, this proximity, is impossible to miss.
When your eyes meet, you wonder just why it is that in opening up the way that you have to him, more than youāve done so in a long time, you donāt pity yourself. Why this vulnerability is vastly different than the one youāve been used to. Why it doesnāt feel like a knife lodged inside your chest but sunlight seeping through the crack between your ribcage and filling it up. Overwhelming, yes, but warm. Comforting, not threatening. Perhaps itās because of Spencerās kindness. Or perhaps itās because, for once, you didnāt do it as a transaction. You did it because you felt like it and because Spencer welcomed it.
At the same time, he ponders over so many other things he wants to say. That he can only imagine how hard it must be to live with a loss like that, to carry it with you. That itād be okay if you told him more and if you didnāt. That youāre strong even if you donāt feel like it, even if you donāt want to be, not all the time. That you took something awful and turned it into something beautiful; your time at the BAU has proven that already.
But he doesnāt.
Instead, he leans into that same discomfort that comes with being vulnerable about the past, if only to even the ground.Ā
āMy mother and I used to do something similar. She would read to me for hours upon hours growing up. Anything from poetry to philosophy to the classics,ā His smilechanges into a wistful, nostalgic one. āShe always said thatās the best way to learn.ā
āI think sheās right about that.ā
āProbably. Sheās right about a lot of things.ā
Spencer doesnāt talk a lot about his mother but from what you do know about her, you can tell she is the most important person in his life. He tries to write to her every day, has spent his few days off since youāve become part of the team travelling to see her, and can bring her up no matter the conversation topic. You already think itās sweet, but even if you didnāt, youād do now; seeing how his features soften, how his voice takes on an even warmer quality.Ā
āItās how I first read War and Peace and probably why Iām still so fond of it.ā
āI shouldāve guessed thatād be one of your favourites.ā You scoff lightly, āIāve never been able to actually get through it. I think the amount of praise for it compared to my experience reading through it has⦠confused me.ā
Spencer leans back against the headboard, his body shifting into a lying position. Heās immensely intrigued with the conversation, with you. āYou didnāt like it?ā
āItās not that,ā You shrug, āAs far as Iāve read, it did a good job at keeping me interested. I think itās sufficiently complex for all intents and purposes. Thereās depth to it ā the characters, the story, all of it ā and maybe itās the only kind that matters for a book like it. Maybe Iām just looking for more when thereās already enough.ā
Spencer mulls over your words in silence ā not unkindly, not at all ā but until you feel too scrutinised not to speak.
āIām probably not making any sense. Iām being too judgemental for not having finished itāā
āNo. Not at all, I donāt think you are,ā He is quick to reply, forcing his glasses back in their place where they have slid down. āI think I understand what you mean. And thereās obviously no right or wrong way to view literature or how you feel about it. But what exactly did you think it lacked?ā
āThe kind of omniscience that pulls you in before you realise it. One thatās more personal than detached, almost cynical.ā
His brow furrows, the meaning behind your words finally clicking. āMhm, so itās realism thatās not your thing, then.ā
āPerhaps not Tolstoyās kind.ā
āThat also makes sense.ā
Your book falls shut, abandoned somewhere close to the pillowās edge. Youāre beyond taken by this conversation ā both whatās being said and whatās not being said ā to continue reading. In reality, youād picked it as a shield, anyway. You donāt want to ignore him, you have to. You have to protect the walls youāve built around you a long time ago and that Spencer threatens to tear down just by existing. Itās a matter of self preservation, of not being seen in a way that leaves you stripped to the bones, bare with nothingness.Ā
But again, how he pulls you in is strange. Unfathomable. The need to be seen by him bites more, with sharper teeth, than the need not to. Because heās different. Made of gentleness and understanding and that fine-tuned capability for observation thatās not disruptive whatsoever.
āYouāre lucky Iām too exhausted to feel insulted by whatever that means, doctor Reid.ā
Youāre more so teasing him than anything else.
Spencer notices that, just like he notices the curiosity that remains unmissable in your tone. Just like he also notices the warmth that seeps across his skin at the sound of you calling him by his title.
āWhat I mean is that it makes sense you prefer Dostoevsky to Tolstoy,ā His smile turns into another prideful smirk when you blink up at him, doe-eyed and kind of flustered because he has once again seen right through you. āAnyone whoās more interested in why things happen would.ā
He makes a mistake in turning to look at you. Soon enough, his cheeks and the tips of his ears start to burn, tinting a bright shade of pink.Ā
It only gets worse when you ask what you do next.
āIsnāt that true for all of us in this job?āĀ
He doesnāt immediately respond. You shift closer to him, imperceptibly, lying on your side. Youāre more intrigued now than you were minutes before.
āFundamentally, I think it is. At the same time, Iām not sure whether that belief alone is enough. Not anymore.āĀ
Spencer doesnāt want to discourage you, thatās the last thing that he wants to do. Youāre new to this, newer than everyone else, including him. Youāre far from naĆÆve and youāre more than capable in all the right ways. An asset, if ever there was one. But heās seen it before, how thatās not enough to keep you holding on and how itās enough to break you if you let it. How the need to understand everything can become a weapon whose aim youāll be on the receiving end of sooner or later. How the ones you chase cannot be reasoned with, not always. Sometimes, heās come to learn, what matters is survival. Moving forward. Coming close enough to the point of no return and choosing not to slip into it.
āSometimes focusing on the why doesnāt matter as much as the fact that we canāt change whatās been done nor what weāre supposed to do about it.ā
In the back of his mind, a memory flashes. Him, on the floor of that hospitalās emergency department, a rifle pointed right at his head. How Hotch had to offer his inner turmoil on a silver platter to the unsub if they (and the hostages) were to make it out of there alive. How he had one chance for the killshot, and despite what he thought himself capable of, he achieved it. How the only thing that lingered afterwards was emptiness, not satisfaction. Despite Gideon claiming that not knowing what he felt and not feeling anything were completely different things, Spencer still ponders over whether that was true, more than he likes to admit.Ā
āYou also agree with Dostoevsky, then.ā You rasp out, begging to understand him like heās tried to understand you tonight. āOur worst sin is that we have destroyed and betrayed ourselves for nothing.ā
Spencer tries to be brave, tries to bare himself with the kind of honesty that youāll recognise. If nothing else because you deserve it. But something holds him back, and what you donāt know is that itās the very same thing that eats at you. The terrifying prospect of being stripped to nothingness, of being vulnerable in front of you and causing you to flinch.Ā
Perhaps once and for all.
So he keeps staring at the ceiling. Counts the dusty surroundings he fears will collapse beyond logic and reason, in the hopes that you will forgive him for being less brave than you have been tonight.
āNot as much as I do with Tolstoy, no. If we admit that human life can be ruled by reason, the possibility of life is destroyed.ā
You quirk your eyebrow at that, genuinely taken aback by his choice of quote. āWell, thatās definitely surprising. I thought you were a man of logic and reason, doctor Reid.ā
You do it again, threaten his worldview and his sanity by getting too close for comfort. The worst thing is that youāre right about it, right to think that if anything guided him in his life it was that.
Itās just thatā¦
Itās just that looking at you now, giving in to this strange, palpable intimacy youāve both been gravitating towards and away from all night, he realises that logic and reason couldāve never prepared him for what heās feeling. Whether he tries to ignore it or allows it to take a life of its own, he has absolutely no power over.Ā
Itās frightening. Itās revelatory. Itās like nothing heās ever known before and nothing like words on paper have ever elicited in him.
āBelieve me when I say, so did I.ā
Now, itās you whoās flustered. Itās you who thinks youāre slipping into an abyss you think is far too beautiful, far too impossible for you to witness. You cling to the fact youāre close to submitting to your exhaustion, that gentle haze of sleepiness thatās provoking you far too enticingly. You cling to it, because if you do, then perhaps you can wake up tomorrow and donāt think of it much. Leave it where itās meant to be left, blame it on this mocking choice of the universe thatās got you closer to Spencer on this Wednesdayās after hours.Ā
Itās nothing, it doesnāt mean anything, he doesnāt have to know. He will never have to know. I can be good at this.
But Spencer has one more thing to say.Ā
āBut the why doesnāt matter, not as much as the fact itās happened does.ā
And you do, too.
Something as simple and as unapologetically honest as, āI understand.ā
Spencer ignores how his breath catches at that very moment. How his pulse thunders across his body ā in his chest, in his throat, in his hands.Ā
He coaxes you into falling asleep, mentioning that itās getting late as if the very fact is a blessing and a curse at the same time. Youāve already follow his lead, nodding mindlessly where your face is half-buried against the pillows. Still closer to him than youāre meant to be.
Though he turns off his reading light, he doesnāt turn off yours immediately after. He indulges in the way the light dances across your features, how it smoothens your frown, how it lets your complex glow, how it lets his mind capture the sight and collect it ā for as long as he lives, he hopes, perks of an eidetic memory ā for his selfish, indulgent reasons.Ā
When he finally snaps out of it, freeing you from the lightās touch and his indulgence, the world tilts on its axis once more because he doesnāt pull his hand away fast enough.Ā
Your fingers brush against each otherās.Ā
Itās a shy touch. Unconscious on your part and what should just be a momentary response on his. But your fingertips curl around his, cradle them as fully as possible given their size difference, and Spencer feels as if heās felt the Sunās touch for the first time.
He wonders how something so brief can be so intimate, how it can be the answer to what he realised earlier tonight. Heās sure enough now, heās starting to understand. Understand why youāre so unapologetic about how you guard yourself, understand why you crave the words and the whyās, understand why you cling to what you know in a way that begs no question and offers many answers. No, thereās nothing paradoxical about you. Youāre not a mystery. Youāre lifeās most honest portrait in the brightest, sharpest colours. And what a pleasure it is to marvel at you.
Yes, heās glad for what has happened. Yes, he is starting to believe youāre right about the why mattering. No, logic and reason cannot adequately answer for the possibility of this, of you happening.Ā
Itās what both of you have realised tonight, that you have both been entirely unprepared for each other.
Itās hours later when Spencer lets go of your hand. Or you do his, more like. Heās relieved (it feels wrong to like something youāre not consciously aware of doing, although psychology would argue thereās a reason you sought him out) and disappointed at once. Misses your warmth even though he only knows the briefest example of it. Youāre closer to him than youāve ever been before once more tonight, and yet he knows this wonāt last, not really. He canāt believe heās more thankful for the shortage of single rooms available at this hotel in Ohio than heās been for something else in a long time ā be it the newly resurfaced episodes of Doctor Who or the new breakthrough studies theorising on how dark energy regenerates. Itās another selfish thought of his, he understands it well enough, but under this welcoming cloak of darkness, he feels safer than he has in a long time. He wouldnāt mind it lasting longer than it is physically possible.
But the world clearly works in rather funny, mysterious ways.
He realises it even more when heās given up on sleeping for longer than fifteen minutes at a time every past hour, when you somehow shuffle close enough to him where your beds meet, until your head is practically touching his shoulder.
Spencer doesnāt move when your warm breath hits his neck. Nor does he move when he feels you nuzzling your nose against his shoulder, your sharp inhale following his audible gulp because of your proximity.Ā
In a moment of bravery, he finds himself looking down at you. The moonlight that casts a shadow on your skin makes you look even more vulnerable than you probably feel, more vulnerable than he has, and probably will ever, see you again.
A stray strand of hair falls in front of your fluttering eyelids while youāre deep in a dreamful slumber.
He debates brushing it away. He really, really, wants to.
But he doesnāt.
He knows that he wonāt be able to calm himself down enough to drift off to a proper, restful sleep anytime soon, for fear that his tossing and turning, or even worse, one of his nightmares will disturb you.
And so he lays still. Moments pass like that, with his free hand toying with the covers next to him, his other resting over his stomach as your face ghosts over his shoulder. And thatās enough.
All of this is enough for Spencer.
Until his name slips past your slightly parted lips, and everything stops.
He swears that his mind is playing tricks on him. It would be far from the first time. Especially at such a late hour.
But it comes again, even softer now, and all he can do is move (as much as he can under the circumstances) just the tiniest bit closer to you.Ā
A silent gesture of reassurance, of comfort ā Itās okay. Iām here. Youāre okay.Ā
He doesnāt have enough time to freak out or overthink whatās happened before he somehow does fall sufficiently asleep, and when youāve both woken up, hours later, itās too late to restore any semblance of the atmosphere youād created last night. It was bound to happen, of course. All things honest and beautiful flourish at night, hidden away from the morningās intervention.
Surprisingly enough, the air lacks any tension as you both move around to respectively get ready. Itās incomprehensible how natural it all feels, you think, and so does Spencer, though neither of you could admit to it.Ā
Daylight glimmers through the curtains as Spencer peers at you over his folders where theyāre spread out on his bed, noticing you grimace at the coffee you tried to make for the both of you.
You curse under your breath, pouring the coffee down the sinkās drain, and Spencer doesnāt shy away from the idea that creeps into his mind then and there.Ā
Even if he wanted to, he canāt now that heās already called out your name, prompting you to look at him right as youāre about to start making a second serving.
He clears his throat. Twice. Then suggests, with all the timidness of a hummingbird thatās flying too close to glass. āWeāWe, uhm, have quite a bit until we have to be at the precinct. Would you⦠Would you like to get a coffee? I noticed a nice-looking coffee shop at the end of the street last night. I bet it has better coffee than⦠that.ā He finishes with a grimace.
Strangely enough, Spencerās braver now than he was last night. Because he doesnāt take his eyes off of you while he waits for a response. Itās not like heās asking for something indecent, right? Nothing⦠forward. Nothing that co-workers donāt typically do together.
His agony is short-lived compared to what he feared. Youāre smiling at him soon after you put the questionable mugs aside first, then do the same with the coffee pot, clad in ivory-white and midnight-black.
For the first time since he met you, he debates whether daylight is kinder to you than it has ever been on any other person he knows. Perhaps on anyone to ever live.Ā
āOnly if you promise to pitch War and Peace to me better than you did last night.ā
The green in his eyes sparkles when the light hits them just right behind his slightly askew glasses. He tugs on the edge of his polka dot-patterned tie where it falls at his lap.Ā
He stands, the manila folder he was holding falling close.Ā
Thereās no ghostly third presence in the room with you. Not anymore.
Itās just you, him, and the daylight thatās draping around the both of you in the form of halos which causes something to blossom.
okay iām gonna say it: fandoms are kinda dying on tumblr, and theyāre starving because nobody reblogs anymore.
like⦠i donāt wanna be that person but be for real?? likes are cute and all but they do nothing for creators. ZERO. NADA. a reblog is literally the oxygen mask keeping this blue hellsite alive. you say you āloveā a fic, an edit, a gifset? then BABES⦠reblog it. boost it. let it breathe.
half the time creators are out here pouring their entire soul, spine, AND three vertebrae into something just for it to get 200 likes and 3 reblogs, two of which are their own. thatās why people stop posting. thatās why fandoms feel empty. content doesnāt magically fall from the sky ā it comes from people who feel seen.
and i promise you: reblogging is free. it costs you like 0.2 seconds and suddenly youāre personally responsible for keeping a whole fandom alive. congrats!! so yeah. if you like something? reblog it. scream in the tags. yell. keyboard smash. put sparkles. do whatever. just donāt let creators feel like theyāre shouting into a void.
reblogs feed creators. reblogs keep fandoms thriving. reblogs literally save lives (okay maybe not literally but u get it).
support the creators you love !!!!!! or else weāre all gonna be sitting in empty tags like clowns.
(edit: put the typo in bigger so everyone can read and see better!!!!!)
you need to reblog art. you need to reblog fic. you need to reblog gif sets. you need to reblog headcanons and meta and theories. if you want fandom to survive, you have to do these things. start looking at the notes on the fandom posts that cross your dash and i guarantee you'll notice a massive disparity between likes and reblogs. you are consuming. you need to participate.
I donāt understand why people donāt reblog things on tumblr anymore
That is how you participate in fandom on this godforesaken website/app. By reblogging, not likes, REBLOGGING
What happened? Why has this changed that people donāt reblog stuff??? Genuinely want to know because people are very much using repost/share features on sites like IG and Bsky, but they are doing that less and less here where the site was literally built to function via reposts which we just call reblogs on tumblr.
Like I get that no one owes anyone āengagementā or whatever itās called these days - but this aināt about that. Itās about sharing our love for a thing PUBLICLY (dare I say socially) and hoping itāll find new people to also love it PUBLICLY. (Donāt get me started on my old man yells at cloud speech about fandom being privatized/gate-kept and hidden in discord servers)
Like what happened to unabashedly sharing interests? Putting stuff up on the tumblr fridge (via reblogs) that are basically saying āomg guys look at this amazing thing, I saw it and I wanted everyone else to see it so Iām putting it up on my tumblr fridge for you to see because itās amazing and I thought youād like to see it too and hey maybe you can take a copy (reblog from me) and put it on your fridge cuz maybe someone you know that I donāt know will want to see it tooā
i was going to add this to my tags rant, but actually i need to say it out loud:
if you privatize your enjoyment of fandom creations, fandom creators are going to start privatizing their creativity.
art will stop being posted. fics will stop being updated. blogs and ao3 accounts will disappear. some of these creatives will just start sending their works to people they know will enjoy them; others will stop creating entirely. and it will be because they got tired of being ignored in favor of secret little discord bookclubs and shunned to the hidden likes section on people's blogs.
the biggest contributors to this toxic fandom culture of apathy and selfishness love to point out that no one is owed engagement. you forget that you are not owed what you now call "content", and you will lose the things you enjoy because you refuse to be kind to the people who are making them available.
Why are you not re-blogging? You think the fandom is dead, that no oneās interacting anymore, no oneās doing anything, no oneās writing, no oneās posting. āEveryone was so hyperfixed on that character, Where is the writing?ā
People are writing. People arenāt reblogging. People arenāt giving some good feedback to motivate the writers that are putting their hard work, time, effort into making this piece that you were reading.
āoh, itās just too much work. You donāt wanna click that button and then click a few tags.ā Then youāre gonna have to suffer and not see a lot of writing from a lot of people because the only way this fucking app works is if you reblog.
I see so many pieces of work with 59 likes and 1 blog, I just saw one that had 690 likes and it had 9 reblogs. Even 1,000 likes and only 59 reblogs too. Itās devastating to see for the community of Tumblr. And Iāve been here for like five years, the way this app works is if you re-blog.
Thereās so many people that are writing. Thereās so many amazing things that I see and I try my best to reblog every single one that I read. Thatās what I love doing because sharing someoneās piece of work is just beautiful because it allows me to show it to more people.
I reblog. And the beauty of it is;
I get notifications that this person liked it and this person liked it, and then that post continues to get more views, more likes and reblogs. All just because one person, reblogged it.
so please, if you are a part of Tumblr and you love reading your favorite writers fics, or love reading about your favorite character, please do your job and reblog it.
And if you donāt like re-blogging because you donāt want to do that on your account, then you can make another account and put all of the things that you read on that account. You can do separate things, like fic recs.
You can figure it the fuck out if you want people to actually be writing for a character you love. The writers are writing, you aināt helping them share their work.
MAR. 26. INFJ. SCORPIO. SHE/HER. OVERFLOWING WITH WORDS AND YEARNING. S7!SPENCER SUN, PRE-PRISON S12!SPENCER MOON, S2 GLASSES!SPENCER RISING.
NEW TO A WRITING BLOG BUT NOT NEW TO TUMBLR, SPENCER REID/MATTHEW GRAY GUBLER/CRIMINAL MINDS, OR WRITING IN GENERAL. INBOX OPEN FOR CHATTING/FEEDBACK/HEADCANONS/OPINIONS/REVIEWS ETC.Ā
ā SEE BELOW FOR MASTERLIST/FURTHER INFORMATION:
All works will be Spencer Reid x fem!reader.
Angst, fluff, smut all to be expected.
This blog was intended as a museum of any and all of my writing, most of it will be self-indulgent. Feel free not to engage if it is not your cup of tea. Canon-compliant Spencer for the most part, but I do have one-sided beef with the CM writers about a handful of things. I am quite a romantic, so, most of my smut pieces will probably be, for lack of a better and more widely accepted online term, vanilla-coded. Tropes are not my forte, feel free to help me tag any disclaimers/include any specific tag in a fanfic.
Currently working through an already heavy draft/WIP list, we are about to see how that goes...
ā MASTERLIST:
the monkey-sphere
la petite mort
among the whisperings, the champagne, and the stars
Made this blog exactly one year ago today ā ten pieces and counting since then, I am so glad that I have built this little archive for my writing thanks to my love for Spencer š„¹š
Thank you to anyone who has ever supported any of my works, it means the world to me!
If you ever decide to take requests, I would love to see a fic exploring how Spencer might navigate intimacy post-prison, especially if heās in a long term relationship
No pressure ofc, just an idea!
Hello, anon! Thank you for the message/request š„¹
I actually have three WIPs that I am working on and going to eventually post that have to do with this general idea of post-prison!Spencer and intimacy (in a long-term relationship and not), one of which is coming very soon!
Just saw that slip into you, slip into me reached (and surpassed) 1K notes and I want to thank everyone who enjoyed it so, so, so much! I am incredible grateful for everyone who has taken the time to read my work and left a lovely note or shared it šā¤ļø
Not deadlines, per se, but I do try to keep a specific amount of time dedicated to every WIP. Usually around a week/ten days. But obviously, it also all has to do with inspiration, separate workload etc.
12. Favourite place to write?
If this is about where I write, I usually write in bed.
I, for one, love excessively long fics. Never change.
That means so much to me, I am glad that someone enjoys them as much as I do!
I feel like even if I wanted to change that, it would not be possible š
Thank you so much, anon š„¹
Is there any particular Spencer era/season you most enjoy writing? Also, does the era youāre envisioning influence how you write his character?
Hi, anon! Thank you so much, that means more to me than you could ever know š£ā¤ļø
Ironically enough, since I have only posted one story (and have only worked on one another so far) of it, it is season 7! It honestly has to do with the fact that it is my favourite season of his but also because there is a lot to analyse and work on given what happens in the season/what I envision beyond what we see.
I would say that it does since most of the differences are impossible to ignore when I mostly work with canon!Spencer in mind. Most of the time, while the mannerisms and the basic characteristics remain the same, the details have to change to accommodate each era!
Thank you for asking and thank you so much for complimenting my work!