𝗖𝗔𝗥𝗠𝗘𝗡 𝗚𝗨𝗧𝗜𝗘𝗥𝗥𝗘𝗭 丨𝘅𝘅𝘅vi. 𝘁𝗵𝗲 𝗴𝘂𝘁𝗶𝗲𝗿𝗿𝗲𝘇 𝗳𝗮𝗺𝗶𝗹𝘆. godfather. city council rep.
𝗮𝗯𝗼𝘂𝘁. 丨 𝗽𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁. 丨 𝗻𝗲𝘄 𝘆𝗼𝗿𝗸.
2025 on Tumblr: Trends That Defined the Year
Lint Roller? I Barely Know Her

No title available
RMH

Andulka
will byers stan first human second
art blog(derogatory)

Product Placement
One Nice Bug Per Day

⁂

if i look back, i am lost
No title available
Sade Olutola
DEAR READER

JBB: An Artblog!
cherry valley forever
Today's Document

titsay

Janaina Medeiros
YOU ARE THE REASON

seen from United Kingdom
seen from China
seen from United States
seen from Romania
seen from United States
seen from United States

seen from Germany
seen from United States

seen from Spain

seen from Singapore
seen from Spain
seen from United States
seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from Malaysia

seen from Malaysia
seen from United States

seen from Malaysia
@explosiives
𝗖𝗔𝗥𝗠𝗘𝗡 𝗚𝗨𝗧𝗜𝗘𝗥𝗥𝗘𝗭 丨𝘅𝘅𝘅vi. 𝘁𝗵𝗲 𝗴𝘂𝘁𝗶𝗲𝗿𝗿𝗲𝘇 𝗳𝗮𝗺𝗶𝗹𝘆. godfather. city council rep.
𝗮𝗯𝗼𝘂𝘁. 丨 𝗽𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁. 丨 𝗻𝗲𝘄 𝘆𝗼𝗿𝗸.
◟ * closed, to @explosiives. ↷ at: hotel calgarie's shitty bar.
* and it’s six types of fresh hell, signed / sealed / delivered in dingiest corner of new york that 𝚎𝚒𝚝𝚑𝚎𝚛 can muster: about as neutral as it can get, hotel calgarie is safe for this shit. whiskey burns, highway to HELL down the velvet of his throat, third one since he’s taken place at this 𝗀𝗈𝖽𝖿𝗈𝗋𝗌𝖺𝗄𝖾𝗇 𝗁𝖾𝗅𝗅𝗁𝗈𝗅𝖾 — and it begs the goddamn question, 𝐡𝐨𝐰 𝐝𝐢𝐝 𝐭𝐡𝐞𝐲 𝐠𝐞𝐭 𝐡𝐞𝐫𝐞 ? ( god, we were kids together. too young to know any better, us against the world ; misguided children, believing that 𝚆𝙰𝚁𝚂 could be fought with little more than puerile conviction. oh, how the world turns on that assumption alone … ) 𝗐𝗈𝗆𝖺𝗇 𝗈𝖿 𝗍𝗁𝖾 𝗁𝗈𝗎𝗋 takes her place at his side, + there’s a significant part of mournful spirit that still 𝖜𝖆𝖗𝖒𝖘 at the mere sight of her. “ cara mia, ” a wistful fondness in the way he greets carmen, murmured below the wheezy exhale of an air conditioner on its last legs, “ this isn’t where we dreamed of our first meeting. didn’t we always think of something better ? something that didn’t serve fuckin’ … jack as top shelf ? ”
With Katya’s return, Carmen agrees to meet on the neutral grounds of Hotel Calgarie. It’s a surprise in some ways. Carmen doesn’t think she’d ever see a Moreno caught dead in this place, much less grieve here. And what else is this supposed to be if not grief? Grief - not for the dead, but for the dying thing between them? Everything Carmen's conditioned to be screams that there is a weakness to exploit here, a throat laid bare for her to sink her teeth into - but as she slips into the seat across from Valentino, all Carmen can remember is that they were so young once, they’d made such a mess.
The air-conditioner is intrusive, nearly drowns out the serrated sobriquet. Cara Mia. His words are on borrowed time. In her youth she’d respond - Carino - a term only a few syllables different, now a lifetime off. Her fingers twitch. She needs a fucking cigarette. ‘How are you holding up?’ Sits on her tongue, never really leaves her throat. ‘Are you getting enough sleep? Enough to eat? Look at those bags under your eyes, death’s got you good.’ She knows these are all strange things to say when she’s ready to pick apart his empire bone by bone. But Carmen agrees, they certainly hadn’t imagined this.
“The price of neutrality these days is shitty Jack-” She says lightly, with almost sneer. “-Does the crown feel heavy yet?”
How does it feel? To lose a father, to inherit a throne, to wear a crown, and to maybe realize that the one promise you’ve always wanted to keep is the very one you have to break? Sometimes it feels like Carmen’s been waiting these last three years for Valentino to catch up with tragedy, with destiny - to find the red omen yarn she’s left him round the sharp corners of a stone maze. They’re old enough to know that whatever they had was never going to be enough to save them. (Carmen doesn’t break promises - except maybe this one.)
“I’m also told whatever’s on the bottom shelf builds character.”
Nevertheless, from her purse she produces a small black, gunmetal flask. She slides it across the bar towards him, knowing full well that this is the last time they break bread in this manner. It’s quiet here, with only them in this corner of the universe. For herself she pulls a cigarette from her pocket. She’ll be done with the pack by time this is over. She waits for him to speak.
・ ✦ ・ 𝐀𝐍𝐇𝐄𝐃𝐂𝐍𝐈𝐀𝐒 / * ( closed starter )
The Shinawatra family's holiday traditions always unfurl against a backdrop of upscale extravagance—be it a sojourn to a serene upstate ski resort for schmoozing with stakeholders, an exclusive holiday art exhibition at one of their opulent estates, competitive gift-giving among board members, or indulgent festive meals crafted by a lauded chef of the year. Anchali, having weathered the ordeal of a near-fatal gunshot wound, has excused herself from these elaborate celebrations.
Though repeatedly deemed a colossal mistake by her father, elucidating how she had found herself in the wrong place at the wrong time posed a daunting challenge, given the meticulously constructed façades the Shinawatras must uphold. Instead, she tightly clutches the gauze wrapped around her side, observing Carmen Gutierrez, who, wielding the very type of weapon that once imperiled Anchali, empties the clip into the firing range. The staccato echoes of bullets instill trepidation as Anchali, unable to take notes on Carmen's stance, posture, and form, watches with rapt attention. She's moonstruck, breath fully hitched, and eyes melting away at the scene.
The purportedly private shooting range, a prerogative of their association with The Godfather of a renowned family, isolates them from other visitors, offering a secluded space where their intertwined destinies linger. The twin-flame connection and codependency between the two persist, an unyielding undercurrent. With consternation etched across her brow, Anchali meets Carmen's gaze once the clip empties and bullet holes pierce the target. "Your proficiency is evident," she remarks, breaking the silence as she removes the earpieces safeguarding her from a potential blown-out eardrum. "Indulge my curiosity—how many people have you, with such skill, fired upon?" @explosiives
‘Why wasn’t there a gun on you? No, why the fuck wasn’t there a gun on you!’ There are plenty of reasons that Anchali provides as the bullet is fished out of her, pale on the medic's table, most outstanding and obvious being: ‘A C-suite executive just can’t go around packing heat, Carmen, despite what they let you do in City Hall -’
But Carmen doesn't bother to hear the rest. Doesn’t really care to. She believes that’s the sort of narrow-minded excuses that put people in the ground when Carmen’s quite resolutely decided that that doesn’t happen anymore. Death defiance is her highest form of arrogance and for a while now Carmen’s drawn a line in the sand against all natural order. She doesn’t let people die on her watch - can’t. So when a bullet buries itself into Anchali’s side, has her bleeding out on the some marble floor, the Godfather turns feral.
The shooting range is Carmen's idea of course, an immediate and necessary step when her fury is met with inadequacies. The stalls are made private, just for them. The gauze on Anchali’s wound is only freshly wrapped. (Carmen is still feral.) It takes an amazing amount of restraint on the Godfather's part to measure her shots for the demonstration, to not have each bullet kick the heel of the other as she fires them, one after the other. The glock is a tin can in her hand, held steadily and confidently- though she might actually be able to bring a tea to a simmer with the heat she’s palming into the handle.
“I need you to stop asking about my body count and focus. Are you paying attention?” She snaps, tempted to take Anchali by the chin and jerk her gaze to land on the target. “Your father wants you to shore up with one of your overseas accounts until you’re fully healed and I have half a mind to agree with him.”
That’s stupid, so stupid, for so many reasons. Carmen likes to keep that which is hers, close and, in general, she’s bad at sharing. Whatever anger displayed here is a drop in the hurricane in the absence of her oldest comrade. (Co-dependent some might say.) Still she bites out the words, throws them down like a threat. With Lev Moreno’s death in the rear view mirror, the night only gets darker from here. Anchali needs to fucking learn how to fire a gun. Before Carmen does something dramatic.
location : manhattan / closed starter for carmen g. @explosiives
— NEW YORK MADE FOR A GRIM VIEW atop their golden tower, where they stood by ceiling tall windows overlooking this kingdom of stone. Nose scrunched in disdain, body motionless with the elegance of a statue crafted by the goddesses; an exceptional creature above the ordinary and bland works of this city. Business, as feeble as it may seem, was invaluable to Katya — precious as the diamonds decorating their fingers. A talk they pushed far past what would have been acceptable had it been anyone else occupying the space left behind by the death of a father, grew only more beneficial given the circumstances. Yes, Katya could not avoid her forever, and it seemed appropriate their first meeting to be with her. A call from sir pulled Katya from their brooding, the elevator ride silent beside the breathing of their bodyguards. A show of power, frankly. Katya knew how to defend themselves well enough; the knife strapped to her thigh only one of the many weapons they hid. But the imposing figures following their every step gave them leverage in situations like this; out of their own domain, surrounded by people who didn't hold as much respect to them as they wished. Still, a smile graced their features when they made it to the meeting location, white suit shining under the white lights. " Carmen Gutierrez. What a pleasure it is to see you again, " voice velvet smooth as each syllable flowed out of their mouth, not a breath between the pleasant greetings and their next words, " I've been in New York for less than a day, and Andrew Fontaine has tried to arrange your demise three times already. I stopped answering my phone. " With ease, crossing one leg over the other, they sat on the pristine couch, raising a brow as they looked Carmen up and down. " I truly wish we were having this conversation under better circumstances, darling. I'm sorry about your father. " Heirs of an empire granted to them by death, perhaps finding common ground would be easier this time. " How are you finding ruling? Thrilling, isn't it? "
Katya enters the Manhattan highrise like a chess piece, well guarded, and in a diaphanous halo of a dress that earns an appreciative gaze from Carmen who has been left to wait in a polished suite. It’s been a little more than three years since their last meeting, and they’ve both only grown more poisonous since. “Look at you -“ Carmen purrs in dark delight, pushing herself off the railing of the balcony to move back into the inky interiors of the room, a viper moving through the grass “- with a whole welcome wagon just for me.”
And some welcome wagon it is. Carmen’s eyes flick one by one to the rooks flocked behind Katya. What were they called in large numbers again? Oh yes, a murder. It’s certainly cheeky little show piece on Katya’s part, because if memory serves her well (and Carmen likes to think she has quite a long memory for pretty things, longer for the deadly) there’s plenty tucked away and slipped out of sight on Katya’s person that could slice into a straying hand, cut into an offending figure. The bodyguards might as well be part of the decor - and Carmen wouldn’t enjoy this half as much if there wasn’t that sort of visceral danger wallpapering an already electric exchange.
She settles back into a leather seat as Katya does, kicking one boot over the other with streamlined elegance. There’s the need for some politicking when it comes to the other, but this is a suit Carmen wears well (though, again, not perhaps not as well as the marble silk Katya has slipped over that bowstring back.) The politician knows how to smile, knows Katya needs someone to wrestle for their attention between their teeth. Carmen is all too happy to provide. Maybe some things never change. The little tid-bid about Andi has her grinning cold and shark-like. “There he goes again, begging for my attention - he couldn’t be louder if he tried. Andrew Fontaine needs a real job. You’re more than welcome to tell him I said that if you end up taking one of his calls.”
If Andrew Fontaine wants to put a bullet in her, he better look her in the eyes when he does it. But that’s neither here nor there. What is both here and there is Katya returned. A curious thing, one Carmen is determined to get to the bottom of. There’s a prick in the hollow of her chest at the mention of her father, one she stifles, won’t let bleed.
“If there’s anything my father would want, even in the face of death, it’s to continue business as usual. Ruling is thrilling - and en vogue as I’m sure you’ve heard.” No doubt the news of Valentino’s installment into power has reached them; a crown handed down, the bloody business of it all. And is that why Katya’s here? Business or a vulture circling? “You’d make my day if you told me it was you behind Lev Moreno’s little fall.” This is said with another purr and Carmen leans forward. “Surely, you didn’t come all this way just to see me. We both know know how much you hate this city."
SCREAM VI (2023) dir. Matt Bettinelli-Olpin & Tyler Gillett
𝗟𝗢𝘊𝘈𝘛𝘐𝘖𝘕: outside the dive bar's parking lot, late night post fight. 𝗪𝗜𝘛𝘏: anyone it's an open starter baby !!
⠀#⠀ A HELLHOUND OFF THE leash, just for tonight. nothing but copper scraps and freshly earned bruises to call a reward. should be a real fuckin’ celebration to live and see another day, can’t help the anarchic nihilism that bleaches his outlook, ( childhood sun - stained bedroom walls and the notable cross shaped 𝐅𝐈𝐅𝐋𝐓𝐇 / this far in life, intwined anger and blood inside . . . call it a concrete revelation: you’re fucked, man. ) doors swing wide with a callous push, the tips of his nerves fading into dreaded obscurity. terrible, cheap liquor brings the best, impulsive ideas. and fuck, he needs to feel alive again ! “ c’mon, hit me. ” spoken as a sober thought, cacophony of limbs jolt with drunken brilliance, “ what, never punched a guy before ? shit, tonight's your lucky night, isn’t it ? so t'fuck you waitin’ for. hit me. ”
It’s a goddamn cliche to say that a Gutierrez will pick a fight wherever they go, which is why Carmen’s eyes almost slide over the tumult at the dive bar that upturns a table, sends a stein shattering. Fists fly like firecrackers popping off and its only seconds before security is swarming them. Vinnie - both the storm and the sea - gets his ass hauled out the back door and into the pitch of the alleyway. His opponent, out cold, doesn’t get the same treatment from his spot face down the ground. At most, he gets the careful consideration of Carmen avoiding his shoulders, catching his fingers, as she steps over him on her way out.
The streetlights are a return to normal. This dark is the irascible New York she knows - the landscape complete with Vinnie itching for a fight. Purple touches an eye as bruises bloom. Once upon a time Carmen would have joined in, gotten a little violent too. Responsibility's a plague.
She whistles - “What are we, a fucking charity? If you’re picking a fight, I expect you to be charging for it.” Far from reprimanding. This is her, opening the hellhound’s mouth to check its teeth. She holds up two fingers. “How many?” She wants confirmation that she doesn’t have to turn around and collect a pound of flesh.
bad bisexual representation is good actually
Moonstruck (1987)
[ @explosiives , gutierrez family home ]
"Carmen?" Delilah's voice is cool, almost disinterested as she calls out to the figure passing through the hallway. "Sit with me for a moment," she smiles, and it's phrased as a suggestion, though her daughter knows the truth by now. The blonde sets aside the brief she's working through, not really that important, and focuses entirely on the woman before her. "Please be careful today, darling. The Moreno death has the city on edge," that's putting it mildly, but Carmen knows her well enough to recognize the genuine concern under the icy facade. "I nearly had someone go collect Alexander, but he promised he was meeting you at City Hall after his exam today."
When Lev Moreno dies, Carmen’s chief of staff has a statement on Carmen’s BlackBerry in record time. Carmen’s week is spent with her face wreathed in a twisted sort of empathy, wringing the attention of cameras and assuring New York that a death like this means something here. (It does, but not in the way New York hopes. It does, cause Carmen's having a fucking party dancing on a grave.)
That morning she’s got another freshly printed statement between her nails when her mother catches sight of her. Carmen’s given up smoking in the public eye, which is to say: she practically chews through a pack of cigarettes under her desk everyday. Now a low haze hangs around the politician’s dark curls. She stops in the hallway.
“Mother,” Carmen croons with a sort of sharpness that translates to affection for a creature like her, “this is really fucking with my plans to fixate on the smear of blood in front of the Halcyon.”
Nevertheless, she supposes Delilah has to get something out of her system. Carmen accepts by dragging a chair to a window - so she can lean her head out and let the New York air kiss her. There’s little curl of smoke from her own lips in return. As she does, her mother’s concern unveils itself.
Carmen offers a languid wave of her hand to dissipate the well-measured worry, the smoke - all of it is as if to say ‘Alexander’s safe with me.’ He is. No place safer in New York than under the wing of a carrion vulture like Carmen, one that had a hunger for flesh and a long memory. “Collect? The kid’s going to rebel if you try to smother him.” Carmen warns lightly - even though Carmen is the sort to believe that all loved things should be kept in a box so they can’t be taken from you. Few things were worth loving with such violence in the first place.
pulp fiction (1994)
the way her outfit carried episode one.
Pulp Fiction (1994)