I’m talking about the individual US citizen’s deep fear, the same basic fear that you and I have and that everybody has except nobody ever talks about it except existentialists in convoluted French prose. Or Pascal. Our smallness, our insignificance and mortality, yours and mine, the thing that we all spend all our time not thinking about directly, that we are tiny and at the mercy of large forces and that time is always passing and that every day we’ve lost one more day that will never come back and our childhoods are over and our adolescence and the vigor of youth and soon our adulthood, that everything we see around us all the time is decaying and passing, it’s all passing away, and so are we, so am I, and given how fast the first forty-two years have shot by it’s not going to be long before I too pass away, whoever imagined that there was a more truthful way to put it than “die,” “pass away,” the very sound of it makes me feel the way I feel at dusk on a wintry Sunday… And not only that, but everybody who knows me or even knows I exist will die, and then everybody who knows those people and might even conceivably have heard of me will die, and so on, and the gravestones and monuments we spend money to have put in to make sure we’re remembered, these’ll last what — a hundred years? two hundred? — and they’ll crumble, and the grass and insects my decomposition will go to feed will die, and their offspring, or if I’m cremated the trees that are nourished by my windblown ash will die or get cut down and decay, and my urn will decay, and before maybe three or four generations it will be like I never existed, not only will I have passed away but it will be like I was never here, and people in 2104 or whatever will no more think of Stuart A. Nichols Jr. than you or I think of John T. Smith, 1790 to 1863, of Livingston, Virginia, or some such. That everything is on fire, slow fire, and we’re all less than a million breaths away from an oblivion more total than we can even bring ourselves to imagine, in fact, probably that’s why the manic US obsession with production, produce, produce, impact the world, contribute, shape things, to help distract us from how little and totally insignificant and temporary we are.
—David Foster Wallace, The Pale King
I've been reading The Pale King for a while. There's been much of the above. It's a Debbie Downer of a book. And, as a fan of Wallace, I feel like it's a slap in the face. Reading it is like hanging out with the guy who is sharp as a whip, but wastes his talents at being brilliant at nothing but making himself and others miserable. Here's where Wallace gets to me. And here's where he disappoints me, as well. I've been a huge fan of him and his writing for years. One thing I love about Wallace's fiction is the primary need for kindness in this miserable tedium we call our life. That's what fiction is for, he insisted. Fiction reveals to us that, though this life may be meaningless, what we do have is our story. And we are the main characters of our story. And since this story is all we have, it's up to us to make it a great one. It's up to us to be the hero, the one who is conscious of others and considerate and, above all else, kind. That to be petty and unkind was to make yourself the antagonist of your own story. It was to commit the writer's worst sin, to be self-consciously commonplace and uninteresting. That to, say, take every ordinary inconvenience and turn it into a personal insult (the lady taking too long in the shopping line, for instance) was to remain on an unenlightened, default setting. It was to deny your own humanness.
So, of course, I agree with Wallace in the above passage. Our lives are meaningless and insignificant and hopeless. But where I feel betrayed by Wallace is that he's come to decide to end the story there. To end with insignificance and emptiness. I feel betrayed because it was Wallace who taught me so well that even though it may be the darkest it's ever been, there must be an overwhelming sense of gratitude. Gratitude that we have what we have, meaningless and pointless and minuscule as what we have may be. That the point of reading and, most important, the point of a life well lived was to snap ourselves out of this default setting of pettiness and self-importance and see the jest of it all.
David Foster Wallace, for all he's taught me, finally betrayed himself. And it upsets me that he wasted his talent and remained in this brilliantly dismal mindset until his suicide. It upsets me to read someone whose writing I had so much respect for give up on what it was about his words that so inspired me: though it's all for naught there's always that question, to quote Infinite Jest, that has the potential change everything: "Yo, man. What's your story?"