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«كثرة الإيضاح تُفسد روعة الفن»

[speakingparts]

L'Apollonide (Souvenirs de la Maison Close) Bertrand Bonello, 2011

[vintagehomecollection]

The Floral Decorator, 1993

[vintagehomecollection]

The Fireplace, 1994

[vintagehomecollection]

Decorating with Pictures, 1991

[apisceslearnsart]

Francine Van Hove

[foxspit]

[lehooes]

leon möckel

[misscromwellsmonocle]

Iris (1990) by Claudio Bravo

[soniacaliani]

Iris Kæmpferi, 1896 – Kazuma Ogawa The J. Paul Getty Museum

[xanaxfarts]

Oyster Shell photo: Keith Wallis

[dozydawn]

Laetitia Casta for Jean Louis Scherrer HC SS 1999

[jareckiworld]

Francine Van Hove (1942-2025) — The Sphinxes and the Dictionary [oil on canvas, 1985]

[notbeingnoticed]

[trailofleaves]

“One can love her as something which, being earthly, can be destroyed, and is all the more precious on that account.”

— Simone Weil, The Need for Roots

[trailofleaves]

“You would not find the limits of the soul, though you travelled every road; so deep a logos it possesses.” — Heraclitus

[thoughtkick]

“Just because something doesn’t last forever, doesn’t mean it wasn’t meaningful while it did last.”

— Candace Bushnell

[heavenhillgirl]

Private Vices, Public Pleasures (1976), dir.  Miklós Jancsó