New furniture in an old Adirondack design, looking fresh and sculptural on the veranda, invites guests to slide back and relax over a dessert of fruit and sherry.
Formal Country Entertaining: At Home with Family & Friends, 1992
The Bowery Presents
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"

Andulka
Claire Keane
TMBGareOK. The Official They Might Be Giants tumblr

tannertan36

pixel skylines
noise dept.
No title available

izzy's playlists!
Fai_Ryy
Misplaced Lens Cap

oozey mess
PUT YOUR BEARD IN MY MOUTH

bliss lane
NASA
🩵 avery cochrane 🩵
occasionally subtle
Lint Roller? I Barely Know Her
seen from Indonesia

seen from United States
seen from United States

seen from Russia
seen from Brazil

seen from Colombia

seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Iraq
seen from Colombia
seen from Canada

seen from Colombia

seen from Spain
seen from Jamaica
seen from Ecuador
@vintagehomecollection
New furniture in an old Adirondack design, looking fresh and sculptural on the veranda, invites guests to slide back and relax over a dessert of fruit and sherry.
Formal Country Entertaining: At Home with Family & Friends, 1992
This collection of nineteenth-century vaseline glass catches the light and creates a lustrous pool of yellow-greens. The effect is enhanced by the subtle arrangement of yellow-green flowers: fennel, euphorbia and lady's mantle.
Color in Decoration, 1990
The principal colour in this room is an intense lime green, glazed and distressed. A paler version of it is used on the chairs and deeper, more muted shades in the other fabrics. The second colour used is the complementary. The bright pink in the curtains, the maroon cushion and deep lacquer-red Chinese cabinet give the room a lively character. Designer: Georgina Fairholme
Color in Decoration, 1990
Designer’s Guide to Surfaces and Finishes, 1984
The Good Housekeeping Complete Guide to Traditional American Decorating, 1982
Antonio de Garay, Antonio de Garay Arquitectos Asociados.
100 Designers' Favorite Rooms, 1994
Stainless steel is artfully shaped into an integral sink, backsplash, and countertop in this city kitchen. The nosing has a lipped, or marine, edge to contain drips. The concrete countertop divider is tinted a light green, and the plaster walls are soft yellow.
The Kitchen Idea Book, 1999
Stencilling - A Design and Source Book, 1987
The Cottage Book, 1989
The designers of this kitchen successfully and ingeniously utilized the major wall space for cabinetry, and they created substantial storage areas under the spacious countertops. All front elements are composed of fully rounded horizontal lines and coated with a durable, easily washable seamless material.
Beyond The Kitchen: A Dreamer’s Guide, 1985
At Home With Japanese Design: Accents, Structure and Spirit, 1990
Its clean, classic design blends the new garage with older surrounding farm buildings. The sandy driveway will eventually be paved with crushed stone.
The Backyard Book - Ideas and Resources for Outdoor Living, 1988
An old well house still holds the well, but it also holds new pool equipment. Because the shed is right next to the pool, summer paraphernalia can be quickly stored out of sight at the end of the day. The birdhouse is one of dozens collected by Raymond Gomez that can be seen on every building on the property.
The Backyard Book - Ideas and Resources for Outdoor Living, 1988
Houses Architects Live In, 1977
An experimental window turns from clear to opaque with the touch of a button. Within the next 10 years, window technologies like these will be commonplace.
The Not So Big House - A Blueprint for the Way We Really Live, 1998
The house of the future will feature art, craft, and design. We will make the house of the future uniquely our own, an expression of our true selves.
The Not So Big House - A Blueprint for the Way We Really Live, 1998
Blogger's note: Sadly, the future house does not go in that direction.
Intercepting the room's dominant vertical lines are the curved angles of the dining bank. Arranging furniture at an angle will soften a long, narrow room. The basically gray - with bright accents - color scheme includes the countertops and dining booth and table, and then continues up the stairs.
Interior Design On Your Own, 1986