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@theartofmadeline
The Stonewall Inn

Discoholic đȘ©
Fai_Ryy
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă

titsay
cherry valley forever
I'd rather be in outer space đž
Today's Document
Claire Keane
trying on a metaphor
Show & Tell
untitled
occasionally subtle
Mike Driver

#extradirty
Monterey Bay Aquarium
Noah Kahan
Sade Olutola
ojovivo

seen from Poland

seen from United States
seen from Netherlands

seen from Germany
seen from Brazil

seen from Bolivia
seen from Australia
seen from United States

seen from United Kingdom
seen from Vietnam
seen from Russia
seen from India

seen from Poland
seen from Australia

seen from United States

seen from Malaysia
seen from Iraq
seen from Spain

seen from United Kingdom

seen from Italy
@fadingstrangerken
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Lynette Yiadom-BoaykeÂ
The contemporary British portrait painter, Lynette Yiadom-Boayke, describes her work as ahistorical setting the tone within fictional scenes which are enhanced by the titles of each piece and city artist like Chris Offili and Lisa Yuskavage as influences on her practice. Loose gestural style was Boaykesâ label when constructing these depictions of people of color set amidst the muted backgrounds. As a black artist of Ghanian descent, Yiadom-Boakye has said that ârace is something that I can completely manipulate or reinvent or use as I want to.'' She also notes that the material and historical aspects of paint are essential to her practice. âThereâs something very particular to oil painting, especially. Itâs just very dirty, itâs very messy; it doesnât always do what you want it to do,â She explains. âIts fleshy and unpredicable- it has a kind of human quality to it.âÂ
Lynette Yiadom-Boayke was born in 1977 in London, United Kingdom, she studied at St. Martins School of Art and Design, Falmouth College Art in Cornwall, and finally received her MA from the Royal Academy of Arts in 2003. Today, her works are in collections of The Museum of Modern Art in New York, the Tate Gallery in London, the Museum of Contemporary Art in Chicago, and the National Museum of African Art at the Smithsonian Institute in Washington D.C. among others. Yiadom-Boakye lives and works in London, UK.
http://www.artnet.com/artists/lynette-yiadom-boakye/2
archive collection
1. 65 East 125th St., Harlem, 2001, Photograph shows two empty stores and storefronts, with renovation underway. Prints and Photographs divisionÂ
https://www.loc.gov/pictures/search/?q=vrg%2065%20East%20125th%20St&st=gallery&so=asc&sb=id
2. The Sooner Theatre in Norman, a suburb of the Oklahoma capital city of Oklahoma CityÂ
Highsmith, Carol M., 1946-, photographer;Â
 https://www.loc.gov/item/2020743838/
3. NE corner of Morningside Ave. at 383 W. 125th St., Harlem, 2005Â
4. https://www.loc.gov/item/2019631155/Â
Stairs. Veterans Affairs Building in downtown Washington, D.C.Â
5. National EnquirerÂ
https://www.loc.gov/collections/september-11-2001-web-archive/Â
6. Playwrights Horizons: SoundstageÂ
Playwrights Horizons is a New York City writer's theater that supports American playwrights, composers, and lyricists to produce new plays and musicals. Soundstage is a podcast created by Playwrights Horizons featuring newly written audio plays and musicals commissioned as a creative response to COVID-19.Â
1-3: I want to utilize the regular similarity that is already been there from 95-2016+ Using the regular uniform of Brooklyn everyday life through logo formulation/communication while still remaining sustainable, timeless, readible.Â
4: Random architecture moment: I asked myself what the meaning behind steel, metallic rails could represent in a Veterans Affairs hospitalÂ
5.-6: Web design using these portions of the web archive to understand government uniform with artistic concepts. Understanding how to translate a one instinct language between the maker vs the reader.Â
Vernacular Type
For this project, my statement of intent consisted of using shape and form using my âstudioâ type as a way to create movement from the âSâ to the â6â on the bottom. I purposely intended those two points of my piece to be the most distracting. Furthering, I also created value from shading in certain parts of the piece, the âSâ and the â6â mainly emphasizing this is where I want the view to approach first, before understanding what it is the image is trying to say. Most importantly, I introduced the use of positive/negative space allowing the pieces of the image to tell me where I should shade in and where I should let the negative space create forms of their own. Allowing me to end up shading the parts where the actual word âstudio 6â couldnât be flushed out with black marker.
I chose a few locations, some in Houston, some in San Marcos. All together I feel like the mood of where I chose typically were older buildings/shops because it felt personal, and the type introduced a different form that I am not used to seeing with design. It was nice to go back to the basics with older type styles rather than the regular minimalist type. Which isnât bad of course it was just nice to see something different while incorporating it in a modern way.
Balance, contrast, movement, and space
The only digital process I did was scanning my rough draft into the white 11x17 paper to check the scale of it as a bigger composition. After many tries with the printer, I ended up just leaving the empty shading as is and printed it with the blue paper. Then I suggested I go back and shade in with marker because I really wanted to express my intentions of using the negative and positive space in a way to create something other than âstudio 6.â Â
National Parks were around way before the management of various federal departments that we see today. Hot Springs, became a national park in 1921, and was originally made as Hot Springs Reservation in 1832, considerably the oldest in the National Park System. Yosemite originally transferred to the State of California as a pressure and public recreational area in 1864. Then became a federal park in 1890. The Antiquities Act of 1906 gave authority of the President to register historic landmarks, structures, and other objects of national importance as Monuments. For the next 100 years, U.S. Presidents saved over 100 sites under the same Act, the Antiquities Act of 1906.Â
U.S. Department of the Interior. (n.d.). NPGallery HFC Archive Asset Detail. National Parks Service. Retrieved March 29, 2022, from https://npgallery.nps.gov/HFC/AssetDetail/f6ac9086673f42ce886c35fa534573ce
color identity using color filters
yellow
a color walk
blues, red, white, brown, greens
greens, pastel greens, dark greens, woody greens, grass greens, green swing sets, green chairs
blues, dark blues, sky clear blues, blue signs, blue skies turning into white clouds
browns, ground browns, tree bark browns, tan buildings with brown trim
reds, red swings, red sunsets, pink sunset then creating orange, ferocious orange, red- oranges.
white, white clouds, white rocks, white pavement, greys, tans of concrete and buildings, white streets
I didnât recognize these colors as colors, I really recognized them as things first. The ground, the sky, and the buildings we see every day are all combinations of colors and those colors we resonate with every day. During the color walk, I really understood why those colors are the way they are, like the brown patches in the green grass from too much sun. Or the fading swing set that once used to be a bright, fruitful red changes to a mauve-y red after many different weather days. The brown wood chairs turning into a shade a grey from being in the heat all day. There are many contributions to these colors. I gravitated to the green swing-set it just reminds me of when I was younger and trying to race my mom to get play and beg her to push me higher so I could jump off.
An interesting example of a Surrealist object, compared with two different items that are usually opposed to each other. For Dali, Lobsters and Telephones produced a sexual meaning to Dali. The Lobster making many appearances in his drawings and designs as related to sexual pain and pleasure. During the 1939 New York Worldâs Fair, a multimedia experience called The Dream of Venus, which was a show where Dali had his models covered in fresh seafood. Photographed by Horst P. Horst and George Platt Lynes. Using the lobster as coverage for the womanâs sexual organs. Dali frequently represented food and sex as major pieces of his work. In this piece, Lobsters Telephone Dali positioned the crustaceanâs tail directly over the mouthpiece of the telephone. An interesting yet unique humorous way to express his sexual desires. Tate. (1970, January 1). 'lobster telephone', Salvador DalĂ, 1938. Tate. Retrieved February 24, 2022, from https://www.tate.org.uk/art/artworks/dali-lobster-telephone-t03257Â
color swatchesÂ
drowsy blue and warm redÂ
green
1. celery
The aftermath of drinking and smoking all weekend, I need a fresh and very simple drink that will rejuvenate my insides. Celery juice is perfect for that. I enjoy the process of juicing from chopping the celery to admiring the different ranges of green from the darker green of the top leaves, to the thinner amount of green inside the celery stick itself.Â
2. Starbucks strawÂ
Part of a morning routine, maybe disposable in the way I use my time, contributing to the mounts of waste already profiting on our planet. Although everyday waking up feeling the dread of not accepting where I am just yet. Using Starbucks to give me a reason to get up and start my tasks, or just allowing me to sit in my car and watch Houston traffic.Â
3. Galveston beachÂ
Big waves. Chicken salad sandwiches. Salt, a lot of salt. Salt water inhaled in my throat from the green water. Letting the waves take me so far away from the shore that I get scared and forget where my mom is set up, so then I paddle to the shore and get stung by a dead jelly fish on my way back. I feel my leg burning and I know something is not right I get on the shore and there are red slashes going through my leg. I tell my mom, but she thinks I am being overdramatic lol then tells me I have to pee on my leg.Â
4. laundry detergentÂ
Cleaning day. I throw all my dirty clothes in the wash for a good cleansing before the week begins. I admire the fragrance of the detergent that I probably put too much and then remind myself that this big jug cost me $25.00. I donât really care though because I enjoy the smell of laundry detergent. Sometimes I prefer it over perfume. I set a timer and come back to my once sticky clothes to fresh smells from the expensive green laundry.Â
5. dollar billsÂ
calculating, stress, depression, trade all of the things I think when I think of dollar bills. Calculating your finances, calculating how to get the next higher paying job, calculating your networking groups to give you all the secrets to the next biggest job, calculating how much this wedding will cost. How much to spend on food to get me to the 1st of the month. My mother leaving me with my aunt in 2nd grade to the military so I could go to a good university to make more money. Sacrifice. Pain.Â
6. oak trees
Louisiana, tall strong trees that have seen just about every bright and dark thing come through its way. Eerie swamp trees that fold onto the lakes near my nanas house. Excitement as a child running through the park with my cousin after my aunt and mom finish the picnic table. Lots of dirt and mud pies, hearing my cousin crying after she probably fell or something lolÂ
7. gumÂ
green extra gum. I usually get some after I drink coffee to help with coffee breath. or after I smoke. Itâs weird to notice how the taste of gum changes based on what you eat/do before or after.Â
8. bedsheetsÂ
green and white stiped sheets. morning breakfast. tobacco. the swinging chair of my upstairs neighborâs autistic son swinging on his swing attached to the balcony. When we first moved in, we found it extremely annoying lol but as time went by it became a soothing sound. Almost like an alarm clock and that I needed to get up and start my day. Saturday mornings. Watching Martin and cuddling until 3pm then deciding when to start on laundry? A very simple life that I miss so much.Â
9. green tea! matchaÂ
Matchaaa my favorite. but also, gassiness and bloating. sometimes a headache because the barista went a little crazy with the sweetener but also less intense than espresso. Long lines. My boyfriend telling me he never thought he would be waiting in a starbucks line going down the street lol! Then him asking why I wonât do curbside pickup. I donât mind waiting honestly. sippy cups over straws. I donât really understand what the difference is somehow it grosses me out that the sippy cup is so close to the hands but i donât care in the moment.Â
10. green peppersÂ
jambalaya, rice and beans, gumbo, okra and tomatoes. Warm warm food. Cornbread or rice! Onions, garlic and green peppers. A divine trio simply to make you happy and nothing else! My momâs rotten peppers in the fridge. Fighting with a stubborn cheap knife. stressing over olive oil or vegetable. convincing myself olive is healthier lolÂ
Visions inside the camera obscuraÂ
planning / final productÂ
Here are our plans with our obscura and how we intended to make this happen. We figured the most important things would be that the lens itself needed to retract back and forth, and the hole inside the box needed to be just big enough to be able to insert the lens as well as move it with the sunlight. Iâd say the easiest part was getting the box and making sure to secure the sunlight inside the box.Â
-What do you think our human desire to constantly capture experience is? In a deep sense? What part of our inborn nature is it touching?
I think experience is good to dwell on and thatâs what makes it so important to us. Being able to remember something gives us the pleasure to keep striving for better days.Â
-What do you find yourself constantly trying to âcapture?â Is it something ephemeral? What is it an attempt at?
I guess it is an attempt to create something pleasing to look at. Something that just gives comfort to the audience. A simple exciting moment of whatever it is that is being shown. Â
-What are the limitations of the camera obscura?
Versatility, inconvenience of carrying a box around, not as great lens quality like our phones. -Did you discover any analogue magic? Â
The image flipping upside down, seeing trees going against the wind.Â
-What shifted for you in terms of your ideas of looking?
I suggest I thought i was going to see a straight-forward picture, extremely clear giving the precise hole in the front. With the magnifying glass made it easier to understand what I perceived.Â
-Will this influence your interaction with movies/cameras/camera phones?
I sure do appreciate them more. The work that went behind creating the quality of photographs and film we have now is still something I canât completely understand. Knowing how our eyes connect with the images we see is very fascinating.Â
viewings inside camera obscuraÂ
Erwin E. Smith collection. Erwin Smith Collection: Photographs of American cowboy and ranch life, 1905-12 (Prints and Photographs Reading Room, Library of Congress). (n.d.). Retrieved February 14, 2022, from https://www.loc.gov/rr/print/coll/234_smit.htmlÂ
Photographs of the American cowboy and ranch life Erwin E. Smith, referred to as the most exciting cowboy photographers to live. His work mainly inspired by everyday cowboy and ranch life, capturing the simple moments of cowboy life that have now today symbolized the universal western cowboy type. Smith has photographed over 1500 photographic prints in the Prints & Divisions collection throughout the 20th century. What I found from this collection to intrigue me into posting it was how beautiful the scene is. Even without the modern buildings and shopping centers as we have in the city it is calming to see nature in the company of itself. As well as the way he is able to capture the entire landscape of this land, it really allows you to understand every little detail of the picture.Â