i don't do bad sauce passes
I'd rather be in outer space 🛸
we're not kids anymore.

祝日 / Permanent Vacation

pixel skylines
art blog(derogatory)
No title available
AnasAbdin

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ
$LAYYYTER
Cosmic Funnies

Product Placement

#extradirty
Show & Tell
"I'm Dorothy Gale from Kansas"

Kiana Khansmith

Janaina Medeiros
No title available
NASA
seen from Malaysia
seen from United States
seen from United States
seen from Australia
seen from United States

seen from United States
seen from Malaysia
seen from United States

seen from Estonia
seen from Belarus
seen from United States

seen from United States
seen from United States
seen from Malaysia
seen from Türkiye
seen from Germany

seen from Belarus

seen from T1

seen from Belgium

seen from United States
@fakerussianforu
I won’t hide it: I’m so unused to being — well, understood, perhaps, — so unused to it, that in the very first minutes of our meeting I thought: this is a joke… But then… And there are things that are hard to talk about — you’ll rub off their marvelous pollen at the touch of a word… You are lovely…
Vladimir Nabokov, Letters to Vera (1932)
he’s so relatable in this
A small bundle of flowers
A high-res downloadable version of this artwork is available here
Shop | Patreon | Instagram | Ko-fi
Perhaps, somewhere, some day, at a less miserable time, we may see each other again.
Vladimir Nabokov (via sunsetquotes)
溜め息混じりの言葉に頷き返す
reblog or fav if you save it
follow me on ig:@/lordfxxker
4. Alfred Woolmer
5. Georg Janny
6. Alfred Woolmer
8. Frank Bernard Dicksee
POC DISNEY PRINCESSES
Swedish actor Björn Andrésen, who, at age 15, played Tadzio, the symbol of mythic beauty and youth (and ultimately an angel of death) that obsesses Dirk Bogarde’s Gustav von Aschenbach in Luchino Visconti’s “Death in Venice” (1971), also appears in a significantly symbolic capacity in Ari Aster’s brilliant “Midsommar” (2019).
Female idols + vampire concepts (for anonymous) 🦇💉
all hail queen!
like or reblog for the sanity of us gays
Sarah Charlesworth’s The Arc of Total Eclipse, February 26, 1979 from the Whitney’s collection belongs to her series Modern History, which examines how photographic images function within the editorial practices of newspapers. For this work, the artist selected as her subject front-page coverage from locales across the path of the 1979 solar eclipse over North America. Charlesworth removed all written language except for the mastheads in her actual-sized re-presentations of these 29 newspapers. Although they represent the same spectacle, the images vary, as do their size and position, depending on the publications’ photographers and editors and on the relative importance of the unseen articles sharing the page. The result is a visual allegory of how varied media perspectives contribute to an understanding of the world. Charlesworth remarked: “The eclipse interested me metaphysically, because there wasn’t any single image that was consistent, or even any single point in time represented. Each town along the eclipse path had its own experience of the same event.”
Hang your head low. In the glow of the vending machine. I’m not dying
Linda Evangelista -
So, yeah, this is fucking Mads and Dancy kissing the fuck out of each other… and i NeeED to know, where does this come from!?!?!?!? Am i imagining things? pleASe Send HElp!!!!!