●CIRCULATING ROOST
SM(227×158mm)
2017
ojovivo

Kaledo Art
taylor price

JBB: An Artblog!
Game of Thrones Daily
Claire Keane
trying on a metaphor
One Nice Bug Per Day

⁂
"I'm Dorothy Gale from Kansas"
Sade Olutola
AnasAbdin

Discoholic 🪩
occasionally subtle

@theartofmadeline
Misplaced Lens Cap

oozey mess

if i look back, i am lost
Lint Roller? I Barely Know Her
KIROKAZE
seen from United States
seen from United States

seen from United States

seen from United States

seen from Malaysia

seen from United Kingdom

seen from United States
seen from Malaysia
seen from Germany

seen from United Kingdom

seen from Russia

seen from United States

seen from United States
seen from Vietnam
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@fancy-death
●CIRCULATING ROOST
SM(227×158mm)
2017
Another peek at one if the entomology specimens I made with @stipplepopshoppe for @designercon
#designercon #designercon2018
Day 9 | A Hidden Face
“The Seamstress,” Oil on Board. My finished piece for the @supersonicart #supersonicinvitational this year, opening tomorrow the 6th at @spoke_art in New York City :) please contact the gallery for inquiries <3
Mary Katrantzou S/S 2017
INORI (prayer)
Creative collaboration from @nobumichiasai, WOW Inc, Ishikawa Watanabe Laboratory and AyaBambi is a dance performance including realtime facial projection mapping:
Here is the Making-Of video, including details on the incredibly fast projector needed for this project to work:
The director, Tanigawa (TOKYO) made a proposal for the theme of “Life.” First, the soundtrack was composed according along the theme. The creative director, WOW’s Technical Director, Asai and the CG Director, Abe was inspired by the music and then made face mapping work. Aya Sato designed choreography. The crew of TOKYO, which Tanigawa directs, completed the project by making the video work.
The music brought Asai the image of “the radioactive.” The destructive force of the radioactive could cause “death,” “suffering,” and “sorrow.” And “prayers” could overcome them. These subjects infuse AYABAMBI’s powerful performance. Their performance crushes and conquer black tears, skulls and the Heart Sutra. We built up the concept during the production and Abe designed animation for face mapping.
There was a big challenge in technical aspects. We realized the new mapping system that allows us to follow intense performances by using the latest 1,000 fps projector, DynaFlash and a super speed sensor. It is very new and it had not been done before. Projected images become part of their skin and they transform their faces.
At the beginning of our development, there was an issue, AYABAMBI would loose freedom of performances if we accelerated the tracking speed. Asai, Yoshimura (WOW), Lecturer Watanabe and Teshima (EXVISION) explored how we could keep the tracking speed securing the freedom of performances, taking three months of trial and error to reduce a few milliseconds. And we finally developed this system.
More Here
@pyrrhics
Kim Se Hee by Hong Jang Hyun for Vogue Korea Aug 2016
📷 by @namhuynhx 🔥 (at 동대문디자인플라자 DDP)
I LOVE I 我愛我 by johnyuyi 201606
Name - Tokyo Spring 2017
https://instagram.com/p/BQeIgMBlcDP/
Johannesburg, Elsa Bleda
Yura
Digital Artist:
Christopher Newman
“Space Pirate”
https://viviphyd.artstation.com
Undercover fall 17
textures & details