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d e v o n
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@farscapefridaypodcast
Life got busy so I haven’t been keeping up with episode and gif posts recently but I’ll get back to them after the new year.
All episodes are available at our site: https://farscapefridaypodcast.simplecast.fm/episodes
We also have an archive links on Dreamwidth: https://farscapefridaypodcast.dreamwidth.org/
And we have a quiet presence on Twitter: https://twitter.com/farscapefriday
As always, you can get in touch with us at [email protected]
-Taz
Farscape rewatch: DNA Mad Scientist
John “Hearteyes” Crichton and the way he looks at Aeryn Sun
Farscape rewatch: Exodus From Genesis
Farscape: Exodus From Genesis
Farscape rewatch: The Flax
While teaching John to drive, Aeryn and he get stuck in a space net called "the Flax". D'argo and an ex-pirate go into the Flax looking for them while Rygel gambles with the captain in charge of the Flax. Kay and Taz discuss UST, Rygel's canniness and D'argo's connection to ancient Luxan ships.
Stanz’s ship is super awesome, Rygel is smarter than they give him credit for and Kay and Taz lose their minds over how adorable John/Aeryn is.
Farscape: Season 2 + red
I’ve been trying to think of a quick way to summarise why Farscape still hits me so much harder than other shows, despite the fact that there are “objectively better” sf shows out there nowadays in this age of prestige television. It’s surprisingly difficult to pin it down, though.
It definitely had good writing, a lot of the time - and astonishingly great writing occasionally, certainly more frequently than most other shows. It had great acting from all the main cast, and from many of the guests. Fantastic practical effects, of course (this was the Henson Company, after all!), and CGI that still, mostly, holds up better than anything else from that period (and even many things more recent). It had consistently inventive, intelligent direction from a rotating crew of directors, many of whom had cut their teeth on motion pictures. It had some of the boldest, most surprising, yet consistent character development I’ve seen on TV, and it had what’s still, probably, the best romance ever seen on science fiction television.
Yet I suspect none of these, and not even the sum of these, is the main reason for my continued love of this show.
Farscape felt - still feels - so much more alive than any of its contemporaries - and, for that matter, than any latter-day stuff I’ve seen, too, no matter how polished, complex, and well acted. It had enormous amounts of heart.
It felt, and feels, like so much more than the sum of its parts.
Maybe you really can sense it when all the people who worked on something really, truly loved it.
Farscape holds up incredibly well, and agreed, it’s got so much much heart and love embedded in every episode.
Claudia Black
reservoir harvey
John and Aeryn get trapped in a one horse town with bounty hunters out for the crew's blood. In Farscape's version of a western, D'argo and John finally work out some of their issues and the best side character is introduced.
Farscape’s western has John and Aeryn playing Butch and Sundance, D’argo mad, Zhaan photogasming, and wormholes around every corner.
Farscape: Pilot in every episode — I, E.T.
