PETAK, 22:06 - Opet ti
"May I go now?"
Misplaced Lens Cap
AnasAbdin

titsay
NASA
let's talk about Bridgerton tea, my ask is open

oozey mess
Jules of Nature

roma★
trying on a metaphor

Janaina Medeiros

blake kathryn

Kaledo Art
Stranger Things
"I'm Dorothy Gale from Kansas"
Sweet Seals For You, Always
Cosimo Galluzzi

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Xuebing Du
tumblr dot com

PR's Tumblrdome
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@fayeog
PETAK, 22:06 - Opet ti
"May I go now?"
lando: revin n ramen
MY DEMON 마이 데몬 2023, dir. Kim Jang Han & Kwon Da Som
“I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.”
Richard Siken (Editor’s pages, The Long and Short of It)
DAISY JONES & THE SIX ↳book > screen
GRAHAM: I stepped right into her room, I shut the door behind me, and I grabbed that woman and kissed her good.
You don’t usually wake up in the morning and think, This is going to be one of the most exciting days of my life. But that day was. That day with Karen…that was one of them.
Tell me that there’s nothing going on between us. Tell me that this thing, that the way I feel, that this is in my f*cking head… DAISY JONES & THE SIX — Track 6: Whatever Gets You Thru the Night
blocked and unfollowed sucked and swallowed i don’t care. i don’t care
RILEY KEOUGH as DAISY JONES in DAISY JONES & THE SIX
ainslie hogarth motherthing
kofi
at times when hope is too big of a thing to have, curiosity (even clinical or small) is a very good placeholder
*
mortifying ordeal, etc. 🕊
(claire schwartz / coco mellors)
white oleander (2002) dir. peter kosminsky
Mary Oliver, “Something.” Why I Wake Early
Rebecca Solnit, Hope in the Dark
New years resolution