[vintage-sweden]

Adéle Mickelsson, Sweden.

[unjouruntableau]

Pablo Picasso - Tête de femme, 1924.

[historical-nonfiction]

A Tokyo-Sendai night train, 1964, Japan.

Photograph by Nicolas Bouvier.

[velvetcloak]

david koma | fall 2019

[stimman4000]

[11990904]

[arielcalypso]

Making of Anti.

[aberrantceramics]

HANGED MAN Tarot Card

[oldlawrence-blog]

[jennaguillaume]

my writing process

[memoryslandscape-deactivated202]

“All I do is lose my way. But I have a chance to find myself again if I keep retracing my footsteps, instead of taking the first step, if I return to the explosion of the first image, there where words express nothing but light. I find myself again, and understand myself only where words, faces, figures, walls, myself are no longer to be understood, where sounds are strangers and strange, with meanings dislocated by a very powerful light in which definitions and forms melt, like the shadow that makes light disappear. It is from this silence that speech is born again.”

— Eugène Ionesco, from Present Past / Past Present, trans. Helen R. Lane (Da Capo Press, 1998)

[last-picture-show]

Francis Schlowsky, Les Jumelles et Degas, 1990

[deactivated-102479239856294-dea]

[nobrashfestivity]

Salvador Dali, The Phenomenon of Ecstasy, 1933

Photo Collage

more

[pragmata-gallery]

“Summer Seeds”

Takada Kae ceramics exhibition

高田かえ　個展

[skullofjoy]

Fuyuko Matsui - String figuring woman 

[histoire-d-elle-deactivated2021]

Ph Margrethe Mather