Pierre Jahan, Workers at The Louvre, Paris, 1947
RMH
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@last-picture-show
Pierre Jahan, Workers at The Louvre, Paris, 1947
Egon Schiele, Häuser am Fluss ( Die alte Stadt), Houses on the River (The old City), 1914
/ Alexander Rodchenko, Portrait au Flacon, 1930
We don’t see, what we observe. We don’t see, what we look at. We don’t see the extraordinary perspectives and the shortenings of objects. We, who have been taught to see ordinary and educated, we need to rediscover the world of visibility. We need to revolutionise our optical cognition. We need to tear off the veil in front of our eyes, which is called from the navel. - Alexander Rodchenko
Franz Marc, Postcards:
- Two Foxes, To Albert Bloch in Munich, 4 February 1913
- Two Sheep, To Wassily Kaninsky in Murnau, 1 May 1913
- Two Lying Black Cats, To Erich Heckel without Date
- The Tower Of Blue Horses, To Else Lasker-Schüler, December 2012
- Black Cow Behind A Tree, To Elisabeth Marc, 21 May 1913
- Three Horses in Landscape with Houses, To Paul Klee, 8 November 1913
- Two Cats, To Lily Klee in Munich, 6 March 1913
- Four Foxes, To Wassily Kandinsky in Munich, 4 February 1913
Chip Willis, Kelsey Dylan
/ Marcel Duchamp, Minotaure No. 6, 1934
/ René Burri, Souvenirs, The Acropolis, Athens, 1957
Egon Schiele, Street in Krumau, 1917
/ Lisa Larsen, Manhattan, 1951
Literature is the most agreeable way of ignoring life. - Fernando Pessoa
Wassily Kandinsky, Black Circle, 1924
Herbert Tobias, Paris, 1952
Brassai, Le Chat, Paris de Jour, 1945
National Association of Audubon Societies for the Protection of Wild Birds and Animals Audubon Society, Bird Lore, 1899
Vilhelm Hammershoi, Interior of Courtyard, Strandgade 30, 1899
Ralph Gibson, Syntax, 1974
Arthur Tress, Agra, India, 1966
Andre Steiner, Fille sur une Balancoire, 1934