last picture show

At the entrance are still tickets. Only the prices there are no longer correct. The prices never hold up to the last.

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/ Alexander Rodchenko, Portrait au Flacon, 1930

We don’t see, what we observe. We don’t see, what we look at. We don’t see the extraordinary perspectives and the shortenings of objects. We, who have been taught to see ordinary and educated, we need to rediscover the world of visibility. We need to revolutionise our optical cognition. We need to tear off the veil in front of our eyes, which is called from the navel. - Alexander Rodchenko

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Franz Marc, Postcards:

- Two Foxes, To Albert Bloch in Munich, 4 February 1913

- Two Sheep, To Wassily Kaninsky in Murnau, 1 May 1913

- Two Lying Black Cats, To Erich Heckel without Date

- The Tower Of Blue Horses, To Else Lasker-Schüler, December 2012

- Black Cow Behind A Tree, To Elisabeth Marc, 21 May 1913

- Three Horses in Landscape with Houses, To Paul Klee, 8 November 1913

- Two Cats, To Lily Klee in Munich, 6 March 1913

- Four Foxes, To Wassily Kandinsky in Munich, 4 February 1913

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Chip Willis, Kelsey Dylan

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/ Marcel Duchamp, Minotaure No. 6, 1934

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/ René Burri, Souvenirs, The Acropolis, Athens, 1957

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Egon Schiele, Street in Krumau, 1917

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/ Lisa Larsen, Manhattan, 1951

Literature is the most agreeable way of ignoring life. - Fernando Pessoa

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Wassily Kandinsky, Black Circle, 1924

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Herbert Tobias, Paris, 1952

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Brassai, Le Chat, Paris de Jour, 1945

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National Association of Audubon Societies for the Protection of Wild Birds and Animals Audubon Society, Bird Lore, 1899

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Vilhelm Hammershoi, Interior of Courtyard, Strandgade 30, 1899

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Ralph Gibson, Syntax, 1974

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Arthur Tress, Agra, India, 1966

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Andre Steiner, Fille sur une Balancoire, 1934

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Vincent van Gogh: 1. View of the Roofs of Paris, 1886; 2. Bridge and Houses on the Corner of Herengracht-Prinsessegracht, Den Haag, 1882

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Bernardo Bertolucci, Eva Green as Isabelle in “The Dreamers”, 2003