Pierre Jahan, Workers at The Louvre, Paris, 1947
Cosmic Funnies

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ojovivo

Product Placement
2025 on Tumblr: Trends That Defined the Year

ellievsbear

❣ Chile in a Photography ❣

if i look back, i am lost
I'd rather be in outer space 🛸
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
macklin celebrini has autism
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The Stonewall Inn
Lint Roller? I Barely Know Her
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RMH

Kiana Khansmith
almost home

blake kathryn

seen from Russia

seen from India
seen from Germany
seen from Vietnam
seen from Jamaica
seen from Oman
seen from Spain
seen from Bangladesh
seen from Bangladesh

seen from Colombia
seen from Malaysia

seen from Australia
seen from United States

seen from United States
seen from Malaysia

seen from Türkiye

seen from Israel

seen from Saudi Arabia

seen from United States

seen from Ecuador
@last-picture-show
Pierre Jahan, Workers at The Louvre, Paris, 1947
Egon Schiele, Häuser am Fluss ( Die alte Stadt), Houses on the River (The old City), 1914
/ Alexander Rodchenko, Portrait au Flacon, 1930
We don’t see, what we observe. We don’t see, what we look at. We don’t see the extraordinary perspectives and the shortenings of objects. We, who have been taught to see ordinary and educated, we need to rediscover the world of visibility. We need to revolutionise our optical cognition. We need to tear off the veil in front of our eyes, which is called from the navel. - Alexander Rodchenko
Franz Marc, Postcards:
- Two Foxes, To Albert Bloch in Munich, 4 February 1913
- Two Sheep, To Wassily Kaninsky in Murnau, 1 May 1913
- Two Lying Black Cats, To Erich Heckel without Date
- The Tower Of Blue Horses, To Else Lasker-Schüler, December 2012
- Black Cow Behind A Tree, To Elisabeth Marc, 21 May 1913
- Three Horses in Landscape with Houses, To Paul Klee, 8 November 1913
- Two Cats, To Lily Klee in Munich, 6 March 1913
- Four Foxes, To Wassily Kandinsky in Munich, 4 February 1913
Chip Willis, Kelsey Dylan
/ Marcel Duchamp, Minotaure No. 6, 1934
/ René Burri, Souvenirs, The Acropolis, Athens, 1957
Egon Schiele, Street in Krumau, 1917
/ Lisa Larsen, Manhattan, 1951
Literature is the most agreeable way of ignoring life. - Fernando Pessoa
Wassily Kandinsky, Black Circle, 1924
Herbert Tobias, Paris, 1952
Brassai, Le Chat, Paris de Jour, 1945
National Association of Audubon Societies for the Protection of Wild Birds and Animals Audubon Society, Bird Lore, 1899
Vilhelm Hammershoi, Interior of Courtyard, Strandgade 30, 1899
Ralph Gibson, Syntax, 1974
Arthur Tress, Agra, India, 1966
Andre Steiner, Fille sur une Balancoire, 1934