& & &

[bwayboundicons]

It changed the meaning, did you intend this? **Please reblog if you use**

[lamsandmullettetext]

Angelica: *put two breads on both of Alexander’s ears* What are you?

Alexander: An idiot sandwich.

Angelica: A FUCKING IDIOT SANDWICH WHAT!!!!

[aesthetically-meee]

“…don’t. i’m not naive, i have seen women around you.” first burn, lin manuel miranda

[halbarryislife]

Congratulations // First Burn

[jennifero77-deactivated20210125]

so i stood by…

[dearest-comma-angelica]

Do you know what Angelica said, when she read what you’d done?

[royalarmyofoz]

ANGELICA + ALEXANDER

[royalarmyofoz]

[dearest-comma-angelica]

Laughing at my sister, cause she wants to form a harem. I’m just saying if you really loved me, you would share him. 

[dearest-comma-angelica]

And that’s the thing about illicit affairs And clandestine meetings and longing stares It’s born from just one single glance But it dies and it dies and it dies A million little times

[noootviolet]

Your enemy whispers

So you have to scream 🎶

~ Lyrics from First Burn ~

[dearest-comma-angelica]

I know you’re very busy, I know your work’s important, but I’m crossing the ocean and I just can’t wait. You won’t be an ocean away. You’ll only be a moment away.

[fgadfanpage]

*＊✿❀ DANCE LA ESMERALDA ❀✿＊*

The Hunchback of Notre Dame (1996). Dir. Gary Trousdale & Kirk Wise.

[royalarmyofoz]

ANGELICA + ALEXANDER

[tesb]

I remember that night, I just might Regret that night for the rest of my days I remember those soldier boys Tripping over themselves to win our praise I remember that dreamlike candlelight Like a dream that you can’t quite place…

Renée Elise Goldsberry as Angelica Schuyler in Hamilton (2020)

[shangschis]

AMERICA’S FAVORITE FIGHTING FRENCHMAN!

[carlaconnors]

“By implicitly equating Eliza’s acts of narration with [Hamilton’s, Lin Manuel Miranda is] acknowledging the women who built the country alongside the men. You’re left wondering whether the “Hamilton” of the title isn’t just Alexander, but Eliza, too.” – Michael Schulman (The New Yorker)