QUICKSAND

An imperfect, withdrawn windmill and the ceiling gets closer to me all the time.. Self-intoxicating, ambiguous & so on. Or else.. fiction-worthy wind. FROM.THE.MOTE.OF.THE.DAY.

[leben-bleibt-wirr]

[leben-bleibt-wirr]

Nannimensch/ side project Jurljin https://jurljin.tumblr.com

[leben-bleibt-wirr]

[bookoffixedstars]

Achille Orellana (1932-2005) - The dancer Rocio Rovira with cast from “Cataplúm o de cómo aprendí a reirme de la historia y a no tener miedo a los bandidos” (Catapult or how I learned to laugh at history and not be afraid of bandits), a pantomime by Teatro de Mimos de Noisvander, Santiago de Chile, 1966. Biblioteca Nacional de Chile.

source

[glazedeye-s]

memories warm you up from the inside... but they also tear you apart — haruki murakami, kafka on the shore.

[janasojka]

Box with my photographs and poetry.

[jack-of-all-identities-deactiva]

Self Portrait with Death Playing the Fiddle (1872) - Arnold Böcklin (Swiss, 1829 - 1901)

[dolstoi-deactivated20231210]

[newvision]

— The Picture Of Dorian Gray, Oscar Wilde

[sentimentalbot]

— Liv Ullman, from, “Changing,” originally published in 1976

[gregorygalloway]

Dora Maar (born Henriette Theodora Markovitch, 22 November 1907 – 16 July 1997) was introduced to Pablo Picasso by Paul Eluard in 1935. While she was an accomplished photographer and painter in her own right, she is best known as the subject of numerous Picasso paintings, until their relationship ended in 1944.

[sorrysomethingwentwrong]

Dora Maar, Sans Titre (Main-coquillage), 1934 

© VG Bild-Kunst, Bonn 2011 © Kunstsammlung NRW

[gacougnol]

Dora Maar Nusch Eluard 1932

[hauntedbystorytelling]

Dora Maar :: Meret Oppenheim, 1936. Courtesy Levy Galerie, Hamburg. | src  Le seduzioni della fotografia (The seduction of photography) at l'œil de la photographie

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[altered-statuses]

Be Here Now by Ram Dass (New Mexico: Lama Foundation, 1971)

**Check my mixes of vintage N E W  A G E  M U S I C here***

[chewmark]

[danismm]

Melnikov House, Moscow 1930. Arch. Konstantin Melnikov.