My show, UNSTOPPABLE, is still up at the INCA artist space and will be up until January 22nd, 2016. Viewing hours are Wednesday-Saturday 3-7pm, Closed: 24,25,31 December and Jan 1st incainstitute.org/unstoppable/
NASA

❣ Chile in a Photography ❣
RMH
noise dept.
taylor price
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#extradirty

Origami Around
Cosimo Galluzzi
$LAYYYTER
occasionally subtle

PR's Tumblrdome

Jar Jar Binks Fan Club

oozey mess
cherry valley forever
official daine visual archive
macklin celebrini has autism
No title available
Game of Thrones Daily
Cookie Run:Kingdom Official!
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@fiercefashionfutures
My show, UNSTOPPABLE, is still up at the INCA artist space and will be up until January 22nd, 2016. Viewing hours are Wednesday-Saturday 3-7pm, Closed: 24,25,31 December and Jan 1st incainstitute.org/unstoppable/
With Its New Show, Unstoppable, INCA Strives to Expand the Lexicon of Seattle's Art Conversation
The show opens Friday!
http://incainstitute.org/unstoppable
https://www.facebook.com/events/1681454385463305/
We have an epidemic on our hands, advocates say—and it's getting worse.
Half of the trans women murdered this year have had no charges filed against their killers. One thing we can all do is pressure these police departments to investigate these murders. While I want an end to the prison industrial complex, and ideally I want to see community-based murder investigations happening, we cannot continue to let these murders go completely unaddressed!!!
From Yesenia Valdez: READ AND SHARE!!!!!! #SAYHERNAME #BLACKTRANSLIVESMATTER “Of the 20 trans women killed this year, according to Fusion’s tally, 17 were black or Latina. The remaining three were white. The murders have taken place across the country, including in cities with large LGBT populations like San Francisco, Los Angeles, and Miami. Those are just the homicides that have been documented. The numbers don’t include trans men, or murder cases in which the victim may have been misgendered. They also don’t include transgender people who were shot, stabbed, or brutally attacked and left for dead but survived.” #NOT1MORE #STOPTRANSMURDERS #ICOULDBENEXT
DISCLAIMER: This is an art project, the artists are not making any claims that these instructions will prevent you from being harmed by guns. Consider this website for information purposes only and...
The results of our first round of testing were that yes, used tires can stop bullets from a 9mm pistol and a 5.56 rifle. But, the number of layers required to stop them is inconclusive. We estimate that between 8-10 layers of tire are required. The age and the thickness of the tire may be at play here as well. The Kevlar airbags that we recovered did not stop any bullets. We tested them with one sheet of Kevlar folded to have 8 layers of depth, but further research states that you need 15 layers of depth. We will be doing another round of materials testing soon and posting the results. Check out our new Kevlar Tube Dress designs with Edxie Betts modeling them!
Most famous post of 130186
Our game bundle fundraiser, Devs with Baltimore, has raised about $4000 for Bmore United for Change through the Baltimore Algebra Project! But we’re trying to raise $10k for Baltimore. Please donate and share and help spread the word! The fundraiser ends tonight at 11:59pm! http://devswithferguson.itch.io/bundle2
Liberated Threads: Black Women, Style, and the Global Politics of Soul (Gender and American Culture) [Tanisha Ford] on Amazon.com. *FREE* shipping on qualifying offers. From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond
I can’t wait to read this!!!!!
//
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion.
11 trans-identifying persons model spring’s sharpest looks, and explain what it's like for them to shop beyond fashion's binary.
FEMME4FEMME: Centering Femme Experience in Media Making is coming to AMC 2015!
What is femme identity, and why is it important?
Femme is a queer of color identity that is rooted in embodying a resistive femininity—a femininity that transcends and challenges white supremacist patriarchal ideas of femininity as white, of femininity as weakness, of femininity as not innovative. It is an identity specifically centering those folks who do not have access to traditional femininity. Our femme challenges these notions and embrace femme as power, as survival, as cutting-edge and as community.
Have you ever wished you could be with other femmes who saw you and appreciated your artistry? Have you ever felt like you are invaluable as a femme, or not femme enough? Why is it that men and masculine of center folks expect us to perform labor for our movements without credit? Have you ever felt erased, invisible or shamed in your communities? How can we shift this pattern so that we are at the center of our movements and are remembered for generations to come? Femme4femme is a concept that centers femmes of color as agents of revolutionary change. It is a framework that allows us to support each other without relying on masculine of center people and focus on our own needs and desires.This track will address questions of femme erasure and survival. We will explore how we can come together using media, art and technology to create the stories and visions for ourselves.
We are looking for workshops that:
center around Black femmes, femmes of color, fat femmes, poor femmes, disabled femmes, trans femmes, immigrant femmes, indigenous femmes, femmes who live outside of the US, and femmes who hold many of those identities.
examine the ways femmes are desired, or not desired, and how we can combat internalized femme hatred in our respective communities and ourselves
focus on the ways femmes use media, from the artistry of makeup, to how hair is done, to the way bodies are dressed and how we use these things to survive, thrive and organize our communities
explore the ways that femme experience and femme media can create a vision for a more just society
expand the skills necessary to utilize media in telling our stories to combat femme erasure and authentically represent ourselves
challenge historical narratives that prize masculinity / masc people and whiteness as agents of change
construct strategies to build movements that center femme experiences so that our needs and concerns are met
Please do not hesitate to email us if you have any questions at [email protected]
Proposals are due by March 2, 2015
Click here to find out more about proposing a workshop!
And don’t forget to like us on Facebook!
My original reblog had the wrong deadline submission on it, but the date is correct now. Deadling submission is March 2!
!!!!!
Please donate and share! Only 3 days left for this life changing QT/B/I/POC dance program to get funded! ”Four years ago, I had gave up dancing because i thought there was no space for me as my queer, genderqueer, nerdy sexy, hair growing, poly loving, mixed, chronic injury self in dance. i pulled myself together to perform a solo as my final goodbye to dance, which I ended up performing at Colour Me Dragg. There I connecting with Jelani and Sze-Yang from Ill Nana DiverseCity DanceCompany. If it wasn’t for seeing the possibilities for us to thrive in dance and movement that night, I would have stopped and been a very unhappy creature. Since then, I’ve continued dancing and creating. Now, i help create and make space for folks like me and others to access training and performance. It is so important for our existence to have spaces where we can move, learn about movement and share stories with each other with and through our bodies. It allows folks to become whole-er full-er selves and find avenues for healing that may not have existed before. A different kind of trust and collective strength is built through the process and especially in the Right to Dance 2 Month Intensive.
With that said, I am sharing our fundraiser for the intensive.
We are 3 days away from the campaign deadline! Please share widely, tell a friend, and donate to make sure this intensive can happen.” - Kumari G
(Also, this is not just for Toronto, people travel from far away places to do this intensive!)
"Black women have had to develop a larger vision of our society than perhaps any other group. They have had to understand white men, white women, and black men. And they have had to understand themselves. When black women win victories, it is a boost for virtually every segment of society."
- Angela Davis, activist, author, educator
Happy 70th birthday to one of my favourite sheroes ever!
(via night-catches-us)
oh yea before i forget: for all my disabled/chronic pain-having/shaky-handed femmes, there’s this shop on etsy that sells eyeliner temporary tattoos in packs of 4 diff designs for 4.50 for on those days where the shakiness/pain/etc is too bad to do ur makeup but u still want to look good
u can buy em here
DIOR HAUTE COUTURE par Raf Simons | SS 2015
Sudanese Artist—Rashid Diab
favorite exhibition at Art Basel this year, the legendary jumpsuits worn by Andre 3000.
this is just a few of my personal favorites from the collection.